Shrewsbury festival cartoonist Bill Stott writes:
Amongst all the frenetic cartooning activity at Shrewsbury – the Big Boards, the caricaturing, strolling players in costume, the music, the wonderful weather and the public throng, two tiny incidents serve to underline the public’s liking for good cartoons.
One involved a tiny chap called Pacey who stood with his mum watching me paint my Big Board. Pacey was about five, I’d guess. I’d heard his mum saying things like, ‘‘No, you can’t help.’’ Pacey was undeterred and you could tell he was fascinated as the picture took form. So I asked him if he’d like to write his name on it.
Without hesitation, he wrote, very slowly, with a huge felt tip, ‘‘Pacey’’, all wobbly, in the bottom right hand corner. He was delighted and returned several times to make sure I hadn’t covered it up. Later I found, stuffed in my paint bag, a drawing by him, of his mum and a huge cat. All together – ‘‘Aaaah!’’
Later in the day, whilst doing reverse caricaturing – an esoteric activity involving the subject sticking their head through a hole in a big piece of paper and telling the cartoonist how they would like to be portrayed – another short type called Harry, even tinier than Pacey, got a bit tearful when I started to pack up in order to begin another activity. He’d waited with his mum for ages, been pushed in front of by a huge nine-year-old girl and looked very crestfallen. So I hurried things up and got him sorted.
Anyway, he was absolutely delighted with his picture (a footballer), which, when rolled up, was taller than him. So, while adult crowd members were being enthusiastic about all the surrounding huge cartoons and brilliant caricatures, and proving what cartoonists know is true – people love cartoons – so do little people. Quite possibly more so. Publishers take note. Real drawing for real people.