The Round-up
April 28, 2013 in Events, General, Links, News
Kudos to Procartoonists.org member Huw Aaron, who was recently highly commended in the Cartoonist of the Year category of the 2013 Sports Journalism Awards for his rugby-themed strip, North Stand (the prize was eventually won by The Telegraph’s Matt Pritchett for his coverage of the London Olympics). Huw has also been busy with other projects, including producing stop-motion animations for S4C science programme Corff Cymru.
Following the recent publication of his Gin Lane Gazette, PCO member Adrian Teal has been leading guided tours of London.
Harry Venning, the cartoonist and comedy writer behind Clare in the Community, is opening up his Brighton studio for four weekends during May as part of the Brighton Festival. See the brochure to find out more about the Artists Open Houses event. Harry’s studio is at 93 Islingword Road.
Amazon has launched a new tool enabling cartoonists and comic creators to produce digital versions of their work for Kindle. Read more here.
Graphic journalist Dan Archer tells the BBC about how he uses comic strips to report on major political and social issues. Elsewhere, New Yorker cartoonist Liza Donnelly writes for Forbes about the importance of cartoons by women around the world.
Cartoonists and illustrators including Simon Tofield, Sir Quentin Blake and Peter Brookes are among the artists taking part in Gromit Unleashed, painting statues of the beloved Aardman dog for charity.
And finally, any cartoonist will appreciate the humour in this series of letters about rejection from Mad magazine.
If you come across a piece of cartooning news we might not have spotted, please let us know.









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by Alex Hughes
After Gin Lane: Giving it all away
September 6, 2012 in Comment, General
Following From Gin Lane to the Information Superhighway we see that there are cartoonists who are positively embracing this new era of social media and sharing.
Hairy Steve © Steve Bright @ Procartoonists.org
Webcomics and viral cartoons are a couple of the ways that you can effectively give your work away to the web but get paid back by other means. Successful webcomics work on a business model based on the idea that you give away a regularly updated cartoon on your website and build a following of readers who come back day after day. British examples include John Allison‘s Bad Machinery or Jamie Smart‘s Corporate Skull.
© Peter Steiner @ Procartoonists.org
The profit comes from selling merchandise to the more loyal fans – bound compilations, prints, sketches, T-shirts, toys and so forth. Similarly, viral cartoons can drive lots of new readers to your website. How much money can be directly attributed to virals is arguable, although, for example, the well-known New Yorker cartoon “On the Internet, nobody knows you’re a dog” is said to have earned its creator, Peter Steiner, more than $50,000.
The website Kickstarter has recently become one of the biggest publishers of comic books in the USA, from independent cartoonists using the crowd-funding model to raise money directly from their fan-base. Here in the UK, Procartoonists.org‘s very own Adrian Teal (The Gin Lane Gazette) and Steve Bright (Hairy Steve – in collaboration with Jamie Smart) have developed their own crowd-funded projects.
We’ll be considering another aspect of the communication change – After Gin Lane – and what it means for cartoonists next week
Tags: Adrian Teal, Bad Machinery, Corporate Skull, crowd-funding, dog, Gin Lane, Hairy Steve, Jamie Smart, John Allison, Kickstarter, Peter Steiner, social media, Steve Bright, The Gin Lane Gazette, The New Yorker, viral, webcomics No Comments »