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Free will and cartooning

October 30, 2012 in Comment, General

Bill Stott avatarAn opinion piece by Bill Stott

Free will and cartooning: is this a no-brainer? Or will I realise hitherto unseen and earth-shattering truths whilst typing? A eureka moment like finally figuring out what the symbol on your car’s dashboard resembling a tap-dancing flukeworm represents.

In some countries, drawing cartoons, usually political ones, which laud the state and lampoon the running dogs of whatever the state doesn’t much like (this will inevitably involve Obama’s ears) is a pretty safe bet.

Veer towards graphic criticism of the home side though, and you’re in deep doo-doo. Persist in veering and big blokes appear in the night and break your hands. No free will there then.

Bill Stott cartoon

Cartoon © Bill Stott @ Procartoonists.org

And the hand-breakers don’t just practice their painful ways within the borders of their own country either. They internationalise their state’s repression by blowing you up in the comfort of your own home (given half a chance) thousands of miles away because you disrespected their religion, which IS their state. This is a fairly effective way of severely curtailing the free will of say, a cartoonist in Berkhamstead who comes up with a goodie involving Mohammed and brainwashed bombers.

Of course, we in the developed, civilised world, when not busy invading places a long way away, of which we know little, or selling them arms so that the pro-USA side wins, luxuriate in free will – cartooning and otherwise.

It tends to be the political cartoonists who come to mind if we think about free will, and they do a great job, pushing it to the wire in some eyes, especially if those eyes belong to somebody with broken hands in Longwayawayistan.

Thing is, ours is an old country. Our government rolls with the blows, safe in the knowledge that having the doughty Steve Bell draw you as a shiny condom probably won’t force a general election. And yet that resilience, confidence and apparent belief in the freedom of the press – excepting naughty phone-hacking types – is probably not underpinned by a simple, ingrained sense of fair play.

No, it is maintained by a secret service – a very necessary part of our free world, we are told (often by the secret service), who spook about the place causing things to happen, like one of their own turning up inexplicably dead in a gym bag and now conveniently forgotten by the free press. I don’t recall seeing too many cartoons about that.

The Round-up

April 27, 2012 in General, News

Ali Ferzat

Ali Ferzat © Time magazine

Ali Ferzat, the Syrian cartoonist brutally beaten by members of the Assad regime, has been named one of the 100 most influential people in the world by Time magazine. See the magazine’s reasoning here, and read more about Ferzat in a previous post.

Popeye returns to comics in a new series this month, and the first issue features a variant cover by the Pulitzer-winning cartoonist Jules Feiffer, which you can see here. Comic Book Resources gives it a positive review and asks for more.

Forbidden Planet last week highlighted the remarkable similarities between the poster design for an upcoming Brit flick and a piece of cover art from 2000AD. The film’s production company has since indicated on Twitter that it has recalled the image, but you can still compare the lookalikes here.

Rosie Brooks, “professional doodler” and Procartoonists member, has won a nine-day trip to Cuba. Increase your sense of envy by reading this.

While not specifically about cartooning, a well thought out piece from the Online Journalism Blog underlines the point that creative people are being routinely pressured into working for free, and that this can harm the industry they work in, as well as their own pockets. Read it here.

Avatar of Royston

by Royston

The art of revolution

March 27, 2012 in Events, General

Ali Ferzat cartoon

The Syrian cartoonist Ali Ferzat, who hit the headlines last year when he was beaten up by security police over cartoons that were critical of the Assad regime, has an exhibition at the Mica Gallery, Sloane Square, London, this week.

He told the BBC: “The uprising has redefined art in Syria. It’s exposed the gulf between real artists and mercenaries in the pay of the state. Most – many of them my colleagues – have failed that test. It’s changed what Syrians see as art.”

Read the full interview here.

Cartoon © Ali Ferzat