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Dandy looks back, and forward

October 24, 2012 in Events, News

Dandy exhibition

Dandy characters celebrate 75 years © DC Thomson and Co. Ltd

The Dandy: 75 Years of Biffs, Bangs and Banana Skins opens at the Cartoon Museum in London today.

The exhibition runs until 24 December, effectively out-living the comic itself, as the final print issue comes out on 4 December – 75 years to the day since its launch.

The comic will be moving online though, and the Cartoon Museum says that the exhibition will look forward “as Dandy prepares to embark on a new digital adventure“. It will include some exclusive material from the new Dandy which is currently in development,

Lots of favourite characters from the past feature in the show, such as Desperate Dan, Korky the Cat, Corporal Clot, Winker Watson, Brassneck and Bananaman. Younger readers will be able to see Harry Hill, PreSkool Prime Minister and other recent strips. Visit the Cartoon Museum website for more details.

Cartooning looks to the future

April 6, 2011 in Comment

Matt Bors comic strip excerpt
There’s no doubt that the news media is undergoing something of a traumatic transitional phase, as the move towards digital continues.

But the people who make the cartoons that go with the news appear to have it even worse, particularly in America. As The Economist has noted, those at the forefront of news and comment on the internet, such as The Huffington Post, and Rupert Murdoch’s new venture The Daily, do not appear to believe that cartoons are part of the package.

The magazine has spoken to the cartoonist Matt Bors – see his excerpt from a graphic travelogue covering a trip to Afghanistan, above – to discuss different ways that editorial cartoons can evolve, in an article on the future of cartooning.

Avatar of Royston

by Royston

Cartoons are about ideas, not tools

February 1, 2010 in Comment


Traditional animation: Disney’s The Princess and the Frog

You may have read about the new Disney film The Princess and the Frog, which is out this week. What you may also have read is that it is “a return to hand-drawn animation”.

Bloghorn would like to dispute this by pointing out a simple fact: cartoons drawn digitally are still hand drawn.

The tools may have changed, but it takes as much creativity and drawing skill to create a cartoon digitally as it does using pen and paper. Pixar Animation Studios did not create such awe-inspiring digital films as Toy Story and Up by hitting a key or clicking a mouse.

The Princess and the Frog is, rather, a return to traditional methods of animation, and it’s good too see that these can co-exist alongside digital.

What’s notable is that Disney’s first 2D animated film in five years appears now that Walt Disney Animation Studios is being run by John Lasseter, the creative force behind Pixar and a man who knows that it’s not the tools you use that matter, it’s the ideas and creativity.

Or, as Bob Mankoff, Cartoon Editor of the New Yorker, once put it: “It’s not the ink, it’s the think.”