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The Round-up

September 10, 2014 in Events, General, Links, News

Detail from Scene & Heard on the hacking trial © David Ziggy Greene

Detail from Scene & Heard on the hacking trial © David Ziggy Greene. Click to enlarge

An exhibition of original art by Procartoonists.org member David Ziggy Greene, drawn for the reportage strip Scene & Heard, which has appeared in Private Eye since 2011, is at the Orbital Comics Gallery, 8 Great Newport Street, London, from 12 September until 10 October.

Entitled Scene & Hung, the exhibition ties in with the release of a book collection of Scene & Heard strips, described by Charlie Brooker as “as addictive as shelling and eating pistachio nuts”.

Meanwhile, PCO member Martin Rowson also has a collection out, called The Coalition Book, and is profiled by his local paper in south London.

Moose Kid Comics, the new venture by the cartoonist Jamie Smart and others, is taking over the Cartoon Museum in London for one afternoon only on 20 September, with workshops and talks by Smart, Gary Northfield and others. Booking is advisable: more details at the Cartoon Museum site.

BuzzFeed has a long piece, with lots of cartoons, “readers’ letters” and photos, on the unlikely rise, fall, and rise again of Viz comic.

Private Eye cartoon © Cluff

Private Eye cartoon © Cluff

An exhibition of cartoons, drawings and paintings by John Longstaff, better known as Cluff, is at the Crown Street Art Gallery in Darlington from 20 September until 13 November. Cluff has been the Northern Echo cartoonist since 1990 and is also seen regularly in magazines such as Private Eye.

The Echo has news of an exhibition of Matt cartoons at Nunnington Hall, near York, from 13 September until 2 November. The selling exhibition is organised by the Chris Beetles Gallery.

A few interesting articles from the US: The Atlantic has an interview with the influential political cartoonist Pat Oliphant; Comics Alliance has a career-spanning interview with Berkeley Breathed; and the Huffington Post talks to the Ren and Stimpy creator John Kricfalusi.

The Round-up

July 1, 2014 in Events, General, Links, News

Kate Charlesworth. Photo by Kasia Kowalska

Kate Charlesworth. Photo by Kasia Kowalska

Kasia Kowalska writes:

Twelve cartoonists have been commissioned to create artwork about the First World War to accompany the BBC Radio 4 series 1914 Day by Day, in a collaboration between 14-18 NOW and the Cartoon Museum.

Margaret MacMillan, author of The War That Ended Peace, follows the events that led to the conflict in a daily broadcast at 4.55pm. The Procartoonists.org members Kate Charlesworth, above, with her artwork at the museum, Steve Bell and Ralph Steadman are involved in the project.

Quentin Blake tells Simon Schama that he is “not frightened by the word museum” in an interview for the FT about his inaugural exhibition at the new House of Illustration, in King’s Cross, London. The exhibition, called Inside Stories, runs from 2 July to 2 November and includes illustrations for children’s books as well as artwork for Candide by Voltaire. UPDATE: The BBC News website has a new feature on the House of Illustration.

From the Satirical City exhibition by Martin Rowson

From the Satirical City exhibition by Martin Rowson (click to enlarge)

PCO member Martin Rowson has an exhibition of London-themed cartoons called Satirical City at the Building Centre until 12 July. The exhibition marks the 15th anniversary of London Communications Agency and displays close to 120 cartoons, drawn over the past 15 years, and a new mural. The cartoonist talks to BBC London News about the exhibition here, and writes about it here.

Andy Murray kicked off Wimbledon by becoming a guest editor of The Beano. “This might be my greatest title yet,” he told The Guardian.

What connects Finding NemoBambi and countless other cartoons? The writer Sarah Boxer (In the Floyd Archives) asks Why are all the cartoon mothers dead? in an article published by The Atlantic.

Moose Kids Comics launched online

Moose Kids Comics is available as PDF for free

The new kids’ publication Moose Kids Comics, above, brainchild of the cartoonist Jamie Smarthas launched for free online but is on the look out for a publisher.

The BBC has a report on the elaborate appeal of William Heath Robinson. The building of a museum to house his work begins in the autumn.

Following the exodus of Spain’s top cartoonists from the satirical magazine El Jueves last month (we covered that here), a rival digital version has appeared online titled Orgullo y Satisfacción (Pride and Satisfaction). It has had 30,000 downloads since its launch a few weeks ago. The digital magazine will become a regular monthly publication from September.

The 31st Aydın Doğan International Cartoon Competition in Turkey announced its winners, with the top prize going to the Turkish cartoonist, Kürşat Zaman. More than 800 cartoonists from 70 countries took part and the panel of judges was led by the cartoonist Liza Donnelly, of The New Yorker, and included the Cartoon Museum curator Anita O’Brien.

The US cartoonist Etta Hulme has died. She was twice named best editorial cartoonist by the National Cartoonist Society and was the subject of the documentary Trailblazer: The Editorial Cartoons of Etta Hulme. And one of the most distinguished US sports cartoonists, Amadee Wohlschlaeger, has died, aged 102.

© Charles Barsotti/The New Yorker

© Charles Barsotti/The New Yorker

Finally, we remember the New Yorker cartoonist Charles Barsotti, who died on 16 June. He is fondly remembered by the magazine’s cartoon editor Bob Mankoff. And there is a selection of Barsotti cartoons on his favourite theme here.

The Round-up

April 15, 2014 in Events, General, Links, News

Gerald Scarfe and drawings from Scarfe's Bar courtesy of and © The Spectator

Gerald Scarfe and drawings from Scarfe’s Bar © The Spectator

Kasia Kowalska and Royston Robertson write:

Cartoonists and alcohol are often linked, and now one of the UK’s best known political cartoonists, Gerald Scarfe, has a bar named after him at the Rosewood Hotel in Holborn, London. The Spectator has more and the Telegraph has a video in which the cartoonist talks about the drawings on the walls.

Congratulations go to Peter Brookes of The Times, who was named cartoonist of the year at the British Press Awards. In the US, of course, they give cartoonists the Pulitzer Prize. You can watch Kevin Siers of the Charlotte Observer honoured by work colleagues here.

Private Eye cartoonist and Procartoonists.org member Tony Husband has recently been out and about, taking cartooning to the people.

A dog is a man’s best friend and William Hogarth‘s was a pug. Lars Tharp reveals the 18th century artist’s obsession with his four-legged companion in conversation with Clare Barlow, the National Portrait Gallery’s assistant curator.

Hot on the heels of The New Yorker’s cartoon editor Bob Mankoff, who is tirelessly promoting his memoir (including here and hereRoz Chast of the magazine also has an autobiographical book out, called Can’t we talk about something more pleasant?

For those eager to embrace new technology, a team of designers has developed a 3D sketching tool called Gravity. It is designed for sketching in “immersive augmented reality”, apparently, and you won’t need a computer to use it.

Phoenix Children's Comic Festival poster

Phoenix Children’s Comic Festival. Click to enlarge

The second Phoenix Children’s Comic Festival will take place at the Story Museum in Oxford in May. Among the guests will be Jamie Smart and Matt Baker from the comic. Meanwhile, DownTheTubes.net wonders whether comics are made for children any more, or are they being made for adults?

Ever wondered why cartoon characters on cereal boxes always have a similar expression? The Daily Mail reports that, according to a Cornell study, they always stare downwards to appeal directly to young children in supermarkets.

Hayao Miyazaki, the acclaimed animator and founder of Studio Ghibli, which will celebrate its 30th anniversary next year, is to retire. The BFI is running a Studio Ghibli retrospective throughout April and May. Miyazaki is also one of the nominees at the Reuben Awards for his latest film The Wind Rises.

The Round-up

July 8, 2013 in General, Links, News

Above: Cartoon editor Bob Mankoff on the anatomy of a New Yorker cartoon. Over at New Yorker HQ, Mankoff’s blog features a guest column about using cartoon captions in the classroom.

Several months after taking The Dandy purely digital, DC Thomson has suspended its existing app, saying that “the technology and format have let us down”. But the company has stressed that this is not the end of Britain’s longest-running comic.

A spokesperson said: “Discussions and planning are already under way to re-examine The Dandy’s digital offering. It is still too early to announce what form this next stage will take but we would like to reassure readers that The Dandy remains a very important part of the company’s plans for the future.”

We at Procartoonists.org will revisit the story when there is more to tell.

Meanwhile, the Dandy contributor Jamie Smart has taken the opportunity to voice his opinions about what could be done to strengthen the British comics industry.

In a timely slideshow, Howard Tayler, a webcomic creator, looks at how cartoonists can succeed in the digital world.

Jonathan Pugh, the regular pocket cartoonist for the Daily Mail and procartoonists member, has a new range of greetings cards available online. Click here to peruse them.

And finally, how much do you know about the humble pencil?

The Round-up

February 24, 2013 in General, Links, News

 

© Bob Godfrey @Procartoonists.org

We are sad to note that Bob Godfrey, the much-loved cartoonist behind Roobarb and Custard (above) and the equally wonderful Henry’s Cat, has passed away at the age of 91. Obituaries for the Oscar-winning animator can be found at The Guardian, The Telegraph and the BBC. The Guardian also offers a guide to Godfrey’s career in clips. In a sad coincidence, Richard Briers – who narrated Roobarb – died last Sunday.

The Telegraph is celebrating 25 years of pocket cartoons by Matt Pritchett, with a series of short videos in which the cartoonist discusses his work and looks back over his career so far. Begin by finding out about Matt’s typical day; other clips look at his first front-page gag, the tricks of the trade, his favourite cartoon of 2013 thus far, and how he’s turning into one of his characters.

Jamie Smart has plans for a new children’s comic, initially to be made available online for free, in which all characters will be creator-owned. He is on the lookout for cartoonists to join his Moose Kid Comics project – for which he hopes to attract investors and subsequently launch in print form. Read more and find out how to get involved here.

Finally, a Google doodle on Friday celebrated what would have been the 88th birthday of Edward Gorey. See the doodle at full size here.

The Round-up

December 22, 2012 in General, News

© Jamie Smart – Fumboo.org @ Procartoonists.org

They said it would be the end of the world, but they were wrong … The Dandy is still with us (albeit in digital form), as mentioned here last week. There is, however, a documentary on 75 years of the comic, Just Dandy, showing on BBC One on New Year’s Eve, featuring contributions from the likes of Frank Skinner, Brian Cox, Bill Paterson and Nick Park. The programme is only being shown in Scotland, sadly but perhaps it will turn up on the iPlayer.

Following on from last week’s series of articles in the New Statesman celebrating British comics, the Economist chips in with an article on the rise of the webcomic, whilst their editorial cartoonist Kevin ‘KAL’ Kallaugher reflects on 35 years of drawing for the magazine.

For another perspective on the state of British comics check out Dandy contributor Jamie Smart’s blog post “I love stupid comics”.

Less happily, The Guardian reports the death of its longtime cartoonist and illustrator Peter Clarke.

 

After Gin Lane: Giving it all away

September 6, 2012 in Comment, General

Following From Gin Lane to the Information Superhighway we see that there are cartoonists who are positively embracing this new era of social media and sharing.

Hairy Steve © Steve Bright @ Procartoonists.org

Webcomics and viral cartoons are a couple of the ways that you can effectively give your work away to the web but get paid back by other means. Successful webcomics work on a business model based on the idea that you give away a regularly updated cartoon on your website and build a following of readers who come back day after day. British examples include John Allison‘s Bad Machinery or Jamie Smart‘s Corporate Skull.

© Peter Steiner @ Procartoonists.org

The profit comes from selling merchandise to the more loyal fans – bound compilations, prints, sketches, T-shirts, toys and so forth. Similarly, viral cartoons can drive lots of new readers to your website. How much money can be directly attributed to virals is arguable, although, for example, the well-known New Yorker cartoon “On the Internet, nobody knows you’re a dog” is said to have earned its creator, Peter Steiner, more than $50,000.

The website Kickstarter has recently become one of the biggest publishers of comic books in the USA, from independent cartoonists using the crowd-funding model to raise money directly from their fan-base. Here in the UK, Procartoonists.org‘s very own Adrian Teal (The Gin Lane Gazette) and Steve Bright (Hairy Steve – in collaboration with Jamie Smart) have developed their own crowd-funded projects.

We’ll be considering another aspect of the communication change – After Gin Laneand what it means for cartoonists next week

The Round-up

August 24, 2012 in General, Links, News

© Martin Rowson for The New Statesman @ procartoonists

After The New Statesman published this cover story in its current edition, The Spectator has responded by calling on the NS to publish more cartoons. Not a bad idea, if we say so ourselves…

Comics expert Paul Gravett interviews illustrator and picture-book author Shaun Tan over on his blog. As prevously mentioned, Tan will be in conversation with Quentin Blake at a Comica event this Monday, for which tickets have sold out.

Following the announcement that The Dandy is to cease printing in December, Charlie Brooker argues that the move to online-only is only natural – and also writes about his own early experiences as a cartoonist. Read the piece here. Elsewhere, Dandy regular Jamie Smart calls on other artists and comic fans to work together for the benefit of the medium. Read his views on the direction comics should take here.

Forbidden Planet has a sneak peak of Hunt Emerson‘s new adaptation of Dante’s Inferno, due out in October.

And finally, just to disprove all those people who think that capturing a likeness is easy…

The Round-up

August 19, 2012 in General, Links, News

© DC Thomson

The Dandy has received a huge amount of media interest since our post earlier this week about the comic’s struggle for survival, and sadly it has now been announced the last print edition will be published in December.

Judge Dredd co-creator John Wagner has paid tribute to the comic, and the Dandy cartoonists Jamie Smart, Lew Stringer and Procartoonists.org member Alexander Matthews have all said their piece in support of the comic, which will continue online. In a report for the BBC, Anita O’Brien, curator at The Cartoon Museum in London, points out that this does not signal the demise of comics as a format.

In happier Dandy-related news, publisher DC Thomson has teamed up with the University of Dundee to launch a competition asking cartoonists to revamp one of the comic’s old characters. Read more here.

Cartoonist Joe Sacco talks about the inevitable impact of subjectivity and morality on his war reportage, while a thought-provoking article considers the importance of truth and honesty in autobiographical comics.

Finally, Matt Pritchett, the celebrated pocket cartoonist for The Telegraph, tells the paper about how his experience of the housing market has inspired some of his pithiest cartoons.

Stolen artwork

January 16, 2012 in Comment

As a part of a short series about copyright and artist rights Bloghorn is pleased to have received permission from comics artist Jamie Smart to reproduce a piece of his work below. We think you will enjoy it. Includes use of profanities to make a point.

Bloghorn: jamie Smart cartoon about copyright and licensing

And if they do, it pays to know your rights so you can defend the value of your work.