End of an era at Private Eye
December 17, 2012 in Events, News
Private Eye magazine says farewell to its longtime art director Tony Rushton tomorrow, with a party near its offices in Soho, London.
Tony has been with the magazine for 50 years, joining at issue 11, and is responsible for the old-school “cut n’ paste” look to which Britain’s leading satirical magazine has doggedly stuck over the decades.
He’s also the man the cartoonists deal with, though the ultimate decision on what goes in the mag is made by Ian Hislop, the editor. Pete Dredge, a Procartoonists.org member and Private Eye veteran (sorry, Pete) told us:
“Receiving a ‘Good morning, good morning, it’s Tony Rushton’ phonecall is usually a precursor of good news for cartoonist contributors to Private Eye. An acceptance of a single gag idea, or more rarely, a cartoon strip commission, is usually heralded by a call from Tony.
“Things do change at the Eye but usually inperceptibly – when did Colemanballs become Commentatorballs? – so it will be interesting to see how Tony’s departure after 50 years will have an impact on the unique look of the mag, a look that has borne the Rushton stamp for all these years.”
The Independent has a profile of Tony here, which features this key quote:
“If you took away the cartoons from Private Eye it would be a very boring magazine, a worthy, boring magazine.”
Procartoonists.org says amen to that and wishes Tony Rushton the very best for his retirement.
Photo from V&A’s Private Eye at 50 video, via Eye magazine (a different one)














Disclaimer: Any opinion expressed here is that of the named individual and not that of the UK Professional Cartoonists' Organisation unless explicitly stated. Artwork attributed to a named author or publication on this diary should be noted by anyone linking to us from any other site. Thank you. If you wish to reproduce an image please contact the artist from
by Royston
How to not get into The New Yorker
September 7, 2011 in Comment
Cartoon © James Sturm
If you don’t follow the Bloghorn on Twitter (you should: @bloghorn) you may have missed this article that we highlighted recently.
James Sturm, an artist better known for graphic novels, decided to try his hand at gag cartooning for the most competitive, exclusive market there is. He writes about his exploits for Slate magazine here: How hard is it to get a cartoon into The New Yorker?
He tells of how he enjoyed the freedom of gag cartooning, how his meeting went with the magazine’s cartoon editor Bob Mankoff, and how he ultimately didn’t get into The New Yorker. But he did have lunch with lots of cartoonists, so it’s not all bad news.
Tags: gag cartoons, James Sturm, magazine cartoons, rejection, The New Yorker 1 Comment »