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The Round-up

June 8, 2013 in Events, General, Links, News

© Bert Hackett @Procartoonists.org

Arts venue mac birmingham is planning to host an exhibition of more than 100 artworks by Bert ‘Gemini’ Hackett, long-time cartoonist for The Birmingham Post. Donations are being sought towards the running of the show, and the appeal closes on 16 June. The exhibition will run from 29 June until 1 September. More details can be found here.

The New York Times profiles Khalid Albaih, ‘a cartoonist with an attitude’ who has inspired discontented youth across the Arab world. Read the article here.

Christian Adams, the political cartoonist for The Telegraph, has posted this short video showing how he roughs out one of his cartoons.

Christopher Booker – the first editor of Private Eye – writes for The Spectator about the short but brilliant career of cartoonist Timothy Birdsall. Read Booker’s article here.

Cartoons feature in a new exhibition exploring the emerging art scene in Iraq, as the BBC reports.

Ralph Steadman has designed a poster for the upcoming Duchamp Centenary Celebration in Herne Bay, which recognises the famous Dadaist‘s connections to the Kent town. Our chairman, Nathan Ariss, comments on Steadman’s involvement with the festival in this article.

Entente cordiale at St Just festival

October 22, 2012 in Events, News

The Surreal McCoy reports on the recent St Just Cartoon Festival

Spotlights on the Brits exhibition

Nathan Ariss salutes the Spotlights on the Brits exhibition, and an Olympics cartoon from the show by © Roger Penwill @ Procartoonists.org

Entente cordiale. Sounds like something you find on the shelf alongside the bottles of elderflower and blackcurrant flavours right? Wrong.

Actually, the final weekend of the St Just Cartoon Festival, near Limoges in France, was full of such friendly understanding, with 100-plus cartoonists and caricaturists mingling with each other and the general public with great bonhomie.

I was attending as the European liaison officer for Procartoonists.org, along with chairman Nathan Ariss, to represent UK cartoonists, most of them members of our organisation, whose work was being exhibited as Spotlights on the Brits.

The St Just committee had asked for cartoons on the themes of the Queen’s Jubilee and the London Olympics. Our members duly responded with a wide variety of caricatures and cartoons that were prominently displayed in the purpose-built exhibition hall.

Billeted with local familes for the weekend, we were treated with great hospitality. Food and drink was plentiful, long tables were the order of the day. There was much to see on the walls, from the Cartooning For Peace display on elections around the world to the extraordinary rat paintings.

Manu at work

The cartoonist Manu draws for the crowds at St Just @ Procartoonists.org

Cartoonists set up shop with their books and comics for sale on the big round tables. Visitors were caricatured and cartooned, business cards exchanged, contacts made.

The American editorial cartoonists Daryl Cagle (Cagle Post Syndication) and Eric Allie gave a presentation on the state of political cartooning in the US.

On the Saturday afternoon, a brown carpet was rolled out and more mystifying visitor arrived. The area is famous for its Limousin cows so the festival was being honoured with a visit from one of them. It was not, as we had initially thought, the French penchant for a Surrealist installation.

The St Just cow

The St Just cow. Not a Surrealist installation @ Procartoonists.org

The cow also doubled up as a prize for cartooning achievement – this year it went to the French cartoonist Aurel. (Apparently it’s the same cow every year, which would explain why she was completely unfazed by the paparazzi’s flash bulbs.)

Sunday morning saw a large assembly of cartoonists crammed into the local priest’s drawing room for the traditional drinks party he hosts each year. We all spilled out into the courtyard in front of the 12th century church in a pastis-induced blur of congeniality before boarding the special cartoonists’ carriage of the Paris train.

A little knowledge of French can get you a long way, mais oui!

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by Royston

Cartoons kick over the statues at V&A

October 19, 2011 in Events

Private Eye: The First 50 Years

After much media hoopla, Private Eye: The First 50 Years opened at the Victoria & Albert museum in South Kensington, London, yesterday. The exhibition will run until January 8.

The free exhibition explores the wealth of artistic talent that the magazine has showcased since 1961 and features original artwork for some of the funniest Private Eye cartoons.

Cartoonist Nathan Ariss attended the private view. He writes:

“According to one insider it was ‘the most fun’ the reverent halls had witnessed in decades. Yes, the PE PV at the V&A was AOK, and deemed a rather fine night indeed.

“A [insert collective noun here] of cartoonists were interspersed with some serious marble statues and seriously well-off people and then somewhat embarrassed by a warm and gracious speech from the Editor, [Is this guy after an OBN? – Ed], Ian Hislop, who paid full tribute to the importance that cartoons have played in the magazine’s success.

“I imagine the exhibition will be equally as enjoyable as all the sparkling repartee and champagne on the night itself, but I’m afraid I became somewhat tired and emoticon as the night wore on. Thankfully the exhibition is still on until the new year.”

National Association of Builders Convention by Ken Pyne

National Association of Builders Convention by Ken Pyne

Many cartoonists started their careers at the magazine, and they can be seen in this show, including Gerald Scarfe, Ralph Steadman, Willie Rushton, Barry Fantoni, Nick Newman and Michael Heath

There are lots of cartoons in the show by members of the PCO, which runs the Bloghorn, such as Andrew Birch, Wilbur Dawbarn, Neil Dishington, Pete Dredge, Len Hawkins, Martin Honeysett, Tony Husband, Ed McLachlan, Alexander Matthews, Ken Pyne, above, Royston Robertson, Mike Turner, and the PCO patron Bill Tidy.
Private Eye editor's office

The cartoons are in themed sections, on politics, royalty and social observation. There are single-panel cartoons, long-running strips and caricatures.

Hislop has chosen 50 of the best front covers, one from every year the magazine has been published. The exhibition also evokes the atmosphere of the magazine’s Soho office, with a recreation of the Editor’s desk, right, and a messy production table.

Here’s a round-up of some of the many Private Eye: The First 50 Years features you can currently see on the net:

A behind the scenes look at the production of the Eye, including a video of how a Ken Pyne cartoon progresses from idea to page, can be seen on the V&A site.

The Private Eye blog has a piece on putting the exhibition together.

Fifty years of Private Eye as seen by The Wall Street Journal

… and by Creative Review.

Ian Hislop takes the BBC’s Will Gompertz on a tour of the exhibition. The site also has political leaders and pundits giving their views of Private Eye

And finally, to coincide with the 50th celebrations, the Chris Beetles Gallery has an online exhibition selling artwork by Private Eye cartoonists.

Foghorn magazine – Issue 48

December 16, 2010 in News

Just in time for Christmas, the latest issue of Foghorn, the cartoon magazine of the Professional Cartoonists’ Organisation has been published. Featuring a festive cover by the PCO’s The Surreal McCoy, the magazine is available to subscribers for the very merry price of £20 for six full colour issues – all delivered down your chimney (or through your door).

What’s inside?

Ian Ellery treats us to a very Stanley Unwin Chrimbletide
A short history of the Christmas card by Chris Madden
Nathan Ariss relates some seasonal thespian tales of Mason Ayres
Mike Williams tells of his first taste of Punch
The partridge gets well stuffed by Neil Dishington
And  you’ll find a full page of Wilbur Dawbarn cartoons!

Plus…

…all the regular features - Buildings in the Fog, The Critic, The Foghorn Guide to…, The Potting Shed, Andy Davey‘s ‘Foggy’ strip and many more random acts of humour crammed in wherever we could find room.

You can read older issues of Foghorn online here, right up to our most recent issue.

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by Royston

Shrewsbury 2010 #6

April 25, 2010 in General

Cartoon by Nathan Ariss

The cartoon-reality crossover

November 26, 2009 in General

News of a movie deal for David McKee‘s Mr Benn – and also of a nice tribute to Festing, or Festive Road. Spotted by PCOer Nathan Ariss

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by Royston

Bloghorn victorious in Battle

September 14, 2009 in General

bigdraw2009_2
After several years as the plucky underdog, the Professional Cartoonists’ Organisation’s team, this year rebranded as Team Bloghorn, has finally emerged victorious from the annual Battle of the Cartoonists.

Our team came joint first with Private Eye in the Big Draw event in which four teams completed a large banner on the theme of “Now We Are Ten”, celebrating a decade of The Campaign for Drawing. They faced stiff competition from teams from The Sun and The Independent.

bigdraw2009_1
A banner year: The Bloghorn team was made up of, left to right, Andy Bunday, Clive Goddard, captain Pete Dredge, holding the cup, who oversaw proceedings, and Nathan Ariss

bigdraw2009_4
Work in progress: Clive and Pete get drawing. Click here, to see the full, completed banner

In a post-match interview, Pete told the Bloghorn: “Justice and victory at last for the PCO’s Battle of the Cartoonists’ team, albeit jointly with the Eye (Shurely shome mistake – Ed). What seemed like a clear-cut decision was mysteriously drawn out into a “cheer-off” head-to-head. And even then our clearly louder decibel reading was insufficient for us to be declared outright winners. A big draw indeed!”

bigdraw2009_5
Joint winners: The Private Eye team, left to right, Simon Pearsall, Richard Jolley and Ken Pyne, also a PCO member, with MC Andrew Marr, who is a patron of the PCO

But the event is not just about the glory of winning. PCO members Tim Harries, and Cathy Simpson were on hand to run drawing workshops for children and adults at the event, which took place at the Idea Generation gallery in Shoreditch, London.

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Drawn to it: Cathy Simpson hosted a workshop for children

The workshoppers were ably assisted by The Surreal McCoy. All photographs here are by Gerard Whyman, who was on hand as the official PCO photographer.

Team Bloghorn announced!

August 26, 2009 in General

bd_banner2008Clive Goddard, Andy Bunday and Nathan Ariss will be representing the PCO in the form of Team Bloghorn at this year’s Big Draw Battle of the Cartoonists challenge on Saturday 12th September, 2-5pm at the Idea Generation Gallery, 11 Chance Street, London E2 7JB (map).

Team Bloghorn is understood to be up against Dave Brown’s Independent and Andy Davey’s The Sun teams with, possibly, Private Eye too.

The Professional Cartoonists’ Organisation previously competed in the Battle of the Cartoonists in 2008 and 2007

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by Royston

Shrewsbury 2009 #12

April 23, 2009 in General

shrewsbury12_ariss

Artist of the Month: Nathan Ariss

January 30, 2009 in Events

Bloghorn_cartoon_Nathan_Ariss_no4

Nathan Ariss tells Bloghorn what and who makes him laugh in the last of our posts about him and his work:

I admire any stand-up or sit-down comedian who can actually make me laugh as I’m quite a tough audience. I enjoy clever, quick-witted jokes, but I can also go for gentle, human, observational stuff and even the lightest of whimsy (so long as it’s delightful). I love the strength and simplicity of purely visual – “silent” – comedy and revel in surreal, lateral and blatantly absurd cartoons, because I think I must be really smart to “get” them.

A simple name-check of artists would have me list Quentin Blake, for sheer freedom of line and overall life-affirming execution; early Searle, (particularly Molesworth and St. Trinian’s), and Thelwell both for their superb techniques for what is, in essence, simply getting black on white. Hargreaves for required lessons in describing movement; David Low’s war cartoons; Posy Simmonds, Jean-Jacques Sempé, Charles Ardizzone, David Gentlemen and Chris Orr, variously, for illustration; Mort Drucker and David Stoten for characterisation; Liberatore’s RanXerox, Manfred Deix and Terry Gilliam for grotesques; Don Martin, Gary Larson, Gilbert Shelton, Robert Crumb, Hunt Emerson, Frank Cotham, “Bud” Handelsman and Holte, all for various style and cartoon services rendered; and finally, nearly everyone I can think of with that casual, “free-line” feel: Scarfe, Steadman, Larry, Tidy, Hoffnung, Bretecher, Husband, Lowry, Feiffer, Sorrel, and Myers, not to mention more than a few of the artists currently frequenting the membership pages of the PCO.

Not content with Nathan’s efforts to answer this question, Bloghorn ruthlessly asked him how he sees the future of cartooning in the digital age:

I tend to believe that the future is full of unexplored possibilities and is not one automatically to be feared. Yes, these are serious times for humourists, but I am determined to remain positive about the prospects for the arts in general, no matter how impoverished and altered the markets may become. Cartooning, it seems to me, is the last remaining art form which is not recognised as such, and I believe that the next decade will see a better appreciation and understanding develop for the craft in its own right. There are some exceptional talents currently working in this country, and who knows? We may just have entered a glorious new age of the modern cartoonist.

Bloghorn thanks Nathan for his thoughts over the past four weeks and promises a new artist of the month next Friday. Please come back to find out who it will be.