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The Round-up

May 10, 2013 in Events, General, Links, News

© Christian Adams for The Telegraph @Procartoonists.org

The Premier League was rocked this week by the unexpected news of Sir Alex Ferguson‘s retirement, and cartoonists had a ball with it (sorry). In The Telegraph, Christian Adams put the news in context (above), while Matt Pritchett drew parallels with another recent shock resignation. Over in The Guardian, Kipper Williams considered the impact on industry. On the news that David Moyes is taking the reins, Procartoonists.org member Andy Davey pictures the handover in The Sun.

Rob Murray (full disclosure: the writer of this post!) will be opening up his studio to the public from 16-19 May, exhibiting and selling original cartoons from Private Eye, Reader’s Digest, The Spectator and elsewhere as part of the Summer Open Studios show at Wimbledon Art Studios. Entry is free and all are very welcome.

Stephen Collins celebrates the publication of his new book, The Gigantic Beard That Was Evil, with a launch party this evening at Gosh! in London. See preview pages in the ‘Big Comics’ section of his website.

Own-it offers a helpful and concise look at the ongoing controversial changes to UK copyright legislation, which pave the way for licensing of orphan works. Read it here.

An obituary for Margaret Groening reveals that her son – Simpsons creator Matt – believes in writing about what (or who) he knows. The Telegraph picks up on the story and provides this handy interactive family tree.

And finally, having recently challenged New Yorker cartoonists to a reverse-engineered caption contest, cartoon editor Bob Mankoff invites readers to have a go.

 

The Round-up

May 4, 2013 in Events, General, Links, News

 

Frank Sidebottom holds a copy of Oink! @Procartoonists.org

A new documentary is being planned about anarchic TV icon Frank Sidebottom (aka Chris Sievey). In the guise of Frank, Sievey contributed strips to Oink! in the late 1980s. Director Steve Sullivan says the film “will cover Chris and Frank’s whole career, including focusing on his work as a comic creator and illustrator.” Sullivan has turned to crowd-funding to kick-start the project, and raised over £11,000 from Frank fans in his first day of fundraising. Read more about the project here.

The documentary is not to be confused with this fictionalised take on the Sidebottom legend, which will star Michael Fassbender.

Procartoonists.org member Ralph Steadman was sadly too unwell to attend the private view of his Steadman @ 77 retrospective at the Cartoon Museum in London this week. But the exhibition has already been receiving good press, including this piece from the Camden New Journal. The paper also reports on the theft of a Steadman original from a nearby pub following the private view.

Bloomberg Businessweek looks at the new British legislation that may change the way images are used on the internet, particularly when it comes to orphan works. Every cartoonist – or user of online materials – should brush up on this. For more on copyright law, and advice on how to protect your work online, look back at our previous posts on the subject here and here.

The Brighton Festival begins this weekend, and Harry Venning isn’t the only cartoonist opening up his studio to the public. PCOer Guy Venables and Private Eye/Independent cartoonist Grizelda will also be inviting visitors into their workspaces. Find out more about the festival here. The Spectator also has coverage of the Artists Open Houses.

For those who like lists, Buzzfeed has produced this handy run-down of historic cartoons that changed the world.

And finally, some encouraging signs from the next generation: Dutch teenagers have been clamouring for political cartoons in 7Days, a weekly newspaper for young people in the Netherlands. The editorial team have listened, and topical cartoons are now appearing courtesy of Cartoon Movement.

 

The Round-up

April 12, 2013 in General, Links, News

© Ed Fisher/Cartoon Bank @Procartoonists.org

Cartoon captions are a major theme in this week’s Round-up. Bob Mankoff, cartoon editor of The New Yorker, looks back at the work of Ed Fisher (including the excellent meta-cartoon above), and also recalls some of the best caption contest entries by Roger Ebert. Both Ebert and Fisher passed away recently.

Over at The Telegraph, editorial cartoonist Christian Adams has unveiled his first caption competition, and is offering the original artwork as a prize for the best suggestion. Each contest will be topical, and this week’s features the late Baroness Thatcher. Head over to his blog to enter.

Unsurprisingly, Thatcher has been the subject of many cartoons in the past week or so. Gerald Scarfe, a cartoonist famous for his savage depictions of the former PM, talks about his relationship to his subject in this Q&A for the BBC. Elsewhere, David Ziggy Greene posts a piece he wrote and drew for French satirical weekly Charlie Hebdo back in 2010. Read it here.

One of our members, the delightfully talented Gabriel Alborozo, has launched a new project. Simple Pleasures celebrates those small moments in life that make everything a little better. Alongside his own ideas, Gabe is taking suggestions from visitors to the site. You can also follow the project.

A new documentary film, Dear Mr. Watterson, celebrates the world of Calvin and Hobbes, while the strip’s creator, Bill Watterson, is also discussed in this article from Salon which argues that we should all respect the great man’s privacy.

The Round-up

April 7, 2013 in General, Links, News

Above: The Gin Lane Gazette, produced by Procartoonists.org member Adrian Teal, has now hit the shops. The book receives an enthusiastic academic review here, showing that it’s not only a lot of fun, but also bang on target. Elsewhere, Ade explains how he went about crowd-funding the project.

Mike Barfield, the man behind Apparently in Private Eye, has also been working on a new book. Swat! A Fly’s Guide to Staying Alive is published on 16 April. In the meantime, you can read an interview with Mike here.

Cartoonist Simon Chadwick will be abseiling down the Spinnaker Tower in Portsmouth on 27 May to raise money for the Myositis Support Group. Simon has previously written and illustrated a children’s book, Teddy-Bo’s Feeling Tired, a copy of which is given to every child diagnosed with the condition. To sponsor Simon and support his abseil attempt, click here.

Rachel Cooke of The Observer describes a favourite cartoon by Tom Gauld, in a comment piece about the need to separate art from artist.

And finally, the comics artist Lew Stringer has launched a new blog. It focuses solely on his own work, old and new – unlike his previous venture, Blimey!, which became a Herculean task as he looked at the entire history of British comics. We say fair play to Lew (and, after all, Blimey! can still be seen here) and it’s always nice to see works in progress. Check it out.


How to protect your work in public

March 20, 2013 in General, News

Following on from our recent post about copyright, heres some straightforward advice from Silvia Baumgart, Programme Manager at Own-it, about how a cartoonist (or any other kind of artist) can protect their work online and elsewhere:

  • Sadly, it is practically impossible to ensure that work appearing on the internet is not being downloaded, copied or amended without permission. Own-it strongly recommends that any images of your work are uploaded at low resolution (typically 72 dpi) and watermarked, both of which will make it harder for someone to misappropriate your work.
  • All watermarks should include the copyright symbol (©), your name, and ideally the date of creation or date of first publication.
  • Another option – when emailing images to potential clients – is to use Creative Barcode, a service that protects your images and requires a client to click through and agree to terms of use before they can even see your work.
  • If you’re happy for your work to be used by others in limited circumstances, you can use Creative Commons licences. This non-profit service enables creative work to be shared, with the copyright holder deciding how it is used and for what purpose.
  • Silvia describes Creative Commons as a legally simple and flexible licensing system, but also sounds a note of caution. Disadvantages can include the fact that the licences it grants are perpetual and irrevocable (so you cannot change your mind at a later date). If you allow other users to make “derivatives” of your work, you have no control over the extent to which they modify it, and there is also a grey area when it comes to what is classed as commercial or non-commercial use. Find out more before making a decision.
  • Social-networking sites have created another potential minefield for artists. Twitter, Facebook and the rest all have their own particular terms and conditions, but in general, by sharing your work on these sites you indemnify all service providers against any claims brought against them by third parties in relation to the content you post.
  • When it comes to social networks, Own-it recommends that you only post your own work, unless you have permission from the copyright holder. If you don’t have permission but are confident that you are sharing the work in order to promote it, you should always credit the author, with a link to their website, and ideally let them know you have posted it.
  • If pitching for a job and sharing your designs with a potential client, Silvia recommends that you ask the client to sign a non-disclosure agreement in advance, use Creative Barcode (as above), or send an email ahead to say that anything discussed or shared will be treated as confidential.
  • Copyright also gives a cartoonist or illustrator the moral right to object to a publisher cropping or editing their images. In reality this is rarely done for fear of losing repeat business – but it is important to note that, in principle, the copyright holder has the right to expect their work to be used as originally supplied.

Own-it provides free legal advice to help artists solve intellectual property issues. Our thanks to Silvia for allowing us to share some of her advice on the blog.

 

The Round-up

March 15, 2013 in General, Links, News

© Colin Whittock @Procartoonists.org

Our colleagues in the Cartoonists’ Club of Great Britain (CCGB) have produced The Little Red Nose-E-Book Of Cartoons in aid of Comic Relief. It features 101 cartoons by CCGB members, including the gag above by Colin Whittock, who is also a Procartoonists.org member. The e-book costs just £1.59 (with all proceeds going to the charity) and can be downloaded here.

Also to coincide with Comic Relief, Forbidden Planet asks comics professionals to pick their favourite humorous strips. The list includes the dark and desolate Viz strip, Drunken Bakers, drawn by Procartoonists.org member Lee Healey. Read the full article here and see if you agree with the selections.

Ralph Steadman, the world-renowned cartoonist and yet another of our members, is the subject of an upcoming exhibition at London’s Cartoon Museum. Steadman at 77 opens on 1 May. and runs until 21 July. Find more details here.

Ian Hislop and his frequent collaborator,  the cartoonist Nick Newman, have written a new film for BBC Two that focuses on a First World War forerunner to Private Eye. Read more here.

Finally, the illustrator Alex Mathers explains how he found himself drawing Google Doodles — arguably the most widely seen drawings in the world on any given day — and draws some useful conclusions. Read it here.

Ten things you might not know

about copyright

March 12, 2013 in General, News

Our man Rob Murray attended a recent talk by Silvia Baumgart of Own-it, based at the University of the Arts London (UAL). Own-it advises creative practitioners and small businesses on intellectual property matters.

Over to Rob:

The session focused in particular on copyright and the increasing need for artists and illustrators to protect their work in the online era.

Listed here are ten key facts about copyright that might either be news to you, or a useful refresher.

  1. Copyright is automatic – it does not need to be applied for or registered – and protects a creative work until 70 years after the creator’s year of death.
  2. You cannot copyright an idea – only the way in which that idea is expressed.

    © Rob Murray @ Procartoonists.org

  3. Moral rights, which come with copyright and give the creator the right to be credited as the author of a work, cannot be assigned to another party. But the creator can waive moral rights in writing. If assigning (selling) copyright to someone else, a creator should assert their moral rights.
  4. If a magazine “buys” a cartoon to appear in its pages, unless otherwise stated in writing it is buying a licence to be the first to publish it. This does not prevent the cartoonist selling the cartoon elsewhere at a later date, or using it for any other purpose.

    Matthew_Buck_Hack_Copyright_ARTWORK @ procartoonists.org

    © Matthew Buck Hack Cartoons @ Procartoonists.org

  5. When a freelancer is commissioned to produce a cartoon or illustration, he or she automatically holds the copyright unless otherwise agreed in writing.
  6. By contrast, if work is created during the course of your employment, your employer holds the copyright and you have no moral rights over the work.
  7. Design work is treated differently, and falls under design right rather than copyright. When a designer is commissioned to develop or create a product, the commissioner owns the unregistered design right in the UK — which protects the appearance of the product (excluding surface decoration) for 15 years from creation or ten years from first sale. As with copyright, it is automatic.

    Ideas cartoon by Royston Robertson

    © Royston Robertson @ Procartoonists.org

  8. An image being easily accessible — for example on the internet — is often taken to mean that it is in the public domain, but this is often not the case, even when the creator’s name is missing. An artwork is only “public domain” if the creator (or copyright holder) has declared so, or if the copyright has expired.
  9. Selling a physical object you have created (for example, the original artwork for a cartoon) does not mean you are permitting reproduction or dissemination. Unless formally agreed, the buyer does not have the right to reproduce or distribute the image (with the exception of advertising the resale of the artwork).
  10. As a general rule, the decision to assign all rights to a client should not be taken lightly, and the creator should agree a substantially larger fee than they would for granting a licence. Once intellectual property rights are sold, they cannot be taken back and the creator will never again be able to profit from licensing that piece of work.

Own-it offers free legal advice to help artists solve intellectual property issues. Visit the blog again soon for a look at some of Silvia’s recommendations for how to protect your work online and elsewhere.

The Round-up

March 4, 2013 in General, Links, News

Above: an animation by Procartoonists.org member Paul Baker, commissioned for (and projected at) the launch of the new InterContinental London Westminster hotel. Inspired by its location, the hotel is politically themed and features a gallery of cartoons by Gerald Scarfe alongside other political caricatures.

Fellow PCO member Ian Baker is one of a number of international cartoonists who have contributed artwork to a new book about 007. Ian has also written a foreword for James Bond: 50 Years in Caricatures. The book is seeking crowd-funded contributions in order to be released in special-edition hardcover format. Click here to look inside the book and pledge your support.

The Daily Cartoonist has posted a 1986 TV interview with Gary Larson, creator of The Far Side. Watch it here.

A new online reality show, Strip Search, is pitting a dozen cartoonists against each other.

Finally, cartoonist and illustrator Stephen Collins has produced a series of designs for the Time to Change campaign to end mental health discrimination. Some of the work can be seen here, and several of his designs can be sent as e-cards by clicking here. Collins comments on the campaign here.

The Round-up

February 24, 2013 in General, Links, News

 

© Bob Godfrey @Procartoonists.org

We are sad to note that Bob Godfrey, the much-loved cartoonist behind Roobarb and Custard (above) and the equally wonderful Henry’s Cat, has passed away at the age of 91. Obituaries for the Oscar-winning animator can be found at The Guardian, The Telegraph and the BBC. The Guardian also offers a guide to Godfrey’s career in clips. In a sad coincidence, Richard Briers – who narrated Roobarb – died last Sunday.

The Telegraph is celebrating 25 years of pocket cartoons by Matt Pritchett, with a series of short videos in which the cartoonist discusses his work and looks back over his career so far. Begin by finding out about Matt’s typical day; other clips look at his first front-page gag, the tricks of the trade, his favourite cartoon of 2013 thus far, and how he’s turning into one of his characters.

Jamie Smart has plans for a new children’s comic, initially to be made available online for free, in which all characters will be creator-owned. He is on the lookout for cartoonists to join his Moose Kid Comics project – for which he hopes to attract investors and subsequently launch in print form. Read more and find out how to get involved here.

Finally, a Google doodle on Friday celebrated what would have been the 88th birthday of Edward Gorey. See the doodle at full size here.

The Round-up

February 15, 2013 in General, Links, News

© Katharina Greve @Procartoonists.org

Above: The Pope wins the lottery and decides to quit his job, in an eerily prescient cartoon by Katharina Greve that appeared in a calendar on the very day of Pope Benedict XVI’s announcement.

Journalist Matt Geörg Moore argues that comic strips in print should be given more space and more freedom, despite the decline in newspaper revenues. Read his argument here.

Wally Fawkes, the cartoonist and jazz musician better known to cartoon fans as Trog, has been named one of the Oldies of the Year by Richard Ingramsmagazine. Read more about Fawkes, and the other Oldies, here.

Finally, some news of contests and awards. The BBC has launched a competition asking illustrators, photographers and film-makers to share their visions of the future. Meanwhile, the nomination process has now opened for the 2013 British Comic Awards.