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Shrewsbury Cartoon 2013 – report

April 22, 2013 in Events, General, News

Cartoonists_at_Shrewsbury_Cartoon_Festival_2013 @ procartoonists.org

Pete Dredge and Noel Ford cooperate in the Melodrawma at Shrewsbury Cartoon Festival 2013 © Mika Schick @ procartoonists.org

A small selection of photographs from the Shrewsbury Cartoon Festival 2013.

Alex Matthews at Shrewsbury Cartoon 2013 @procartoonists.org

Cartoonist Alex Matthews concentrates on his Big Board at Shrewsbury Cartoon Festival 2013 © Geoff Ward @procartoonists.org

 

John_Landers at Shrewsbury_Cartoon_2013 © Geoff Ward @ procartoonists.org

John Landers - coping just fine with an eight foot by six foot canvas at Shrewsbury Cartoon Festival 2013 © Geoff Ward @ procartoonists.org

 

Cathy Simpson_Draws_at_Shrewsbury_Cartoon_2013_©_Mika_Schick @ procartoonists

Cathy Simpson gets down to detail on a tablecloth during a function at Shrewsbury Cartoon Festival 2013 © Mika Schick @ procartoonists.org

There will a longer post with details of the artwork made over the weekend coming soon.

Shrewsbury Cartoon Festival 2013

April 20, 2013 in Comment, General, News

You will be able to follow some of the events at the festival  by following the stream below.

The members of the UK Professional Cartoonists at the tenth edition of the festival.

 

 

 

The Round-up

April 12, 2013 in General, Links, News

© Ed Fisher/Cartoon Bank @Procartoonists.org

Cartoon captions are a major theme in this week’s Round-up. Bob Mankoff, cartoon editor of The New Yorker, looks back at the work of Ed Fisher (including the excellent meta-cartoon above), and also recalls some of the best caption contest entries by Roger Ebert. Both Ebert and Fisher passed away recently.

Over at The Telegraph, editorial cartoonist Christian Adams has unveiled his first caption competition, and is offering the original artwork as a prize for the best suggestion. Each contest will be topical, and this week’s features the late Baroness Thatcher. Head over to his blog to enter.

Unsurprisingly, Thatcher has been the subject of many cartoons in the past week or so. Gerald Scarfe, a cartoonist famous for his savage depictions of the former PM, talks about his relationship to his subject in this Q&A for the BBC. Elsewhere, David Ziggy Greene posts a piece he wrote and drew for French satirical weekly Charlie Hebdo back in 2010. Read it here.

One of our members, the delightfully talented Gabriel Alborozo, has launched a new project. Simple Pleasures celebrates those small moments in life that make everything a little better. Alongside his own ideas, Gabe is taking suggestions from visitors to the site. You can also follow the project.

A new documentary film, Dear Mr. Watterson, celebrates the world of Calvin and Hobbes, while the strip’s creator, Bill Watterson, is also discussed in this article from Salon which argues that we should all respect the great man’s privacy.

Mrs Thatcher and the cartoonists

April 10, 2013 in Comment, General, News

Peter Brookes of Times on Margaret Thatcher @ procartoonists

© Peter Brookes of The Times @ Procartoonists.org

Powerful people in politics with wealth and helpers mix myth and reality to help deliver a projection of their achievements to the public. Parts of the same formula also drive the work of many cartoonists.

Dave Brown of The Independent on Mrs Thatcher

© Dave Brown of The Independent @ Procartoonists.org

Both sorts of visual trickery are now at work in the national catharsis following the death of the former Prime Minister Margaret Thatcher.

Matt Pritchett of the Telegraph on Mrs Thatcher

© Matt Pritchett of The Telegraph @ Procartoonists.org

We’ve gathered ten cartoons for you to enjoy, whatever your opinion of the politician. We are sure you will have seen more, please do add links in the comments.

There is a mixture of reactions here from fresh-off-the-drawing-board images to retrospectives from the 1980s like this one.

Noel Ford of the Daily Star on Mrs Thatcher @ procartoonists

Noel Ford from the Daily Star @ Procartoonists.org

There are reactions from the regions …

Frank Boyle Edinbugh Evening News on Mrs Thatcher

© Frank Boyle of the Edinburgh Evening News @ Procartoonists.org

delayed jokes …

Christian Adams of The Telegraph @ procartoonists

Christian Adams of The Telegraph @ Procartoonists.org

iconography …

Steve Bell of The Guardian on Mrs Thatcher @ procartoonists

© Steve Bell of The Guardian @ Procartoonists.org

futurology …

Hack Cartoons on Mrs Thatcher from Tribune @ procartoonists

© Matt Buck Hack Cartoons for Tribune @ Procartoonists.org

appeals …

Banx of the FT on Mrs Thatcher @ procartoonists

© Banx of the Financial Times @ Procartoonists.org

and pathos.

Steven Camley of The Herald on Mrs Thatcher @ procartoonists

Steven Camley of The Herald @ Procartoonists.org

To repeat, we are sure you will have seen more and please do add them below in the comments.

Updated: Saturday 13th April. One national newspaper commissioned a whole supplement on Mrs Thatcher and gave the commission to Posy Simmonds – read it here. You will find more about Posy if you use the search tool on the sidebar of this site.

 

The Round-up

April 7, 2013 in General, Links, News

Above: The Gin Lane Gazette, produced by Procartoonists.org member Adrian Teal, has now hit the shops. The book receives an enthusiastic academic review here, showing that it’s not only a lot of fun, but also bang on target. Elsewhere, Ade explains how he went about crowd-funding the project.

Mike Barfield, the man behind Apparently in Private Eye, has also been working on a new book. Swat! A Fly’s Guide to Staying Alive is published on 16 April. In the meantime, you can read an interview with Mike here.

Cartoonist Simon Chadwick will be abseiling down the Spinnaker Tower in Portsmouth on 27 May to raise money for the Myositis Support Group. Simon has previously written and illustrated a children’s book, Teddy-Bo’s Feeling Tired, a copy of which is given to every child diagnosed with the condition. To sponsor Simon and support his abseil attempt, click here.

Rachel Cooke of The Observer describes a favourite cartoon by Tom Gauld, in a comment piece about the need to separate art from artist.

And finally, the comics artist Lew Stringer has launched a new blog. It focuses solely on his own work, old and new – unlike his previous venture, Blimey!, which became a Herculean task as he looked at the entire history of British comics. We say fair play to Lew (and, after all, Blimey! can still be seen here) and it’s always nice to see works in progress. Check it out.


Shrewsbury Cartoon Festival 2013 exhibition opening

March 28, 2013 in Events, General, News

Shrewsbury Cartoon Festival 2013 Poster @ procartoonists.org

Shrewsbury Cartoon Festival 2013 @ procartoonists.org

The festival exhibition opens from Tuesday (2 April) at The Market Hall Gallery in the heart of Shrewsbury. The live weekend, as you can see above, is the weekend of 19-21 April.

The Round-up

March 24, 2013 in General, News

Dave_Gibbons-Whaat! on Roy Lichtenstein + Pop Art @ procartoonists.org

© Dave Gibbons after Irv Novick @ procartoonists.org

Whaat? by Dave Gibbons fires first on the vexed question of the artist Roy Lichtenstein and his use, or abuse, of comic imagery for the purposes of fine art.

There’s a flight of similar pieces that coincide with the Lichtenstein retrospective at Tate Modern in London. We particularly commend a learned piece by the comics historian Paul Gravett.

Down under, the Adelaide Advertiser cartoonist Jos Valdeman found himself ejected from the upper house of the South Australian parliament for sketching the president of the legislative council John Gazzola.  It’s an interesting dogfight in the Aussie journalism wars, which are not unlike our own arguments about the media after the Leveson inquiry.

To demonstrate that ages past were no more civilised than today, whatever the state of the law,  comes a retrospective exhibition of Henry Bunbury, the 18th century gentleman caricaturist. Read all about it at the East Anglian Daily Times.

Out in the digital world,  Zen Pencils immortalised the story of Malala Yousafzai, the Afghan girl shot by the Taliban who has just returned to school, albeit in the English Midlands, following surgery.

Also in the modern fashion is the following speech at a TEDx event in Wyoming by Kal, of The Economist. He’s worth seeing and hearing.

Have you seen anything we should know about? Please let us know here. Thanks!

 

How to protect your work in public

March 20, 2013 in General, News

Following on from our recent post about copyright, heres some straightforward advice from Silvia Baumgart, Programme Manager at Own-it, about how a cartoonist (or any other kind of artist) can protect their work online and elsewhere:

  • Sadly, it is practically impossible to ensure that work appearing on the internet is not being downloaded, copied or amended without permission. Own-it strongly recommends that any images of your work are uploaded at low resolution (typically 72 dpi) and watermarked, both of which will make it harder for someone to misappropriate your work.
  • All watermarks should include the copyright symbol (©), your name, and ideally the date of creation or date of first publication.
  • Another option – when emailing images to potential clients – is to use Creative Barcode, a service that protects your images and requires a client to click through and agree to terms of use before they can even see your work.
  • If you’re happy for your work to be used by others in limited circumstances, you can use Creative Commons licences. This non-profit service enables creative work to be shared, with the copyright holder deciding how it is used and for what purpose.
  • Silvia describes Creative Commons as a legally simple and flexible licensing system, but also sounds a note of caution. Disadvantages can include the fact that the licences it grants are perpetual and irrevocable (so you cannot change your mind at a later date). If you allow other users to make “derivatives” of your work, you have no control over the extent to which they modify it, and there is also a grey area when it comes to what is classed as commercial or non-commercial use. Find out more before making a decision.
  • Social-networking sites have created another potential minefield for artists. Twitter, Facebook and the rest all have their own particular terms and conditions, but in general, by sharing your work on these sites you indemnify all service providers against any claims brought against them by third parties in relation to the content you post.
  • When it comes to social networks, Own-it recommends that you only post your own work, unless you have permission from the copyright holder. If you don’t have permission but are confident that you are sharing the work in order to promote it, you should always credit the author, with a link to their website, and ideally let them know you have posted it.
  • If pitching for a job and sharing your designs with a potential client, Silvia recommends that you ask the client to sign a non-disclosure agreement in advance, use Creative Barcode (as above), or send an email ahead to say that anything discussed or shared will be treated as confidential.
  • Copyright also gives a cartoonist or illustrator the moral right to object to a publisher cropping or editing their images. In reality this is rarely done for fear of losing repeat business – but it is important to note that, in principle, the copyright holder has the right to expect their work to be used as originally supplied.

Own-it provides free legal advice to help artists solve intellectual property issues. Our thanks to Silvia for allowing us to share some of her advice on the blog.

 

The Round-up

March 15, 2013 in General, Links, News

© Colin Whittock @Procartoonists.org

Our colleagues in the Cartoonists’ Club of Great Britain (CCGB) have produced The Little Red Nose-E-Book Of Cartoons in aid of Comic Relief. It features 101 cartoons by CCGB members, including the gag above by Colin Whittock, who is also a Procartoonists.org member. The e-book costs just £1.59 (with all proceeds going to the charity) and can be downloaded here.

Also to coincide with Comic Relief, Forbidden Planet asks comics professionals to pick their favourite humorous strips. The list includes the dark and desolate Viz strip, Drunken Bakers, drawn by Procartoonists.org member Lee Healey. Read the full article here and see if you agree with the selections.

Ralph Steadman, the world-renowned cartoonist and yet another of our members, is the subject of an upcoming exhibition at London’s Cartoon Museum. Steadman at 77 opens on 1 May. and runs until 21 July. Find more details here.

Ian Hislop and his frequent collaborator,  the cartoonist Nick Newman, have written a new film for BBC Two that focuses on a First World War forerunner to Private Eye. Read more here.

Finally, the illustrator Alex Mathers explains how he found himself drawing Google Doodles — arguably the most widely seen drawings in the world on any given day — and draws some useful conclusions. Read it here.

Ten things you might not know

about copyright

March 12, 2013 in General, News

Our man Rob Murray attended a recent talk by Silvia Baumgart of Own-it, based at the University of the Arts London (UAL). Own-it advises creative practitioners and small businesses on intellectual property matters.

Over to Rob:

The session focused in particular on copyright and the increasing need for artists and illustrators to protect their work in the online era.

Listed here are ten key facts about copyright that might either be news to you, or a useful refresher.

  1. Copyright is automatic – it does not need to be applied for or registered – and protects a creative work until 70 years after the creator’s year of death.
  2. You cannot copyright an idea – only the way in which that idea is expressed.

    © Rob Murray @ Procartoonists.org

  3. Moral rights, which come with copyright and give the creator the right to be credited as the author of a work, cannot be assigned to another party. But the creator can waive moral rights in writing. If assigning (selling) copyright to someone else, a creator should assert their moral rights.
  4. If a magazine “buys” a cartoon to appear in its pages, unless otherwise stated in writing it is buying a licence to be the first to publish it. This does not prevent the cartoonist selling the cartoon elsewhere at a later date, or using it for any other purpose.

    Matthew_Buck_Hack_Copyright_ARTWORK @ procartoonists.org

    © Matthew Buck Hack Cartoons @ Procartoonists.org

  5. When a freelancer is commissioned to produce a cartoon or illustration, he or she automatically holds the copyright unless otherwise agreed in writing.
  6. By contrast, if work is created during the course of your employment, your employer holds the copyright and you have no moral rights over the work.
  7. Design work is treated differently, and falls under design right rather than copyright. When a designer is commissioned to develop or create a product, the commissioner owns the unregistered design right in the UK — which protects the appearance of the product (excluding surface decoration) for 15 years from creation or ten years from first sale. As with copyright, it is automatic.

    Ideas cartoon by Royston Robertson

    © Royston Robertson @ Procartoonists.org

  8. An image being easily accessible — for example on the internet — is often taken to mean that it is in the public domain, but this is often not the case, even when the creator’s name is missing. An artwork is only “public domain” if the creator (or copyright holder) has declared so, or if the copyright has expired.
  9. Selling a physical object you have created (for example, the original artwork for a cartoon) does not mean you are permitting reproduction or dissemination. Unless formally agreed, the buyer does not have the right to reproduce or distribute the image (with the exception of advertising the resale of the artwork).
  10. As a general rule, the decision to assign all rights to a client should not be taken lightly, and the creator should agree a substantially larger fee than they would for granting a licence. Once intellectual property rights are sold, they cannot be taken back and the creator will never again be able to profit from licensing that piece of work.

Own-it offers free legal advice to help artists solve intellectual property issues. Visit the blog again soon for a look at some of Silvia’s recommendations for how to protect your work online and elsewhere.