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Cartoonists take the pastiche

June 19, 2014 in Events, General, News

Andrew Birch. Dumbo's adolescence

Andrew Birch. Dumbo’s adolescence

Here are some more cartoon images by Procartoonists.org members from the exhibition Pastiche, Parody and Piracy. The show, which features fine artists alongside cartoonists, is at the the Cob Gallery from tomorrow (20 June) until 5 July.

See our original blog post on this here, along with the debate about the rights and wrongs of the exhibition in the comments section.

Alexander Matthews: "It's like an illness with you, isn't it?"

Alexander Matthews: “It’s like an illness with you, isn’t it?”

The Surreal McCoy. Morebucks

The Surreal McCoy. Morebucks

Royston Robertson. Rushmore

Royston Robertson. Rushmore

Clive Goddard. McNuggets

Clive Goddard. McNuggets

Nathan Ariss. Hokusai Fukushima

Nathan Ariss. Hokusai Fukushima

Exhibition: Pastiche, Parody and Piracy

June 12, 2014 in Events, General, News

Steve Bell: "I licence the logo bearers ..."

Steve Bell: “I licence the logo bearers …”

Many PCO members feature in an exhibition that brings together cartoonists and contemporary artists called Pastiche, Parody and Piracy and opens at the Cob Gallery in north London on 20 June.

The exhibition was put together by the the curator Camilla Ellingsen Webster with artist Miriam Elia and cartoonist Jeremy Banx, with the aim of showing the importance of the “appropriation” of images made by others in art and satire.

The team say that they were inspired to “celebrate the historical creative act of pastiche, parody and piracy” after Penguin UK threatened to pulp Elia’s book We Go to the Gallery, a parody of the Ladybird series of children’s books.

Alongside Banx, the PCO members involved are: Nathan Ariss, Steve Bell, Andrew Birch, Matt Buck, Wilbur Dawbarn, Pete Dredge, Noel Ford, Steve Jones, Kathryn Lamb, Chris Madden, Glenn Marshall, Alexander Matthews, Jonathan Pugh, Ken Pyne, Royston Robertson, Martin Rowson, Cathy Simpson, Bill Stott, The Surreal McCoy and Mike Turner.

Wilbur Dawbarn plays with Dance by Matisse

Wilbur Dawbarn plays with Matisse’s Dance

As well as cartoons, this exhibition will feature projections, photographs, prints and collage that use or pastiche other works of art, characters and logos.

The use of other works – though it has long been a tool in art – can be a controversial issue, particularly as those works are often copyrighted. The exhibition has already stirred up debate within in the PCO, with some members refusing to take part.

The gallery says: “The pieces in this exhibition play with other people’s ideas and pre-existing works to showcase a selection of contemporary appropriation in art that is often mischievous, somewhat humorous, and often unsettling. It plays with what the viewer might be comfortable with and questions ideas of authorship and originality.”

The title for this exhibition was inspired by a proposed exception for parody, satire and pastiche in a government copyright law. If it is passed, the act of subverting and appropriating elements of popular culture will be protected from large companies that often seek to silence artists through the courts.

Chris Madden takes on the House of Mouse

Chris Madden takes on the House of Mouse

“We believe this is crucial for the future of appropriative art and satire, and although the law has been delayed, we are putting on this exhibition to celebrate artists, satirists and cartoonists who are paving the way,” say the organisers.

Pastiche, Parody and Piracy: Exploring Different Approaches in Contemporary Art Appropriation is at The Cob Gallery, London NW1 from 20 June – 5 July. For more, email info@cobgallery.com or call 020-7209 9110

The Round-up: Procartoonists special

May 7, 2014 in Events, General, Links, News

Sally Heathcote: Suffragette, illustrated by Kate Charlesworth     © Mary Talbot, Kate Charlesworth, Brian Talbot

Sally Heathcote: Suffragette, illustrated by Kate Charlesworth      © Mary Talbot, Kate Charlesworth, Brian Talbot

We’re blowing our own trumpet this week with a Round-up focusing on members of Procartoonists.org — the Professional Cartoonists Organisation — as they seem to be a busy lot at the moment.

First up is Kate Charlesworth, whose book Sally Heathcote: Suffragette, above, is out now. You can read a “behind the scenes” piece at Down the Tubes and a review at The Independent.

Ralph Steadman has been promoting the release of his documentary For No Good Reason in the US by talking to the LA Times and AV Club.

A series of cartoons by Andy Davey for the pressure group Clean Air In London  is set to put pollution at the heart of the local elections, according to ITV.com.

Take Care, Son © Tony Husband

Take Care, Son © Tony Husband

A book by Tony Husband about his dad’s dementia, Take Care, Son, is to be serialised in the Daily Mail. We’ll let you know when that happens. Meanwhile, he continues to tour his Cartoon History of Here with the poet Ian McMillan.

Many Procartoonists.org members contributed to a new exhibition called The Art of Drawing, at Stranraer Museum, after the organisers put out an urgent call to professional cartoonists to submit artwork, in order to show schoolchildren that a love of drawing can turn into a career. It runs until 7 June.

Simon Ellinas recently made an appearance on Channel 5 News illustrating a feature on David Cameron, Alex Salmond and the Scottish referendum.

Luis Suarez puts best foot forward for Phil Disley's posters. Photos © Liverpool Echo

Luis Suarez puts best foot forward for Phil Disley’s posters. Photos © Liverpool Echo. Click image to enlarge

Here’s an unusual one! Fifty paintings featuring the Liverpool striker Luis Suarez’s footprint have gone on sale. They were created by cartoonist Phil Disley. Read more at the Liverpool Echo.

Martin Rowson has been working with the Laurence Sterne Trust producing a collaborative artwork that the 18th-century satirist and creator of Tristram Shandy would have been proud of. There’s a Facebook gallery of the day here.

Cartoons on Demand © Royston Robertson

Cartoons on Demand © Royston Robertson

Cartoonist and editor of the Procartoonists blog Royston Robertson has collected together dozens of gags from Private Eye, Reader’s Digest and other magazines in a new book called Cartoons on Demand.

And finally, our patron Bill Tidy tells his local newspaper why he will never stop drawing cartoons. Quite right too.

See all the Procartoonists profiles here.

Roger and out: Chairman steps down

May 1, 2014 in Events, General, News

Roger Penwill narrates the Melodrawma at Shrewsbury 2014

Roger Penwill narrates the Melodrawma at Shrewsbury 2014. Photo by Kasia Kowalska

Roger Penwill reflects on more than a decade as chairman of the Shrewsbury Cartoon Festival as he hands over the reins:

I first approached the town of Shrewsbury with the idea of staging an annual cartoon festival in 2002. Back then very few people knew what a cartoon festival was, including the local council.

The idea gradually took root and the Shrewsbury International Cartoon Festival began in 2004. I had no idea that it would still be going strong after 11 years, I didn’t expect it to last more than two. It is the UK’s longest running annual cartoon festival by far and is currently the only one of its kind in the country. Hopefully it will still be with us for many years into the future.

Each year we festival organisers have enticed top cartoonists from our country and around the world to Shrewsbury in April. Numerous talks and workshops have been given over the “Cartoonists Live!” weekends. Nearly 50 exhibitions of cartoons have been shown, often giving the public opportunities to buy this collectable art form.

Roger Penwill drawn at Shrewsbury 2014 by Matt Buck

Roger Penwill drawn at Shrewsbury 2014 by Matt Buck

Exhibitions of cartoons from the UK, Australia, France, Greece, Germany, Holland, the US and elsewhere have been staged. Also each year, drawing live, have been many of the country’s best caricaturists. The huge Big Board cartoons were a world’s first for the festival.

What makes cartooning appealing to all ages is its emphasis on fun. The festival is defined by its humour, from its often bemused mascot Barry the Shrew (Shrew … Barry – geddit?) to the chaotic Melodrawma comic strip, which is drawn to a live narration, musical accompaniment and sound effects.

The festival may well have inspired many who have visited it to take up pen and brush. We would like to think so. It certainly was the inspiration for the birth of the Professional Cartoonists Organisation, with which it is closely linked.

The festival has been well-supported by the Shropshire Council from the start, but this year it could not continue with its funding because of cutbacks. The festival is therefore adapting to a self-funded future, which it is confident it can do.

Detail from this year's Big Boards, photographed by The Surreal McCoy

Detail from this year’s Big Boards, photographed by The Surreal McCoy. Clockwise from top left: Bill Stott, Chichi Parish, Dave Brown, Rupert Besley, Rich Skipworth and Royston Robertson

After 11 years in charge, I felt this was time for a fresh hand on the tiller so I’ve decided to remove mine. Happily I have been able to hand over the chairmanship of the organising team to Rich Skipworth.

Apart from being a splendid cartoonist himself, Rich is a proven of organiser of cartooning events. I am sure he’ll do a grand job.

So, another enjoyable and popular festival has been and gone (but the exhibitions are still open) and the serious planning for next year gathers pace …

Success for Shrewsbury festival

April 30, 2014 in Events, General, News

Shrewsbury 2014: The music-themed festival was sponsored by Procartoonists.org

Shrewsbury 2014: The music-themed festival was sponsored by Procartoonists.org

The Shrewsbury Cartoon Festival, which took place at the weekend, drew huge crowds and was deemed a success by all involved. And it has already been given a major boost for next year.

The Shropshire Star reports that the festival has just won a £2,000 grant for next year’s event. Every penny will count as this year major funding was cut, so the 2014 festival was run on a shoestring – with a little help from Procartoonists.org.

However, as the organisers predicted, the public would not have noticed as the festival was as lively and busy as ever.

Here is a video of the Big Boards that the Shropshire Star created:

And here are more photos of the event, taken by Kasia Kowalska, that show the breadth of activities that took place at this year’s festival.

Andrew Birch and Kate Charlesworth at work on their Big Boards, the most high-profile element of the festival. They're hard to miss.

Andrew Birch and Kate Charlesworth at work on their Big Boards. The most high-profile element of the cartoon festival, the boards are impossible to miss.

Rich Skipworth, who has taken over as festival chairman from Roger Penwill, adds colour to his board

Rich Skipworth, who is tasked with organising next year’s event having taken over as festival chairman from Roger Penwill , adds some colour to his board

For the music-themed festival Rosie Brooks set herself the task of illustrating the story of Wagner's Ring Cycle in a few hours

For the music-themed festival, Rosie Brooks set herself the task of illustrating the story of Wagner’s Ring Cycle in just a few hours

Daniel Kawczynski, Member of Parliament for Shrewsbury, is caricatured by Jonathan Cusick

Daniel Kawczynski, the Member of Parliament for Shrewsbury, is caricatured by Jonathan Cusick

Alex Hughes, steampunk caricaturist outfit was enough to, er, draw a crowd

Alex Hughes’s steampunk caricaturist outfit was enough to, er, draw a crowd

Harry Venning, creator of Clare in the Community did a talk that was part cartooning part stand-up comedy

Harry Venning, creator of Clare in the Community, as seen in The Guardian and heard on BBC Radio 4,  did a talk that was part cartooning part stand-up comedy

Wilbur Dawbarn hosted cartooning workshops for all ages, as did Cathy Simpson

Wilbur Dawbarn hosted cartooning workshops for all ages, as did Cathy Simpson and Tim Harries

The participating cartoonists were: Rupert Besley, Steve Best, Andrew Birch, Rosie Brooks, Dave Brown, Kate Charlesworth, Jonathan Cusick, Wilbur Dawbarn, Noel Ford, Alex Hughes, Tim Harries, Tim Leatherbarrow, Chichi Parish, Roger Penwill, Helen Pointer, John Roberts, Royston Robertson, Chris Ryder, Cathy Simpson, Rich Skipworth, Bill Stott, The Surreal McCoy, Harry Venning and Gerard Whyman.

Instant cartoons in the Square, handed out to the public for donations to the festival, were a feature this year. John Roberts draws Dizzy Gillespie

John Roberts draws Dizzy Gillespie. Instant cartoons drawn in the Square and handed out to the public for donations to the festival were a feature this year

Royston Robertson and Matt Buck add to the instant cartoons gallery

Royston Robertson and Matt Buck add to the instant cartoons gallery

Finally the Melodrawma is a great illustration of what makes the festival unique. A live comic-strip drawn to the accompaniment of narration, music and sound effects. The Melodrawma team this year was Andrew Birch, Noel Ford, Roger Penwill, Royston Robertson, Bill Stott and The Surreal McCoy.

Finally the Melodrawma is a great illustration of what makes the festival unique. It is a live comic-strip drawn to the accompaniment of narration, music, sound effects … and audience participation. The team this year was Andrew Birch, Noel Ford, Roger Penwill, Royston Robertson, Bill Stott and The Surreal McCoy.

Cartoon festival this weekend

April 24, 2014 in Events, General, News

Cartoon © Malc McGookin

© Malc McGookin

The main Shrewsbury Cartoon Festival events take place this Saturday (though there is a workshop by PCO member Wilbur Dawbarn on Friday) and include live drawing in the town square, with the Big Boards, Humurals, the Melodrawma, caricaturing and reverse caricaturing, as well as talks and workshops.

Click those links to see pictures and videos of those events from previous years at the festival, which has been running since 2004.

Cartoon © Royston Robertson

© Royston Robertson

Here is our final selection of music-themed cartoons submitted for exhibition at this year’s event. These are by the Procartoonist.org members Malc McGookinRoyston Robertson and Bill Stott.

For a virtual cartoon exhibition, click here to see all the Shrewsbury music cartoons we have posted.

We’ll be back next week with a report and photos from Shrewsbury 2014.

Cartoon © Bill Stott

© Bill Stott

Festival details released

March 6, 2014 in Events, General, News

Barry the Shrew, the festival mascot, tunes up © Roger Penwill

Barry the Shrew, the festival mascot, tunes up © Roger Penwill

The Shrewsbury Cartoon Festival takes place next month and more details of the events have been released. 

These include the title of the music-themed exhibition: With a Song in My Art – we are featuring cartoons submitted for the exhibition – and details on the live drawing events and workshops on creating strips,  mini-comics and, er, farting musical instruments. There’s also a talk by the Clare in the Community creator Harry Venning.

Head over to events page of the official festival website for more.

There’s even a fringe exhibition. Artists in Shropshire are invited to take part in a cartoon competition organised by the VAN Gallery to coincide with the festival.

The participating cartoonists are: Rupert Besley, Steve Best, Andrew Birch, Rosie Brooks, Dave Brown, Kate Charlesworth, Jonathan Cusick, Wilbur Dawbarn, Noel Ford, Alex Hughes, Tim Harries, Tim Leatherbarrow, Chichi Parish, Roger Penwill, Helen Pointer, John Roberts, Royston Robertson, Chris Ryder, Cathy Simpson, Rich Skipworth, Bill Stott, The Surreal McCoy, Harry Venning and Gerard Whyman.

Happy members of the public at Shrewsbury Cartoon festival

Happy members of the public at Shrewsbury Cartoon festival @ Procartoonists.org

The writer and broadcaster Libby Purves, a patron of the festival as well as of Procartoonists.org, will also be attending.

Special report: 50 years of cartoons in Private Eye

September 27, 2013 in Events, General, News

Left to right: Nick Newman, Ian Hislop and Richard Ingrams

Fans of Private Eye cartoons were in for a treat this week, as editor Ian Hislop and cartoonist Nick Newman took to the stage for two separate events looking back over 50 years of visual humour in the magazine – where they picked out a few favourite gags and discussed the challenge of selecting the cartoons that make it into the magazine.

Monday night saw the pair speak to a packed auditorium at the National Theatre on London’s South Bank. On Thursday, they were joined for their appearance at the Soho Literary Festival by Richard Ingrams, Hislop’s predecessor at the Eye and now editor of The Oldie.

The talks were scheduled to coincide with the launch of Private Eye: A Cartoon History, a handsome new hardback book edited by Newman and containing more than 1000 of the best cartoons published by the magazine over the last five decades. Ingrams was promoting his latest collection of Oldie cartoons, also published this month.

© Ed McLachlan @Procartoonists.org

Hislop and Newman began their National Theatre talk by looking back at some of the Eye cartoons that have gone on to become classics, including drawings by Willie Rushton, Martin Honeysett, Michael Heath, John Kent and Ed McLachlan (above). They observed that cartoons became increasingly surreal and absurd during the 1970s – with the giant hedgehog being a case in point – and Newman noted that many of the best political cartoons have not made it into his book because their impact has been lost over time.

Libby Purves, the journalist, broadcaster and Procartoonists.org patron, was on hand to steer the conversation. She pointed out that there still seems to be life in cartoonist cliches such as the desert island and the suicidal man-on-ledge. Hislop agreed, observing that “Private Eye is nothing if not repeated jokes with slight twists.” He referred to two recent psychiatrist’s couch gags, both by Procartoonists.org member Royston Robertson, which played with the formula and made it into the magazine.

More generally, Hislop praised gag cartoonists for their ability to distil their observations of the world around them into pithy and memorable scenes. “They’ve observed it, frozen it, and made it more or less permanent,” he said.

© Alexander Matthews @Procartoonists.org

The issue of ‘bad taste’ was raised when a cartoon by PCOer Alexander Matthews (above) was met by explosive laughter – and some gasps. Purves asked where Hislop draws the line when it comes to offending his readership.

“I always have to be able to justify it – to myself, if to no one else,” said Hislop. “And sometimes there are things that might offend people, but that you think just have to be said. We got a lot of complaints about this cartoon, but I just thought it was incredibly funny.”

Newman explained to the crowd that a cartoonist’s life can be defined by whether he or she is able to cope with having most of their work rejected on a regular basis. He also agreed with Purves’ observation that there are fewer high-profile markets for cartoons these days, following the demise of Punch and with newspapers not currently running standalone gags.

Hislop said that “without Matt, The Telegraph would be in real trouble”, and argued that readers would welcome non-topical joke cartoons in the newspapers. “Editors are missing a trick; cartoons are not expensive,” he said, turning to Newman with a threatening grin before adding: “and they’re getting cheaper next week!”. We hope he was joking.

***

“I’ve got a much smaller book, but it’s also a lot cheaper,” said a deadpan Ingrams of his Oldie paperback collection, when he joined the others on stage at the Soho Theatre on Thursday. “Nick’s book is terribly good, but you can’t take it into the toilet – my book you can.”

The presence of Ingrams at this second talk meant more anecdotes about the 1960s satire boom – for example that it was Willie Rushton who persuaded Gerald Scarfe to stop drawing desert island gags and have a go at caricature.

But Ingrams was also keen to talk about the current crop of cartoonists, and his slideshow of gags from the Oldie book included one or two from younger talents, among them the cartoon below by Procartoonists.org member Huw Aaron.

© Huw Aaron @Procartoonists.org

Hislop explained that the sheer number of cartoons flooding in to the Eye means he is required to make quick decisions over what to publish.

“When I choose cartoons, I think ‘is that funny?’, rather than ‘is it beautifully drawn?’,” said Hislop. Ingrams agreed, but added that the drawing itself should be amusing, not simply the idea behind it.

“Cartoonists don’t realise that they’re probably the most important part of a magazine,” said Ingrams, citing a recent readership survey in which roughly 80% said that cartoons were their favourite part of The Oldie.

Both talks were packed and the audiences were extremely appreciative, filling the room with laughter at pretty much every cartoon shown – and with several jokes even eliciting a round of applause.

***

Also this week, Private Eye launched Newman’s book with a party at Kettner’s in Soho attended by Eye staff and dozens of the magazine’s cartoonists. A great night was had by all and it was an excellent opportunity for the cartoonists to mingle and swap stories.

Private Eye cartoonists at the book launch party © Philippa Gedge

More images from the party, by photographer Philippa Gedge, can be seen here. Head over to the BBC for a slideshow of selected cartoons from the new book.

On behalf of its members, Procartoonists.org would like to thank Private Eye and offer a toast to the next 50 years.

 

Human rights in cartoon form

September 16, 2013 in News

Know Your Rights. Cartoon © Ali Ferzat @ Procartoonists.org

Amnesty's Know your Rights booklet. Cover cartoon © Ali Ferzat @ Procartoonists.org

Amnesty International has come up with a memorable way to remind people about the Universal Declaration of Human Rights: it has issued the document as a booklet illustrated with cartoons.

Know your Rights is published in conjuction with Waterstones and features 14 cartoonists, including the Procartoonists.org members Tony Husband, Fran Orford and Royston Robertson, illustrating various articles of the Declaration.

© cartoon Tony Husband

Article 4. No one shall be held in slavery or servitude © Tony Husband @ Procartoonists.org

The booklet features an introduction by the writer A.L. Kennedy and includes thoughts on human rights from the cartoonists themselves. Michael Heath accompanies his cartoon with a succint thought: “It’s nice to be able to draw anything you want without being arrested.”

The cover is by the Syrian cartoonist Ali Ferzat who was beaten up because he drew cartoons critical of the Assad regime.

Publication marks the fact that the Universal Declaration of Human Rights was ratified 60 years ago this month. The booklet contains the full text of the Declaration.

© Royston Robertson cartoon

Article 27. Everyone has the right freely to participate in the cultural life of the community © Royston Robertson @ Procartoonists.org

The other cartoonists in the booklet are: Steven Appleby, Liza Donnelly, Merrily Harpur, Neil Kerber, Martha Richler (Marf), Chris Riddell, Gerald Scarfe, David Shrigley [Does this mean he's officially a cartoonist now? – Ed] and Judith Vanistendael.

Know your Rights can be found by the tills in branches of Waterstones nationwide, priced £2.

The Round-up

August 16, 2013 in Events, General, Links, News

Royston's previous talk at Summer Squall 2010

Procartoonists.org writer Royston Robertson will be giving a talk about cartoons on Bank Holiday Monday (26 August) at the Kings Theatre in Ramsgate, as part of the town’s Summer Squall arts festival. The talk begins at 11am and is completely free to attend. Royston will be showing a selection of his published cartoons and talking about the process behind producing a gag cartoon for publication. This will be his second talk for the festival, with his debut in 2010 having been very popular with the public.

Cootehill International Cartoon Festival takes place in County Cavan, Ireland, over the weekend of 14-15 September.  The event will feature workshops, exhibitions and live drawing, and Hunt Emerson, Tim Leatherbarrow and Graeme Keyes are among the cartoonists taking part. Check the festival’s Facebook page for updates.

AFP.com talks to Kash, a political cartoonist who has made a career out of finding humour in the political and social troubles in his native Democratic Republic of Congo. Read the interview here. You can also see Kash draw and hear him talk about his work in this video.

And finally, PCOer Alexander Matthews gives us a behind-the-scenes look at how he arrived at his take on Ball Boy for The Beano.