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The Round-up

November 17, 2012 in General, Links, News

Self-portrait © Quentin Blake @Procartoonists.org

BBC Radio 4′s arts programme Front Row spoke to Quentin Blake ahead of the publication of his second volume of illustrated memoirs this week. Listen to the interview here.

Alex Scarfe, the son of the renowned satirical cartoonist Gerald, is one of the three minds behind Full English, the new animated sitcom currently running on Channel 4. The Guardian ran this interview ahead of the show’s debut.

A selection of redesigned film posters by illustrator Olly Moss are being exhibited at the White Cloth Gallery in Leeds. You can see a selection on the BBC website, and The Yorkshire Post interviews Moss here.

Following last year’s 50th birthday celebrations at Private Eye, a selection of cartoons from the exhibition have made their way north of the border to Scotland. Read about the gallery show at Kirremuir with the Courier.co.uk.

Finally, Procartoonists.org member Adrian Teal has launched The Gin Lane Gazette, which has been published by Unbound and is crowd-funded. Adrian describes the book as “a compendium of true stories, scandal and oddities from the 18th century; a kind of Georgian Heat magazine, if you like.” See more, and buy the book, here.

The Round-up

October 28, 2012 in General, Links, News

MAD Magazine Alfred Champagne 300x411 Happy 56th Birthday, Alfred E. Neuman!

MAD's Alfred E. Neuman @Procartoonists.org

Fastcocreate.com looks back at the 60-year history of MAD, the subversive comic magazine, in this in-depth article and slideshow. For even more on the subject, MAD’s editors have put together an exhaustive new book.

In a short video, BBC News talks to the US cartoonists Pat Bagley and Nick Anderson about lampooning Barack Obama and Mitt Romney. Watch it here.

Martin Rowson draws our attention to the announcement that a former Daily Mirror showbiz reporter, 93-year-old Donald Zec, has won The Oldie’s first art award. See Donald’s winning portrait, and the other shortlisted pictures, here.

Is it a bird? A plane? Or yet more evidence of the decline of the newspaper industry? Clark Kent has quit his job at the Daily Planet (thanks to Pete Dredge for spotting the report).

The Round-up

October 12, 2012 in General, Links, News

Ralph Steadman – the acclaimed cartoonist, Hunter S. Thompson collaborator and member of Procartoonists.org – is the subject of a new documentary film, which premieres at the BFI London Film Festival this evening. Watch the trailer of For No Good Reason, above, and read more about the film courtesy of Empire magazine.

Sticking with cinema, Charles Schulz‘s Peanuts characters are set to celebrate their 65th anniversary in 2015 by appearing in a new feature film.

Christian Adams of The Telegraph writes about the challenges that can arise for a topical cartoonist tackling daily newspaper deadlines, and reveals a cartoon that didn’t make it into print this week. Read the blog post here.

And finally, some entertaining pieces by New Yorker cartoon editor Bob Mankoff. In one, he looks at the importance of writing to the gag cartooning process, and Peter Steiner pitches in with his thoughts on making the transition from cartoonist to novelist. In another post, Mankoff offers some statistical advice to help you win the magazine’s caption contest.

The Round-up

October 7, 2012 in General, Links, News

Above: the US editorial cartoonist Jeff Danziger talks about his work (thanks to Mike Lynch for the video).

Alexander Matthews, the Procartoonists.org member whose work appears in The Dandy, Private Eye and The Phoenix among others, writes on his blog about what he sees as the key ingredients for writing a funny kids’ comic strip. Read the post here.

A new exhibition at the Jewish Military Museum in Hendon features political cartoons by Jewish cartoonists dating back to the 17th Century. Read more about Cartoons At War here. (Thanks to The Surreal McCoy for the link.)

Finally, the Syrian cartoonist Juan Zero tells Al Jazeera his work has become bolder since the conflict began in his country, and discusses the power of cartoons as protest.

The Round-up

September 28, 2012 in General, Links, News

 

© Tony Husband @ Procartoonists.org

Tony Husband, cartoonist for Private Eye, The Spectator and many others – and a member of Procartoonists.org – has produced two new book collections. I Nearly Died Laughing was released last month and showcases some of Tony’s darker cartoons, while It’s Only A Game features a selection of sporting gags and will be released on October 15.

Tony will be signing copies of both books on October 5 at 2022NQ in Manchester. Fifty of his cartoons will be on display and he will also be drawing cartoons by request, with proceeds going to Moodswings.

Steven Appleby also has a new book out, collecting his Guardian comic strip about everyday life and family relationships, Loomus. A launch party and exhibition are being held on the evening of October 12 at Gosh! Comics in Soho. Read more here.

Also in London, the Chris Beetles Gallery is currently holding an exhibition of work by that quintessentially English cartoonist, Norman Thelwell. The show runs until October 13 and you can find more information – and plenty of pictures – on the website.

Finally, with this year’s Big Draw about to get underway on Sunday, Design Week has a run-down of some of the events taking place at the Victoria & Albert Museum in London – including the Battle of the Cartoonists. Read the article here. (Thanks to Chichi Parish for spotting it.)

Exhibition is animal magic

July 22, 2012 in Events, News

Animal crackers cartoon by Royston

Animal Crackers cartoon by Royston Robertson @ Procartoonists.org

The exhibition Animal Crackers: A Cartoon and Comic Bestiary is at the Cartoon Museum in London from this Wednesday (July 25).

It looks at how animals have inspired all kinds of cartoonists across the ages, whether they are working in comics, political cartooning, magazine gag cartoons, newspaper strips or animation.

The show promises something for everyone with more than 140 cartoons, caricatures, comics and graphic novel pages by more than 60 artists. From political images, such as the Russian bear and the City fat cat, to Wallace and Gromit and The Bunny Suicides, all anthropomorphic animal life is here.

Some cartoons suggest how much animals are just like us, such as King Louie of The Jungle Book, or Fred Basset. Others, such as Simon Tofield’s Simon’s Cat and Norman Thelwell’s lovable ponies, highlight our pets’ irritating or endearing habits.

Animal Crackers cartoon by Nick Newman

Animal Crackers cartoon by Nick Newman @Procartoonists.org

Animal Crackers includes works by major names from past and present, including Leo Baxendale, Simon Bond, Peter Brookes, Dave Brown, David Low, Mac, Matt, Chris Riddell, Ronald Searle, John Tenniel, Trog, Dudley D. Watkins and Gahan Wilson.

There’s a healthy showing of Procartoonists.org members, with Nathan Ariss, Ian Baker, Steve Bell, Andrew Birch, Andy Davey, Hunt Emerson, Jacky Fleming, Martin Honeysett, John Jensen, Nick Newman, right, Ken Pyne, Royston Robertson, above, Martin Rowson, Ralph Steadman, the Surreal McCoy, Colin Whittock, Kipper Williams and Mike Williams.

The exhibition runs until October 21. The Cartoon Museum is in Little Russell Street, near the British Museum. For further details, visit cartoonmuseum.org

You say tomato, we say cartoonist …

September 27, 2010 in News

Bloghorn Opinion logo Bloghorn must take issue with the US political cartoonist Daryl Cagle over a blog post in which he talks about the “cultural” difference between cartoons created in America and those from the rest of the world.

Cagle, who also syndicates cartoons through the Political Cartoonists Index argues that there is a ‘‘BIG cultural gap’’ between American cartoons, where the emphasis is on humour and/or making a clear point, and those created by ‘‘world cartoonists’’, which are more oblique.

He takes the view that in America cartooning is a proper job, but for ‘‘world cartoonists’’ it is merely a hobby, as all these cartoonists do is enter competitions.

‘‘The American cartoonists’ idea of actually making a living from our work, and judging our success by the size of our audiences, or our wallets, seems strange to the obscure foreign cartoonists, who are busy building their CVs and planning their travel schedules.’’

He goes on to say;

‘‘Most world cartoons look strange to an American eye and we have a hard time finding world cartoonists to syndicate, whose work can be understood by our audience.’’

Bloghorn is not saying we don’t recognise his view of some foreign cartoons, particularly those seen in international competitions, but we think he has got American and ‘‘world’’ mixed up with English speaking and non-English speaking.

We would ask Mr Cagle to take a broader view, perhaps by looking at UK cartooning for a start. There are plenty of cartoonists here who draw cartoons which are funny and make clear points.

And many UK cartoonists are as baffled by wordless and often worthy competition cartoons as Cagle is. Indeed, not too long ago John Jensen wrote a three-part article for this blog in which he outlined the difference between British cartoons, which focus on being funny, and those created by our European neighbours, which are about a more serious form of wit.

Indeed, just as Cagle characterises them as ‘‘daisies in the gun barrels’’ cartoons, so Jensen talks of ‘‘countless brick walls, endless rolls of barbed wire, and doves of peace in need of a vet’’.

You can read John Jensen’s series here: Wit and Wisdom: part 1, part2, part 3.

And in response to Cagle’s view of ‘‘world’’ cartoonists as hobbyists, we would like to point out that there are many cartoonists in the UK making a living. They may be striving to do so against the odds – and the PCO which runs the Bloghorn does all it can to help them – but they are professional cartoonists and funny to boot.