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Cartooning Global Forum

December 13, 2018 in Events, General

The Surreal McCoy writes:

Monday (December 10th) was the 70th anniversary of the Universal Declaration of Human Rights. Earlier this year in October I was asked to attend the first Cartooning Global Forum day at UNESCO in Paris, to represent PCO (paying my own train fare). I made several useful contacts at this forum for future collaborations and will be following up with them in due course. Finally got to meet Malaysian cartoonist Zunar, (pictured below with Terry Anderson) who has finally had his travel ban lifted. (The next forum is being planned for October 2019, in between the weekends at St Juste.)

  

Photo ©The Surreal McCoy

Opening remarks from Terry Anderson, Deputy Executive Director, CRNI and PCO member:

 ÉTATS GÉNÉRAUX DE DESSIN DE PRESSE UNESCO – 03/10/18 WORKING SESSION 1 REDUCED INEQUALITIES and PEACE, JUSTICE & STRONGER INSTITUTIONS

Dear colleagues, it’s a great pleasure to open the morning’s discussion on the topics laid out by Jérôme. These are lofty goals but if we believe in the power and value of cartooning as a medium then I don’t think it is beyond us to contribute toward their realisation. And if this forum is the beginning of a truly global co-operative undertaking by all cartoonists’ organisations, something I confess by own has tried and failed to create in the past, then so much the better.

Briefly: no conversation in this context and setting on the topic of peace could begin without acknowledging the contribution of our friends at Cartooning For Peace, and especially so soon after the loss of their honorary president Kofi Annan. We send them our best wishes and commend their exemplary work in the promotion of cartooning as a means of crossing barriers of understanding and promoting human rights, tolerance and peace.

Nor can we gather in this city and fail to remember the singular atrocity that unfolded on its streets in January 2015 and how for one moment it seemed as if the planet was galvanised and united by a single sentiment, Je Suis Charlie. There are participants here today who lost loved ones and friends on that day; we grieve with them and honour their courage.

Over the intervening years we’ve heard much about cartoonists as “canaries in the coal mine” and how our problems are early indicators of a wider, insidious and worsening chilling of freedom of expression. I’ve used the metaphor myself in the past but increasingly I dislike it as it implies a degree of fragility and dispensability. We are not victims or victims in waiting. We are essential to the health of press and media and therefore crucial to democracy. I would cite last year’s Humor Amenaçat initiative in Spain and the subsequent distribution of the Illegal Times freesheet as an excellent example of cartoonists and their allies pro-actively taking an urgent message directly tothe populace without awaiting a gatekeeper’s say-so. They were ahead of the curve; the FreeMuse anticensorship organisation later declared Spain the world’s top jailer of musicians, specifically rap artists protesting their government.

 We kid ourselves if we believe the problems addressed by the UN’s SDGs are reserved wholly to the developing world.

CRNI knows the primary threat to cartoonists’ freedom comes from authoritarian governments, so I hope we’ll hear from those of you here who have first-hand experience of persecution by the state, by corrupt officials, military or police personnel. Share with us the means by which cartooning has exposed the malaise afflicting the societies in which you work. Where and when do you think cartooning has resulted in palpable change? For those who have come from larger organisations that work toward the goals of social justice and peace, have you used cartoons? If so, in what way and was if effective? If you would never use cartoons, tell us why. What lessons can we cartoonists glean from others’ willingness or resistance to the use of our work?

We are asked today to consider inequality. In very recent weeks we have seen how a cartoon proffered on one side of the world as fair comment can be interpreted on the other as an unwarranted, racist and misogynistic attack. No quarter was given in the ensuing debate; humourless snowflakes on one side, unrepentant white supremacists on the other. Very little humility or grace. Some (but hardly enough) acknowledgment of a bigger problem. Around the world editorial cartooning remains stubbornly male and, even in the multicultural west, largely white. We can do a better job of reflecting the diversity of experience and the inequalities that lie therein only if we are likewise as diverse. How may we at last achieve that? Positively discriminate and risk accusations of favouritism? Rely on merit, assuming a level playing field that simply doesn’t exist? For those who have encouraged newcomers into the profession, tell us about who wants to be a cartoonist in the digital media century and what we need to do to make our sphere a welcoming place for all. For those who have written policy with equality at its heart, guide us on best practice. And then more widely, tell us about projects you have undertaken that were designed to reach audiences not served by the typical press cartoon; the poorest or least educated in your society and minority groups of every classification.

Inevitably there will be some overlap with the work to be discussed this afternoon. It’s virtually impossible to talk about education without including inequality and vice versa. So do not be afraid to introduce an idea here that can be returned to later. But for those still seeking a way to grasp the matter at hand, for me these two broad goals can be boiled down to a single word: fairness. So consider, how do we make our profession fairer and how may our work make the world fairer?

OPENING REMARKS TERRY ANDERSON, DEPUTY EXECUTIVE DIRECTOR CARTOONISTS RIGHTS NETWORK INTERNATIONAL

Terry Anderson speaking at the forum. This and the headline photos ©DR Studio-irresistable/E.K.

You can download a full copy of the the report from the Global Cartooning Forum here.

Zunar is giving a talk ‘Laughter As A Political Tool’ at University College London on 17th January. Here’s a link for more details and for booking tickets.

Portrait of the Not The National Portrait Gallery exhibition

October 3, 2018 in Events, General

Photo © Glenn Marshall

Clive Goddard writes:

I’m not sure how you measure these things in any meaningful way but I’m going to confidently declare that the PCO’s #NotTheNPG caricature exhibition at Charing Cross library was a complete triumph. For a start, the location was excellent, being in an area of central London visited by art loving tourists and now, thanks to the collective funds and effort of the  membership, kitted out as a proper gallery space with hanging facilities and frames which we can use again.

Poster featuring caricatures by Wilbur Dawbarn, Jonesy, Andy Davey and Simon Ellinas.

We could, I suppose, measure the show’s success in terms of the members’ response to the call for submissions. 47 different people had their work shown which added up to around 130 pieces on the walls (and tables and floor), whittled down in a painfully difficult process from over 300 submissions.


Photo © Jeremy Banx


How else to measure it? Well, people turned up. Not in their thousands, of course because it was a cartoon exhibition not a recording of the X Factor, but in sufficient numbers to make it worth doing and to stop the invigilators from sloping off to the pub. We were plugged in both Private Eye and The Evening Standard which certainly helped raise the show’s profile. And those that visited the show really liked it. The comments book was full of very complimentary things and there were plenty of encouraging words exhanged, too. It was also great to hear a lot of audible laughter coming from the visitors which made a pleasant change in the normally po-faced environment of an art gallery. Tate Modern really frowns upon people chuckling at their exhibits as I once discovered to my cost at a Turner Prize show.

Preview piece in The Evening Standard.

Better still, we sold stuff. Prints and originals on the walls quickly attracted those lovely little red dots which translated into total sales of nearly £3,000. This included a couple of hundred which the invigilators earned by selling more of their own work out of a grubby suitcase beneath the table.

Jeremy Banx, Christopher Burke and Steve Way at the Private View. Photo © Mika Schick.

The events were a great success too. The private view was well attended by many cartoonists, art editors and collectors most of whom behaved impeccably and didn’t get too drunk. Unfortunately Damian Hirst, Jeremy Corbyn, Boris Johnson and the other caricature victims on display, though cordially invited, were unable to attend due to some pathetic reason or other. I don’t know – they didn’t RSVP. 

Helen Pointer workshop. Photo © The Surreal McCoy

Helen Pointer’s caricaturing workshop went down a storm, attracting a full table of happy punters eager to learn and to try their hand/s at the dark art.

The panel discussion. 

The panel discussion featuring PCO heavyweights* Martin Rowson, Andy Davey, Rebecca Hendin, John Roberts and Chris Burke was a sell out**. Different perspectives on working practices and processes were shared and there was a dialogue between people working in slightly differing, yet overlapping, adjacent fields, ie: portraiture through a lens that included everything from event caricature to political cartooning to illustration gave a welcome broad perspective. And, again, most people behaved very well throughout.

The clash of the hairdos. Photo © Glenn Marshall

So now that it’s all over and Uncle Glenn has de-framed everyone’s work and is trying to find the SAEs they came with, we start thinking about the next one. Today Charing Cross, tomorrow the world!

Major thanks to everyone concerned.

Clive Goddard

PCO Chair-human

* In terms of talent not body mass index.
** In terms of numbers not principles.

NOT the National Portrait Gallery

August 21, 2018 in Events, General, News

Poster cartoon by kind permission of © Richard Jolley/ Private Eye magazine.

PCO Chair human Clive Goddard writes:

“No, its ‘Not the National Portrait Gallery’ but it is right on its doorstep in a brand new gallery space at Charing Cross Library. It is an exhibition full of irreverent, funny and, in some cases, downright disrespectful caricatures and cartoons, all poking fun at the singularly human business of having a likeness made.

The show features work by just under 50 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale”

‘The exhibition is on from 10th-23rd September, details of location and opening times here. During the run we have two associated events:

Martin Rowson with hands on a naked Boris. Photo © Zoom Rockman

Panel Talk

Monday 17th September 6-8pm

Discussion hosted by The Guardian cartoonist and author Martin Rowson with Chris Burke (The Times), Andy Davey (The Sun, Evening Standard, The Telegraph), Rebecca Hendin (BBC, Buzzfeed and more) and John Roberts (live event caricaturist) who all work across different fields as cartoonists, caricaturists and illustrators.

Angela Merkel by © Chris Burke

Samuel Beckett by © Andy Davey

Theresa May by © Rebecca Hendin

Amy Winehouse by © John Roberts

The talk is free but we recommend you book one of the limited places on the Westminster Libraries website.

 

Helen Pointer with presenter and comedian Sue Perkins. Photo © Helen Pointer

Caricature Workshop

Sunday 16th September 2-4pm

An ‘Introduction to Caricature’ with Helen Pointer. Helen is a highly experienced and much in-demand caricaturist.

This is suitable for all ages.

Again the event is free but you should book one of the limited spaces via the Westminster Libraries website.

 

with apologies to the real National Portrait GalleryWhy not combine a visit to both!

Contains Male Nudity

July 29, 2018 in Events, General, News

 

An exhibition where the nudes splayed on the gallery walls are male for a change!

Cartoon by © Jeremy Banx

The show is made up of art and cartoons. For the most part it’s figure painting, sculpture and drawings, but as in previous years’ exhibitions there will be a room given over to theme-related cartoons.

Cartoon by © The Surreal MCoy

Artists and gallery owners Helen Wilde and Terry Sole curate the exhibition with cartoons gathered from PCO members (or cartoon members gathered from the PCO) by Glenn Marshall.

Painting by © Helen Wilde

One New Street is a small, independent  gallery and studio space in Herne Bay.

Cartoon by © Steve Bright

Leonardo cartoon by © Rob Murray

If you have a Leonardo you have to have a Michelangelo. This by © Clive Goddard

The exhibition runs until 1st September. There will be a ‘Privates View’ on the opening weekend.

 

Cartoonists in Conversation

April 30, 2018 in Events, General

Jonathan Cusick writes:

A Friday evening talk has traditionally opened the public programme of the Shrewsbury cartoon festival. This year ‘Cartoonists in Conversation’ aimed to give the public an insight into the lives of cartoonists, whose work they would probably be familiar with but know little about the people behind them.

The number of cartoonists gathering in the town (this year there were 30) meant we had a stellar line-up to choose from. Jeremy Banx (Financial Times, Wall Street Journal, Private Eye) resplendent in his beret, The Surreal McCoy (The Spectator, Reader’s Digest, The Sunday Times), Royston Robertson (Private Eye, Reader’s Digest, The Spectator) and Wilbur Dawbarn (The Beano, Private Eye, The Spectator) were joined by Ken Krimstein (New Yorker, Harvard Business Review) who was over from Chicago and brought an international perspective to the chat. Our host for the evening was BBC radio presenter Alex Lester,  a festival patron and cartoon enthusiast.

Line up: Alex Lester, The Surreal McCoy. Royston Roberston, Ken Krimstein, Wilbur Dawbarn & Jeremy Banx. Photo © Gerard Whyman

The discussion covered various aspects of life as a cartoonist, alongside some superb examples of their work. Topics covered included the creation of the work and their workspace, some ‘greatest hits’ over the years, stories of rejection slips, offence, their influences and inspirations, and of course a mention of Trump. After the main panel discussion came questions direct from the audience.

A silhouetted Banx talks about one of his cartoons. Photo © Gerard Whyman

An abominable Royston Robertson cartoon. Photo © Gerard Whyman

 

 

An influential cartoon by Bernard Kliban.

We were delighted that the event was a sell-out, and indeed extra chairs were added for latecomers.

Photo © Gerard Whyman

Hearty thanks for the success of the evening go to the cartoonists on the panel, and Alex Lester for all being fabulous. The Wightman Theatre set us up wonderfully and Andy McKeown of WildStrawberry.com’s wonderful projection made the evening such a treat visually.

The Cartoon Museum announces move at ’50 Glorious Shows!’ launch.

April 3, 2018 in Events, News

The Cartoon Museum announced its exciting plans for a relocation to a new space at the launch of the ’50 Glorious Shows!’ exhibition last Wednesday.

The museum Curator Anita O’Brien reveals the plans.                                                   Photo © The Cartoon Museum.

The move has been necessitated by a severe rent rise at the current location.

The new museum will be housed at 55 Wells Street, which is north of Oxford Street in Fitzrovia, close to the BBC and Westminster University.

Artist’s impression of the new building.

It’s a great basement area, which at 4,200 sq ft is the same size as the current museum but it will have a higher ceiling. As part of the new build – by developers by Great Portland Estates – the Museum has secured a 25 year lease at a peppercorn rent (ie. no rent for 25 years) It is scheduled to open early in 2019.

Detailed plans of the new space are on display in the gallery.

The Museum is open to hear ideas and suggestions for the new location.

The varied ‘50 Glorious Shows!’ exhibition showcases what the Cartoon Museum has achieved since being at its current location, 50 being the number of exhibitions it has staged. It features original cartoons and comics from over 170 cartoon creators.

PCO member Kipper Williams with PCO new Chair-human Clive Goddard.           Photo © Kasia Kowalska

Since the museum moved to Little Russell Street twelve years ago its collection has risen from 1,500 cartoons to now over 4,000, these acquisitions mostly coming as donations.

The exhibition runs until 2nd September 2018.

More details on the Cartoon Museum website.

Shrewsbury International Cartoon Festival 2018

March 25, 2018 in Events, General

Festival poster illustration © Wilbur Dawbarn

It’s only a few weeks now until the transport-themed Shrewsbury International Cartoon Festival alights and this year it really is international with cartoonists shipped over from Belgium, Germany, Australia, the USA and Ireland.

Drawing in the crowds at last year’s festival.

The main event is the popular live drawing in the town square on Saturday 21st April. Cartoonists will be delivering up big boards and caricatures. There will also be opportunities for visitors to join in.

On Friday 20th, at 7pm there’s ‘Cartoonists in Conversation’ with PCO members Jeremy Banx, Wilbur Dawbarn, The Surreal McCoy and Royston Robertson hosted by BBC radio presenter Alex Lester. They’ll be addressing questions like: Can cartoonists find humour in anything? What’s a typical day? Do the times we live in affect the cartoons we get? Afterwards there’ll be a Q&A where you can put your own esoteric questions to the panel.

Venue: Wightman Theatre, 14a The Square, Shrewsbury. Tickets £5 (+booking fee). You can book here.

There are several workshops running over the weekend including:

© Tim Leatherbarrow

Tim Leatherbarrow on how to get movement and energy into cartoons.

© Helen Pointer

‘Introduction to Caricatures’ with Helen Pointer,

© William Rudling

and the intriguing ‘Make Your Own Giant Paper Plane’ piloted by Will Rudling.

There are also exhibitions a-plenty:

Are We Nearly There Yet?
Over 100 cartoons on the theme of transport.
10th-28th April
Bear Steps Gallery, St Alkmund’s Square

Shipped From Abroad
American cartoonists’ take on our ‘Transport’ theme.
4th April-27th May
Theatre Severn

More Belgium Imports
17th-28th April
VAN Gallery

Irish Cartoonist Wendy Shea (Irish Times)
Participate Gallery, Riverside
32-34 Riverside, Raven Meadows SY1 1PJ
April 7th-28th
11am-5pm

More detailed information on all events can be found on the festival website, Facebook page and twitter.

Gagged Ungagged Talk

December 18, 2017 in General

Andy Davey writes:

I was honoured to be asked by those nice people at Procartoonists to “host” an evening of interviews and talks to accompany the “Gagged” exhibition of cartoons at Westminster Reference Library on the subject of the oppression, censorship and gagging of political cartoonists around the world. My experience of hosting is limited to the point of zero, so I therefore accepted with trepidation but nevertheless with complete admiration for the cartoonists who have suffered for their art and reportage. As it turned out on the evening, my admiration was justified and afterwards I felt very humbled by the experience.

Martin Rowson shows a blank slide of a cartoon censored by The Independent

The quality of the speakers was excellent. First up was the Guardian’s own superbly scatalogical Martin Rowson, giving us a short history of poo in print and advice on how to successfully offend just about anybody in power.

Cartoon by © Zunar

The evening then turned somewhat digital via Skype interviews and screenings of films of various cartoonists who fight their political systems despite hardship. A poignant dramatic intervention occurred here – we had booked the heroic Malaysian cartoonist Zunar to speak to us via video link but we could not establish connection. It was later revealed that his no-show was due to his arrest and confiscation of his phone and computer. He faces 43 years in jail because of his criticisms of the Malaysian PM but continues to draw because he feels that it is his duty to do so. Against this, it’s impossible not to feel absolutely humbled. The world needs obstinate, moral, courageous people like Zunar.

Cartoon by © Khalid Albaih

Our second cartoonist interviewee was no less impressive. Khalid Albaih, a cartoonist from Sudan (via Romania and the US) who now resides in Denmark in order to freely publish his political cartoons in a democratic environment. His cartoons (usually wordless) were used widely in Arab Spring demonstrations but he would not be able to publish such “seditious” work in those countries. Khalid was very eloquent and passionate about his need to draw political cartoons but has chosen not to associate himself with any media outlet for fear of being censored or corrupted. Consequently, he has a day job and draws at night.

Cartoonist Andy Davey with Jodie Ginsberg, CEO of Index on Censorship. Photo © Kasia Kowalska

This was followed by a rearguard action from the estimable Jodie Ginsberg from Index on Censorship, showing the visceral power of angry political cartoons from around the world and how they have been suppressed, sometimes brutally.

Video call with Robert Russell. Photo © Kasia Kowalska

Lastly we were privileged to speak to Robert Russell, the founder of Cartoonists Rights Network International – a man who has probably done more than any to help and support dozens of imprisoned, harassed and endangered cartoonists around the world.

All of this must remind us of how lucky we are in western democracies. But it is useful to remember that, even in the UK, the conditions that allow satire to flourish are not fully met. Censorship exists in practical terms because of the severe bias of the traditional media.

The future of cartoons may well be that modelled by Khalid Albaih – radical, delivered via independent social platforms…but unpaid. And the message that emerged from the evening was that cartoons most certainly have a future. Each contributor underlined the importance of political cartoons, particularly in societies with a democratic deficit.

A film of the event will be available to view online in the new year.

Re:Mona exhibition

July 31, 2017 in General

Glenn Marshall writes:

I’ve long been a Mona Lisa obsessive, now I’ve come up with a cunning way to get others to join in.

Along with Helen Wilde and Terry Sole of One New Street Gallery I’ve just hung the ‘Mona Lisa – Not Funny’ exhibition as a side-show to the excellent Herne Bay Cartoon Festival.

Some coded Monas ©Ralph Steadman

It’s an exhibition of reworked, reimagined & regurgitated Mona Lisas by artists, illustrators, designers and of course a plethora of cartoonists (mostly of this parish)

The highly acclaimed pizza restaurant ‘A Casa Mia’ next door to the gallery has even joined in with a ‘Mona Pizza’ which is available on their menu while the exhibition is running. ‘Delizioso’ as Leonardo would’ve said.

The Round-up

February 15, 2013 in General, Links, News

© Katharina Greve @Procartoonists.org

Above: The Pope wins the lottery and decides to quit his job, in an eerily prescient cartoon by Katharina Greve that appeared in a calendar on the very day of Pope Benedict XVI’s announcement.

Journalist Matt Geörg Moore argues that comic strips in print should be given more space and more freedom, despite the decline in newspaper revenues. Read his argument here.

Wally Fawkes, the cartoonist and jazz musician better known to cartoon fans as Trog, has been named one of the Oldies of the Year by Richard Ingramsmagazine. Read more about Fawkes, and the other Oldies, here.

Finally, some news of contests and awards. The BBC has launched a competition asking illustrators, photographers and film-makers to share their visions of the future. Meanwhile, the nomination process has now opened for the 2013 British Comic Awards.