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Borderline Funny

June 13, 2019 in Events, General

Rupert Besley writes:

On the banks of the Tyne at Wallsend, downstream from Newcastle, is Segedunum, the large Roman fort that marked the eastern end of Hadrian’s Wall. A century back, the space was crammed with terraced housing and rang to the sounds of shipbuilding in the Swan Hunter yard. It was here in 1906 that the Mauretania was launched, then the biggest moving structure ever made.These days the houses have gone and site cleared to reveal the foundations of the mighty garrison. Shipyard buildings have been converted to form a superb museum, impressive for its collection of Roman finds, its reconstructions and its many activities. The museum’s Viewing Tower is a welcome sight to those completing the 84-mile Hadrian’s Wall Walk from Bowness-on-Solway. And this summer, for all who like cartoons (that’s everyone, isn’t it?), there is one further attraction: an exhibition of Hadrian’s Wall in cartoons.

The museum exterior.

Many congratulations to all involved, notably the volunteer Friends of Segedunum who have so well researched, resourced and curated Borderline Funny. With generous support from a variety of directions (including Lottery funding), they have put together a handsomely mounted show that includes contributions from a good few PCO members along with cartooning colleagues well known from Private Eye and Viz.Prominent in the exhibition, and rightly so, is the work of Roger Oram (1952-2016), an archaeologist who worked for 20 years at Segedunum and was also a spare-time cartoonist with an eye for satirical barbs.

One of the contributions from the children of Richardson Dees Primary School.

The exhibition spills over into the adjoining gallery with its cartoon contributions from visitors and local children, notably those from Richardson Dees Primary School in Wallsend, who worked on the project with Beano artist Nigel Auchterlounie.

Time was when printed publications had plentiful space for cartoons. Such outlets are shrinking fast, so it’s a most welcome thing that the enterprising folk of Tyne & Wear have done. A themed cartoon show makes an attractive add-on for any event or site – not just museums or places of interest: think sporting occasions, food fairs, professional conventions, local festivals, cultural happenings…

The PCO has regularly engaged with such undertakings, but the costs and logistical problems of such an exercise are really too much to expect one or two volunteers to manage. The task of assembling originals from all round the country, storing these, mounting, framing, hanging, insuring, supervising, handling sales and return despatch, is prohibitive, unless done in partnership with a gallery set up full-time for such activity.

Cartoon original by © Tony Husband

Top panel by Viz cartoonists © Graham Dury and Simon Thorp, courtesy of Dennis Publishing. Plus below cartoons by ©  K J Lamb and Clive Goddard.

At Segedunum they found another way through. Dispensing with originals (apart from the two generously donated by Tony Husband for fundraising purposes), they first obtained permissions and digital scans from the artists and then had these plus text printed by a local firm (to a very high standard) on to thick display board, cut to appropriate shapes. (A note advises visitors of contact details available to anyone interested in buying.) Still a way that needs money, hard work and much input from volunteers, but a very neat solution. Borderline brilliant, I’d say.

©  Rupert Besley’s take on the theme.

List of contributors

The exhibition runs right until Sunday 22 September.

Book Marks exhibition

June 5, 2019 in Events, General, News

Poster cartoons by © Sarah Boyce, The Surreal McCoy & Noel Ford.

Clive Goddard writes:

An exhibition of cartoons on the theme of books, literature and libraries drawn by the UK’s finest and funniest cartoonists. Appropriately enough the show will be taking place at Westminster Reference Library from June 3rd to 22nd and is free to enter.

The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale. For a list of exhibitors & price list for the works please email:

info@procartoonists.org

Cartoon by © Chris Madden.

Cartoon by © Jeremy Banx.

During the exhibition, on Saturday 15th June 2-4 pm, there will be a free drawing workshop run by cartoonist Zoom Rockman, creator of the Zoom comic and the Beano’s Skanky Pigeon strip as well as work in Private Eye magazine. This event is free and suitable for all ages but spaces are limited so booking is highly recommended via the Westminster Libraries website.

Cartoon by The Independent’s © Dave Brown

Cartoon by © Richard Jolley.

Westminster Reference Library can be found at: 35 St. Martin’s Street, London WC2H 7HP.D

Cartoon by The Guardian cartoonist © Martin Rowson

Private Eye cartoon by © Glenn Marshall

 

 

Rejection dejection

May 23, 2019 in Events, General

Photo ©  Mika Schick

The Surreal McCoy writes:

When you give a talk on rejection the main worry of course is that no one will turn up. Thankfully quite a few people did attend a recent evening entitled The Art Of Rejection hosted by three members of the PCO at Westminster Reference Library in central London.

The Surreal McCoy’s studio with walls papered with rejection slips. ©The Surreal McCoy.

Jeremy Banx, The Surreal McCoy and Glenn Marshall took to the library floor, sharing their rejected work and the ways in which they deal with this inevitable part of a creative person’s life. [Spoiler alert: they just keep drawing more cartoons.]

The Jeremy Banx take on the police line-up butchered chicken trope. ©Banx

 One audience member later quipped “it’s the start of a new way of working. Now I send all my drawings directly to the bin, which reduces anxiety and frees up valuable time.”

Glenn Marshall’s failed desperate attempt to avoid rejection.

Freedom of Expression Awards 2019

April 8, 2019 in Events, General, News

Congratulations to our friends at Cartoonists Rights Network International for winning the Index on Censorship Freedom of Expression Award for CAMPAIGNING.

The impressive awards ceremony was held in London last Thursday evening and hosted by comedian Nish Kumar.

Index on Censorship described CRNI as “a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. It is a lifeline for cartoonists in danger across the world.”

CRNI Deputy Executive Director Terry Anderson after accepting the award.

In his speech Terry Anderson said: “Like virtually no other profession the cartoonist makes it their business to remind the citizenry that the emperor is naked.”

Terry kindly mentioned the support they have had from Procartoonists. Many of our members have contributed to campaigns for the likes of Zunar, Ramón Nsé Esono Ebalé, Free Turkey Media and of course drawn fish for Eaten Fish.

Terry also praised International Cities of Refuge Network (ICORN) who offer refuge to writers, journalists and artists at risk of persecution. They’d been instrumental in the release of Eaten Fish.

The full speech can be seen here.

Ali Dorani (Eaten Fish) with Terry Anderson

Two cartoonists who benefited from CRNI backing had flown in specially to attend the awards. Zunar, a cartoonist who faced 43 years in prison for criticising the Malaysian government and Ali Dorani, AKA Eaten Fish, the Iranian cartoonist who spent four years interned in Australian-run Manus Island refugee internment camp.

Painting by © Zehra Doğan

All the award winners were incredible as indeed were all the nominees. I was particularly taken with the story of Kurdish artist and journalist  Zehra Doğan. She has only recently been released from a Turkish prison after being jailed for painting the destruction of a town in Turkey’s Kurdish region. When in prison she wasn’t allowed to have artists’ materials so drew on newspapers or old milk cartons using crushed fruit, herbs and even blood as paint with bird feathers to draw. Zehra won the award in the ARTS category.

One of the wonderful award cartoons by © Doaa el-Adl.

Winners were presented with cartoons especially drawn by Egyptian cartoonist Doaa el-Adl.

All the winners (L to R) Carolina Botero Cabrera, executive director of ‘Fundación Karisma’, DIGITAL ACTIVISM winner; JOURNALISM winner Mimi Mefo; Terry Anderson of CAMPAIGNING winner CRNI and ARTS winner Zehra Doğan. Photo © Elina Kansikas for Index on Censorship

Details of all the winners can be seen here.

For anyone interested in supporting Index on Censorship their CEO Jodie Ginsberg launched ‘The 1972 Club’ a membership scheme that funds their work as well as giving you great benefits.

Photo via © Rachael Jolley

Terry doing some painting and decorating on the wall at the new Index on Censorship office earlier in the day.

How to illustrate your point…

March 12, 2019 in Comment, General

Tim Ruscoe writes:

“At simply-communicate we know that cartoons are magnets to draw our readers’ attention so we can land messages with impact. And Tim’s work is both funny and memorable – whenever an article is illustrated with one of his jokes it gets twice the attention.”

Marc Wright, Publisher, simply-communicate.com

A phrase originally used by the well-known actor Roy Scheider in the 1975 blockbuster ‘Jaws’. He utters the line when he gets a good look at the size of the shark that is circling the small fishing boat he is on. Used in day to day life when a situation seems insurmountable. The film crew when making Jaws use this line all the time to indicate any problem that popped-up, a short cut to a description as to what is required to sort a job out but in a humorous way.

We use humour in so many ways, to emphasize a point, to change a relationship or a way of seeing the truth. Like irony! They say Americans don’t get it, ‘We’re going to need a bigger metaphor’

Getting your story told by communicating in words can have its problems with holding the attention of the reader, in film there is always something going on visually to hold the viewer until the interest returns, reading a dull section can switch you off and that is why illustrated text came in to being.

What do you get from this Six Nations Rugby blog banner with its French Title?

The blog described the way England play to the way the French move the ball around, making for an interesting battle, so the differences depicted are intriguing in many way to the reader. The idea of actually eating a snail is hilarious!

I illustrate with cartoons for Internal Communications, helping to tell a story, engage and entertain, by challenging the reader to interact with the writer as to what they have seen.

A piece on booking the right venue for a meeting-

Feedback-

‘’You think that’s funny I had that experience at…’’

‘’Is that the Matterhorn mountain in the background?’’

Being sympathetic to someone’s lot show your understanding of a situation, helping to keep morale up. Let the team’s feelings about the difficulties and changes that are going on be recognised, to say ‘’Hard luck but move on” won’t help these feelings and only result in employees becoming disengaged.

Pitching for a contract and not winning can be devastating, yet you must bounce back and do it all again and better! May be it wasn’t your entire fault…

Celebrate victories and examples of excellence both formally and informally. During times of difficulty, it is especially important for employees to feel like winners.

For some situations you have to be in the know to get the joke, it may be you have to be an employees to ‘get it’ this is a good thing as it shows your all united you all understand what’s been going on in the company, just made for Internal Comms with their finger on the pulse.

How the author’s brief develops into the cartoon, it can be a list of facts and fiction to combined in to one drawing, current goings-on’s, maybe you have a joke that needs illustrating. I start with a rough first draft, we talk, we change or add stuff, when you’re happy I make the artwork in black ink, I can colour it up if required, I can animate it to a sound track, this is a great way to bring a process or tutorial to life keeping the viewers attention.

A private joke that only one department will truly understand creating interest from everyone, prompting interaction and engagement from others.

Private joke – See what I mean?

Many different seasonal reasons to make people smile, linked to work so sharing a common ground, a reminder to what’s on in a witty or just silly cartoon to send you on the way home.

A writer can engage and inspiring people through compelling stories and analogies.

A cartoonist can illuminate, embellish, adorn, enhance, highlight.

I don’t think there is any subject that can’t be made into a cartoon?

Tim Ruscoe

t.ruscoe@btconnect.com

All cartoons © Tim Ruscoe

‘Women In History’ Cartoon Exhibition

February 22, 2019 in Events, General, News

Poster cartoon by © The Surreal MCoy

The PCO is putting on an exhibition in collaboration with Idea Store at Canary Wharf to tie in with Women’s History Month. ‘Women In History’ is an exhibition of cartoons and caricatures based loosely around the theme and also looking more widely at issues affecting women.

Our patron Sandi Toksvig writes:

“Cave paintings were really the first cartoons. The latest analysis of them suggest they were done by women. Perfect! Let’s celebrate Women’s History month with cartoons done by female artists following in the footsteps of the very first art.”

Cartoon by © Sarah Boyce

The show has been curated by PCO committee members The Surreal McCoy and Sarah Boyce (office admin by Glenda Marshall).

Sarah writes:

“We are delighted that Idea Store has given us this space to showcase the work of women cartoonists. It’s been a tough job narrowing down the long list to those that will be on display. We wanted to get a broad range of voices and styles in the exhibition and make sure as many women cartoonists as possible got a chance to participate. Hopefully visitors will enjoy the talent, diversity and humour on display.”

‘Victoria Victorious’ by © Cathy Simpson

Women’s History Month started in schools in California in 1978 to enhance understanding of all women’s contributions to history and society. It centres around International Women’s Day, originally celebrated in 1911 and now a fixture on 8th March. Women’s History Month is now an annual declared month in the UK, USA, Australia and Canada.

Illustration by © Kate Charlesworth

The show has contributions from 20 cartoonists including international submissions from Egypt, Greece and New Zealand.

Isadora Duncan by Athens based cartoonist © Maria Tzaboura 

Those taking part are:

Afraa Alyousef, Sally Artz, Ros Asquith, Sarah Boyce, Kate Charlesworth, Maddie Dai, Tat Effby, Jacky Fleming, Grizelda, Rebecca Hendin, KJ Lamb, Rasha Mahdi, Lorna Miller, Lou McKeever, Danny Noble, Chichi Parish, Martha Richler, Cathy Simpson, The Surreal McCoy and Maria Tzaboura.

Malala Yousafzai with her father by © Rebecca Hendin

The exhibition runs throughout March at:

Idea Store Canary Wharf, Churchill Place, London, E14 5RB.

We’ll be showing many more of the cartoons and drawings from the show on our social media platforms over the next few weeks.

All artwork on display will be available for purchase with 10% of the sales going to Solace Women’s Aid

Cartoon by © Maddie Dai

We’re hoping to put on more exhibitions and events in partnership with Idea Store later in the year.

Cartooning Global Forum

December 13, 2018 in Events, General

The Surreal McCoy writes:

Monday (December 10th) was the 70th anniversary of the Universal Declaration of Human Rights. Earlier this year in October I was asked to attend the first Cartooning Global Forum day at UNESCO in Paris, to represent PCO (paying my own train fare). I made several useful contacts at this forum for future collaborations and will be following up with them in due course. Finally got to meet Malaysian cartoonist Zunar, (pictured below with Terry Anderson) who has finally had his travel ban lifted. (The next forum is being planned for October 2019, in between the weekends at St Juste.)

  

Photo ©The Surreal McCoy

Opening remarks from Terry Anderson, Deputy Executive Director, CRNI and PCO member:

 ÉTATS GÉNÉRAUX DE DESSIN DE PRESSE UNESCO – 03/10/18 WORKING SESSION 1 REDUCED INEQUALITIES and PEACE, JUSTICE & STRONGER INSTITUTIONS

Dear colleagues, it’s a great pleasure to open the morning’s discussion on the topics laid out by Jérôme. These are lofty goals but if we believe in the power and value of cartooning as a medium then I don’t think it is beyond us to contribute toward their realisation. And if this forum is the beginning of a truly global co-operative undertaking by all cartoonists’ organisations, something I confess by own has tried and failed to create in the past, then so much the better.

Briefly: no conversation in this context and setting on the topic of peace could begin without acknowledging the contribution of our friends at Cartooning For Peace, and especially so soon after the loss of their honorary president Kofi Annan. We send them our best wishes and commend their exemplary work in the promotion of cartooning as a means of crossing barriers of understanding and promoting human rights, tolerance and peace.

Nor can we gather in this city and fail to remember the singular atrocity that unfolded on its streets in January 2015 and how for one moment it seemed as if the planet was galvanised and united by a single sentiment, Je Suis Charlie. There are participants here today who lost loved ones and friends on that day; we grieve with them and honour their courage.

Over the intervening years we’ve heard much about cartoonists as “canaries in the coal mine” and how our problems are early indicators of a wider, insidious and worsening chilling of freedom of expression. I’ve used the metaphor myself in the past but increasingly I dislike it as it implies a degree of fragility and dispensability. We are not victims or victims in waiting. We are essential to the health of press and media and therefore crucial to democracy. I would cite last year’s Humor Amenaçat initiative in Spain and the subsequent distribution of the Illegal Times freesheet as an excellent example of cartoonists and their allies pro-actively taking an urgent message directly tothe populace without awaiting a gatekeeper’s say-so. They were ahead of the curve; the FreeMuse anticensorship organisation later declared Spain the world’s top jailer of musicians, specifically rap artists protesting their government.

 We kid ourselves if we believe the problems addressed by the UN’s SDGs are reserved wholly to the developing world.

CRNI knows the primary threat to cartoonists’ freedom comes from authoritarian governments, so I hope we’ll hear from those of you here who have first-hand experience of persecution by the state, by corrupt officials, military or police personnel. Share with us the means by which cartooning has exposed the malaise afflicting the societies in which you work. Where and when do you think cartooning has resulted in palpable change? For those who have come from larger organisations that work toward the goals of social justice and peace, have you used cartoons? If so, in what way and was if effective? If you would never use cartoons, tell us why. What lessons can we cartoonists glean from others’ willingness or resistance to the use of our work?

We are asked today to consider inequality. In very recent weeks we have seen how a cartoon proffered on one side of the world as fair comment can be interpreted on the other as an unwarranted, racist and misogynistic attack. No quarter was given in the ensuing debate; humourless snowflakes on one side, unrepentant white supremacists on the other. Very little humility or grace. Some (but hardly enough) acknowledgment of a bigger problem. Around the world editorial cartooning remains stubbornly male and, even in the multicultural west, largely white. We can do a better job of reflecting the diversity of experience and the inequalities that lie therein only if we are likewise as diverse. How may we at last achieve that? Positively discriminate and risk accusations of favouritism? Rely on merit, assuming a level playing field that simply doesn’t exist? For those who have encouraged newcomers into the profession, tell us about who wants to be a cartoonist in the digital media century and what we need to do to make our sphere a welcoming place for all. For those who have written policy with equality at its heart, guide us on best practice. And then more widely, tell us about projects you have undertaken that were designed to reach audiences not served by the typical press cartoon; the poorest or least educated in your society and minority groups of every classification.

Inevitably there will be some overlap with the work to be discussed this afternoon. It’s virtually impossible to talk about education without including inequality and vice versa. So do not be afraid to introduce an idea here that can be returned to later. But for those still seeking a way to grasp the matter at hand, for me these two broad goals can be boiled down to a single word: fairness. So consider, how do we make our profession fairer and how may our work make the world fairer?

OPENING REMARKS TERRY ANDERSON, DEPUTY EXECUTIVE DIRECTOR CARTOONISTS RIGHTS NETWORK INTERNATIONAL

Terry Anderson speaking at the forum. This and the headline photos ©DR Studio-irresistable/E.K.

You can download a full copy of the the report from the Global Cartooning Forum here.

Zunar is giving a talk ‘Laughter As A Political Tool’ at University College London on 17th January. Here’s a link for more details and for booking tickets.

Portrait of the Not The National Portrait Gallery exhibition

October 3, 2018 in Events, General

Photo © Glenn Marshall

Clive Goddard writes:

I’m not sure how you measure these things in any meaningful way but I’m going to confidently declare that the PCO’s #NotTheNPG caricature exhibition at Charing Cross library was a complete triumph. For a start, the location was excellent, being in an area of central London visited by art loving tourists and now, thanks to the collective funds and effort of the  membership, kitted out as a proper gallery space with hanging facilities and frames which we can use again.

Poster featuring caricatures by Wilbur Dawbarn, Jonesy, Andy Davey and Simon Ellinas.

We could, I suppose, measure the show’s success in terms of the members’ response to the call for submissions. 47 different people had their work shown which added up to around 130 pieces on the walls (and tables and floor), whittled down in a painfully difficult process from over 300 submissions.


Photo © Jeremy Banx


How else to measure it? Well, people turned up. Not in their thousands, of course because it was a cartoon exhibition not a recording of the X Factor, but in sufficient numbers to make it worth doing and to stop the invigilators from sloping off to the pub. We were plugged in both Private Eye and The Evening Standard which certainly helped raise the show’s profile. And those that visited the show really liked it. The comments book was full of very complimentary things and there were plenty of encouraging words exhanged, too. It was also great to hear a lot of audible laughter coming from the visitors which made a pleasant change in the normally po-faced environment of an art gallery. Tate Modern really frowns upon people chuckling at their exhibits as I once discovered to my cost at a Turner Prize show.

Preview piece in The Evening Standard.

Better still, we sold stuff. Prints and originals on the walls quickly attracted those lovely little red dots which translated into total sales of nearly £3,000. This included a couple of hundred which the invigilators earned by selling more of their own work out of a grubby suitcase beneath the table.

Jeremy Banx, Christopher Burke and Steve Way at the Private View. Photo © Mika Schick.

The events were a great success too. The private view was well attended by many cartoonists, art editors and collectors most of whom behaved impeccably and didn’t get too drunk. Unfortunately Damian Hirst, Jeremy Corbyn, Boris Johnson and the other caricature victims on display, though cordially invited, were unable to attend due to some pathetic reason or other. I don’t know – they didn’t RSVP. 

Helen Pointer workshop. Photo © The Surreal McCoy

Helen Pointer’s caricaturing workshop went down a storm, attracting a full table of happy punters eager to learn and to try their hand/s at the dark art.

The panel discussion. 

The panel discussion featuring PCO heavyweights* Martin Rowson, Andy Davey, Rebecca Hendin, John Roberts and Chris Burke was a sell out**. Different perspectives on working practices and processes were shared and there was a dialogue between people working in slightly differing, yet overlapping, adjacent fields, ie: portraiture through a lens that included everything from event caricature to political cartooning to illustration gave a welcome broad perspective. And, again, most people behaved very well throughout.

The clash of the hairdos. Photo © Glenn Marshall

So now that it’s all over and Uncle Glenn has de-framed everyone’s work and is trying to find the SAEs they came with, we start thinking about the next one. Today Charing Cross, tomorrow the world!

Major thanks to everyone concerned.

Clive Goddard

PCO Chair-human

* In terms of talent not body mass index.
** In terms of numbers not principles.

NOT the National Portrait Gallery

August 21, 2018 in Events, General, News

Poster cartoon by kind permission of © Richard Jolley/ Private Eye magazine.

PCO Chair human Clive Goddard writes:

“No, its ‘Not the National Portrait Gallery’ but it is right on its doorstep in a brand new gallery space at Charing Cross Library. It is an exhibition full of irreverent, funny and, in some cases, downright disrespectful caricatures and cartoons, all poking fun at the singularly human business of having a likeness made.

The show features work by just under 50 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale”

‘The exhibition is on from 10th-23rd September, details of location and opening times here. During the run we have two associated events:

Martin Rowson with hands on a naked Boris. Photo © Zoom Rockman

Panel Talk

Monday 17th September 6-8pm

Discussion hosted by The Guardian cartoonist and author Martin Rowson with Chris Burke (The Times), Andy Davey (The Sun, Evening Standard, The Telegraph), Rebecca Hendin (BBC, Buzzfeed and more) and John Roberts (live event caricaturist) who all work across different fields as cartoonists, caricaturists and illustrators.

Angela Merkel by © Chris Burke

Samuel Beckett by © Andy Davey

Theresa May by © Rebecca Hendin

Amy Winehouse by © John Roberts

The talk is free but we recommend you book one of the limited places on the Westminster Libraries website.

 

Helen Pointer with presenter and comedian Sue Perkins. Photo © Helen Pointer

Caricature Workshop

Sunday 16th September 2-4pm

An ‘Introduction to Caricature’ with Helen Pointer. Helen is a highly experienced and much in-demand caricaturist.

This is suitable for all ages.

Again the event is free but you should book one of the limited spaces via the Westminster Libraries website.

 

with apologies to the real National Portrait GalleryWhy not combine a visit to both!

Contains Male Nudity

July 29, 2018 in Events, General, News

 

An exhibition where the nudes splayed on the gallery walls are male for a change!

Cartoon by © Jeremy Banx

The show is made up of art and cartoons. For the most part it’s figure painting, sculpture and drawings, but as in previous years’ exhibitions there will be a room given over to theme-related cartoons.

Cartoon by © The Surreal MCoy

Artists and gallery owners Helen Wilde and Terry Sole curate the exhibition with cartoons gathered from PCO members (or cartoon members gathered from the PCO) by Glenn Marshall.

Painting by © Helen Wilde

One New Street is a small, independent  gallery and studio space in Herne Bay.

Cartoon by © Steve Bright

Leonardo cartoon by © Rob Murray

If you have a Leonardo you have to have a Michelangelo. This by © Clive Goddard

The exhibition runs until 1st September. There will be a ‘Privates View’ on the opening weekend.