You are browsing the archive for cartoons.

Cartoonists in Conversation

April 30, 2018 in Events, General

Jonathan Cusick writes:

A Friday evening talk has traditionally opened the public programme of the Shrewsbury cartoon festival. This year ‘Cartoonists in Conversation’ aimed to give the public an insight into the lives of cartoonists, whose work they would probably be familiar with but know little about the people behind them.

The number of cartoonists gathering in the town (this year there were 30) meant we had a stellar line-up to choose from. Jeremy Banx (Financial Times, Wall Street Journal, Private Eye) resplendent in his beret, The Surreal McCoy (The Spectator, Reader’s Digest, The Sunday Times), Royston Robertson (Private Eye, Reader’s Digest, The Spectator) and Wilbur Dawbarn (The Beano, Private Eye, The Spectator) were joined by Ken Krimstein (New Yorker, Harvard Business Review) who was over from Chicago and brought an international perspective to the chat. Our host for the evening was BBC radio presenter Alex Lester,  a festival patron and cartoon enthusiast.

Line up: Alex Lester, The Surreal McCoy. Royston Roberston, Ken Krimstein, Wilbur Dawbarn & Jeremy Banx. Photo © Gerard Whyman

The discussion covered various aspects of life as a cartoonist, alongside some superb examples of their work. Topics covered included the creation of the work and their workspace, some ‘greatest hits’ over the years, stories of rejection slips, offence, their influences and inspirations, and of course a mention of Trump. After the main panel discussion came questions direct from the audience.

A silhouetted Banx talks about one of his cartoons. Photo © Gerard Whyman

An abominable Royston Robertson cartoon. Photo © Gerard Whyman

 

 

An influential cartoon by Bernard Kliban.

We were delighted that the event was a sell-out, and indeed extra chairs were added for latecomers.

Photo © Gerard Whyman

Hearty thanks for the success of the evening go to the cartoonists on the panel, and Alex Lester for all being fabulous. The Wightman Theatre set us up wonderfully and Andy McKeown of WildStrawberry.com’s wonderful projection made the evening such a treat visually.

The Cartoon Museum announces move at ’50 Glorious Shows!’ launch.

April 3, 2018 in Events, News

The Cartoon Museum announced its exciting plans for a relocation to a new space at the launch of the ’50 Glorious Shows!’ exhibition last Wednesday.

The museum Curator Anita O’Brien reveals the plans.                                                   Photo © The Cartoon Museum.

The move has been necessitated by a severe rent rise at the current location.

The new museum will be housed at 55 Wells Street, which is north of Oxford Street in Fitzrovia, close to the BBC and Westminster University.

Artist’s impression of the new building.

It’s a great basement area, which at 4,200 sq ft is the same size as the current museum but it will have a higher ceiling. As part of the new build – by developers by Great Portland Estates – the Museum has secured a 25 year lease at a peppercorn rent (ie. no rent for 25 years) It is scheduled to open early in 2019.

Detailed plans of the new space are on display in the gallery.

The Museum is open to hear ideas and suggestions for the new location.

The varied ‘50 Glorious Shows!’ exhibition showcases what the Cartoon Museum has achieved since being at its current location, 50 being the number of exhibitions it has staged. It features original cartoons and comics from over 170 cartoon creators.

PCO member Kipper Williams with PCO new Chair-human Clive Goddard.           Photo © Kasia Kowalska

Since the museum moved to Little Russell Street twelve years ago its collection has risen from 1,500 cartoons to now over 4,000, these acquisitions mostly coming as donations.

The exhibition runs until 2nd September 2018.

More details on the Cartoon Museum website.

Shrewsbury International Cartoon Festival 2018

March 25, 2018 in Events, General

Festival poster illustration © Wilbur Dawbarn

It’s only a few weeks now until the transport-themed Shrewsbury International Cartoon Festival alights and this year it really is international with cartoonists shipped over from Belgium, Germany, Australia, the USA and Ireland.

Drawing in the crowds at last year’s festival.

The main event is the popular live drawing in the town square on Saturday 21st April. Cartoonists will be delivering up big boards and caricatures. There will also be opportunities for visitors to join in.

On Friday 20th, at 7pm there’s ‘Cartoonists in Conversation’ with PCO members Jeremy Banx, Wilbur Dawbarn, The Surreal McCoy and Royston Robertson hosted by BBC radio presenter Alex Lester. They’ll be addressing questions like: Can cartoonists find humour in anything? What’s a typical day? Do the times we live in affect the cartoons we get? Afterwards there’ll be a Q&A where you can put your own esoteric questions to the panel.

Venue: Wightman Theatre, 14a The Square, Shrewsbury. Tickets £5 (+booking fee). You can book here.

There are several workshops running over the weekend including:

© Tim Leatherbarrow

Tim Leatherbarrow on how to get movement and energy into cartoons.

© Helen Pointer

‘Introduction to Caricatures’ with Helen Pointer,

© William Rudling

and the intriguing ‘Make Your Own Giant Paper Plane’ piloted by Will Rudling.

There are also exhibitions a-plenty:

Are We Nearly There Yet?
Over 100 cartoons on the theme of transport.
10th-28th April
Bear Steps Gallery, St Alkmund’s Square

Shipped From Abroad
American cartoonists’ take on our ‘Transport’ theme.
4th April-27th May
Theatre Severn

More Belgium Imports
17th-28th April
VAN Gallery

Irish Cartoonist Wendy Shea (Irish Times)
Participate Gallery, Riverside
32-34 Riverside, Raven Meadows SY1 1PJ
April 7th-28th
11am-5pm

More detailed information on all events can be found on the festival website, Facebook page and twitter.

The PCO has a new Chairleg

February 26, 2018 in General, News

After a very successful tenure as PCO Chairleg the venerable Bill Stott has decided to step down to spend more time with Joan Baez and his Jaguar XK8 – happily Bill will remain on the committee. Step forward Clive Goddard, who will be fitting into Bill’s Chairleg trousers. Clive needs no introduction but here’s one anyway penned by great man himself:

I was born in Berkshire at the very beginning of the swinging sixties. Unfortunately I managed to miss all the swinging by being at school and, of course, by being in Berkshire. 

As soon as I was old enough to hold a crayon I decided I wanted to be a gag cartoonist. Personally, I blame the late, great Roland Fiddy whose cartoons I grew up with in the otherwise tedious ‘Look & Learn’ magazine. Blessed with generous parents, I was hurriedly furnished with a copy of ‘How to be a Cartoonist’ by Walter T Foster which I studied thoroughly despite it being about 40 years out of date.

 

Published in Private Eye © Clive Goddard

At 19 I was hired by the Newbury newspaper to produce a strip which could be about any local issue so long as it wasn’t contentious, offensive or funny. A mere thirty years later I finally sold a cartoon to my first national publication, Private Eye. It was a joke about BSE; a dreadful livestock disease but an excellent source of humour and a major breakthrough in my fortunes. 

© Clive Goddard

Since then I have drawn for the likes of Private Eye, New Statesman and Prospect as well as for the likes of Playboy, Zoo and the Sun on Sunday, so I’m evidently not fussy. I have been commissioned by the BBC, OUP, Paperlink, the Metropolitan Police, the RNLI, The NHS, Mars Confectionary and just about everyone inbetween. I’ve also illustrated a huge bunch of ‘Horrible’ books for Scholastic Children’s books and written three comedy adventure novels for kids.

 

© Clive Goddard

Happily married with approximately four children, numerous cats and a drawer full of Sharpies, some of which still work. 

PCO Cartoon Review of 2017

January 1, 2018 in Comment, General, News

 

Everyone else is doing it so we thought we’d have our own look back at the year…with cartoons by PCO members. The Big Issue drawing above by Andrew Birch manages to fit the whole year into just one cartoon!

© Ralph Steadman

We started the year with Trump’s bigly attended inauguration. Trump was undoubtedly (Mad) Man of the Year although he was closely followed by Kim Jong-Range Missile. This flattering portrait of Trump is by the inimitable Ralph Steadman.

© Steve Bell

At the beginning of the year Theresa May visited Washington to hold hands with The Donald. This cartoon from Steve Bell on the ‘special relationship’. You can see more of Steve Bell’s favourite cartoons of the year on the Guardian website.

© Wilbur Dawbarn

June saw Mrs M making another bad decision in calling a snap election. Who’d of thunk this would turn Jeremy Corbyn into a headline act at Glastonbury! This on the election race by Private Eye regular Wilbur Dawbarn.

© Andy Davey

The election didn’t go too well for Theresa. Here’s Andy Davey on the costly deal she was forced to do with the DUP (from The Indy). Unsurprisingly the figures weren’t heralded on the side of a bus.

© Jeremy Banx

Russian cyber interference in overseas elections has been a big story in 2017. This cartoon by FT cartoonist Banx. (although this could easily be a drawing of The Daily Mail newsroom)

© Martin Rowson

In June we had the terrible fire at Grenfell Tower. This is Martin Rowson’s response in The Guardian on the Government hiding from responsibilities.

© Zoom Rockman

…another illustration on Grenville Tower by prodigious talent Zoom Rockman taken from Private Eye. ‘Things That Wouldn’t Happen’. Would the House of Parliament use cheap cladding for the renovation work?

© Ros Asquith

The NHS is still desperately underfunded. This was a very funny cartoon by Ros Asquith after doctors warned in July about Government plans for ‘brutal’ NHS cuts.

© Dave Brown

October started with the awful mass shooting in Las Vegas – one of many atrocities in 2017. This was Dave Brown’s reaction in the Independent.

© Sarah Boyce

In a year where it seems every male in a position of power is a sexual predator an excellent cartoon from Sarah Boyce in Private Eye

© Will McPhail

Workplace equality has also been an issue throughout the year. This perfectly summed up in a Private Eye cartoon by New Yorker regular Will McPhail.

© Steve Bright

We couldn’t review the whole year without mentioning B****t. Here’s a fine summing up of how negotiations are going by Brighty in The Sun.

© Royston Robertson

…we have though restricted ourselves to just two on the ‘B’ word. This corker by Royston published in Private Eye.

© Matthew Buck

Ok, that was an ‘alternative truth’ we now have three ‘B’ word cartoons, this from Matthew Buck for Tribune.

© Guy Venables

…and on the same subject word(s) of the year was ‘Fake News’. This take on it from Guy Venables in the Private Eye 2017 Annual.

© Steve Jones

Trump has recently been denying global warming again because the East Coast has had a bit of a heavy cold spell. Here’s a strip on Trump’s view on climate change by Jonesy (from Resurgence & Ecologist magazine)

© Mike Turner

Finally, on a rather apocalyptic note to end the year, this is from Mike Turner in The Spectator.

Happy New Year from the PCO…although I suspect 2018 will be another year of global calamity and abject misery – at least we’ll have plenty to draw cartoons about. 

Gagged Ungagged Talk

December 18, 2017 in General

Andy Davey writes:

I was honoured to be asked by those nice people at Procartoonists to “host” an evening of interviews and talks to accompany the “Gagged” exhibition of cartoons at Westminster Reference Library on the subject of the oppression, censorship and gagging of political cartoonists around the world. My experience of hosting is limited to the point of zero, so I therefore accepted with trepidation but nevertheless with complete admiration for the cartoonists who have suffered for their art and reportage. As it turned out on the evening, my admiration was justified and afterwards I felt very humbled by the experience.

Martin Rowson shows a blank slide of a cartoon censored by The Independent

The quality of the speakers was excellent. First up was the Guardian’s own superbly scatalogical Martin Rowson, giving us a short history of poo in print and advice on how to successfully offend just about anybody in power.

Cartoon by © Zunar

The evening then turned somewhat digital via Skype interviews and screenings of films of various cartoonists who fight their political systems despite hardship. A poignant dramatic intervention occurred here – we had booked the heroic Malaysian cartoonist Zunar to speak to us via video link but we could not establish connection. It was later revealed that his no-show was due to his arrest and confiscation of his phone and computer. He faces 43 years in jail because of his criticisms of the Malaysian PM but continues to draw because he feels that it is his duty to do so. Against this, it’s impossible not to feel absolutely humbled. The world needs obstinate, moral, courageous people like Zunar.

Cartoon by © Khalid Albaih

Our second cartoonist interviewee was no less impressive. Khalid Albaih, a cartoonist from Sudan (via Romania and the US) who now resides in Denmark in order to freely publish his political cartoons in a democratic environment. His cartoons (usually wordless) were used widely in Arab Spring demonstrations but he would not be able to publish such “seditious” work in those countries. Khalid was very eloquent and passionate about his need to draw political cartoons but has chosen not to associate himself with any media outlet for fear of being censored or corrupted. Consequently, he has a day job and draws at night.

Cartoonist Andy Davey with Jodie Ginsberg, CEO of Index on Censorship. Photo © Kasia Kowalska

This was followed by a rearguard action from the estimable Jodie Ginsberg from Index on Censorship, showing the visceral power of angry political cartoons from around the world and how they have been suppressed, sometimes brutally.

Video call with Robert Russell. Photo © Kasia Kowalska

Lastly we were privileged to speak to Robert Russell, the founder of Cartoonists Rights Network International – a man who has probably done more than any to help and support dozens of imprisoned, harassed and endangered cartoonists around the world.

All of this must remind us of how lucky we are in western democracies. But it is useful to remember that, even in the UK, the conditions that allow satire to flourish are not fully met. Censorship exists in practical terms because of the severe bias of the traditional media.

The future of cartoons may well be that modelled by Khalid Albaih – radical, delivered via independent social platforms…but unpaid. And the message that emerged from the evening was that cartoons most certainly have a future. Each contributor underlined the importance of political cartoons, particularly in societies with a democratic deficit.

A film of the event will be available to view online in the new year.

Get Colouring

December 7, 2017 in General

Jonathan Cusick writes:

Support the festival this Christmas by giving the cartoon fans in your life a copy of the Shrewsbury Cartoon Festival Colouring Book!

More than 40 black line cartoons from top cartoonists for your shading enjoyment. Relax, be inspired or just have a giggle. Fun for all ages.

Sold to raise funds for the 2018 Shrewsbury Cartoon Festival

Importantly, last order date for Christmas delivery is the 14th December.

The book can be ordered from the following link;
http://www.lulu.com/shop/cartoon-festiv … 6591.html#

The Rupert Besley and Andrew Birch spread

Full list of those in the book; Steve Best, Neil Bennett, Rupert Besley, Andrew Birch, Steve Bright, Jonathan Cusick, Andy Davey, Wilbur Dawbarn, Neil DIshington, Pete Dredge, Robert Duncan, Tim Harries, Chris Madden, Roger Penwill, Ken Pyne, Royston Robertson, John Roberts, William Rudling, Bill Stott, The Surreal McCoy.

 

Re:Mona exhibition

July 31, 2017 in General

Glenn Marshall writes:

I’ve long been a Mona Lisa obsessive, now I’ve come up with a cunning way to get others to join in.

Along with Helen Wilde and Terry Sole of One New Street Gallery I’ve just hung the ‘Mona Lisa – Not Funny’ exhibition as a side-show to the excellent Herne Bay Cartoon Festival.

Some coded Monas ©Ralph Steadman

It’s an exhibition of reworked, reimagined & regurgitated Mona Lisas by artists, illustrators, designers and of course a plethora of cartoonists (mostly of this parish)

The highly acclaimed pizza restaurant ‘A Casa Mia’ next door to the gallery has even joined in with a ‘Mona Pizza’ which is available on their menu while the exhibition is running. ‘Delizioso’ as Leonardo would’ve said.

Profile photo of Royston

by Royston

Cartoonist in gutsy new series

December 5, 2014 in General, Links, News

Adrian Teal Under the Knife
Procartoonists member Adrian Teal has started contributing cartoons and character design to a gruesome new medical history series on YouTube called Under The Knife.

Written and presented by Dr Lindsey Fitzharris and directed by Alex Anstey, the series is dedicated to the horrors of pre-anaesthetic surgery and early medicine. It combines traditional story-telling techniques with computer animation based on Teal artwork.

Adrian tells us: “The first video has had nearly 9,000 hits. Also, we’re raising funds to cover production costs via the crowdfunding site Patreon.”

Adrian Teal Under the Knife

You can support the series via Patreon here. And you can watch the videos on YouTube here. But be warned: with titles such as The Clockwork Saw, The Plague Doctor, above, and, er, Victorian Anti-Masturbation Devices, it is not for the faint of heart!

The sky is falling in

November 9, 2013 in Events, General, News

News that a satellite is descending to earth in an uncontrolled fashion reminds us that there’s nothing new under the sun – as these cartoons from Martin Minton – A cartoon novel by Ken Pyne show.

Cartoon_Life_© Ken_Pyne_@_procartoonists.org

Cartoon © Ken Pyne from Martin Minton - a cartoon novel @procartoonists.org

Satellite_Cartoon_©_Ken_Pyne_@procartoonists.org

Cartoon © Ken Pyne from Martin Minton - a cartoon novel @procartoonists.org

Ken told us:

Funny, I was only thinking of that book a couple of days ago in Waterstones. When it came out the publisher sent a blurb round saying it was a ‘Cartoon Novel’ and a book reviewer called me ‘pretentious’ for calling it that. How times have changed – now you can’t move around a book shop for ‘Graphic Novels’.

UK Professional Cartoonists