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PCO’s Gagged at St-Just-Le-Martel 2019

October 8, 2019 in Events, General, News

The Surreal McCoy writes:

Our exhibition had two outings this year: one at the high-profile Defend Media Conference in London during the summer and then again at the St-Just-Le-Martel Salon d’Humor in France over September/October.

58 cartoons by 25 members were displayed at the Centre Permanent’s exhibition space that saw many visitors over the two weeks of the festival. Very positive feedback was received from the educators who guided around 50 groups of schoolchildren around our exhibition. Yes, the art of cartooning is taken very seriously in France!

‘Steve Bell: 40 Years of Political Cartoons’ exhibition

There was a major exhibition featuring the PCO’s very own Steve Bell, plus cartoons from the Scottish Art Studio. Also on show was an exhibition that included some PCO members on the theme of Brexit.

Brexit exhibition curated by Terry Anderson, poster image by Steve Bright. All photos from Glenn Marshall

 

 

Herne Bay Cartoon Festival 2019 – Bumper bonus photo album!

August 9, 2019 in Events, General, News

The traditional festival team photo at the start of the day.

Last Sunday saw the annual live drawing event on the Herne Bay pier as part of the Cartoon Festival which this year was themed around the anniversary of the Apollo 11 moon landing. Our chief PCO paparazzo Kasia Kowalska was dispatched to record that one small step for cartooning kind.

We open with some seaside postcard humour as The Independent’s Dave Brown displays his Boris (ooh err missus)

An effigy of him would be set upon by angry crowds later in the afternoon (Boris, NOT Dave Brown)

Cheeky painting by Martin Rowson.

Christopher Burke resurfaces the moon.

Kathryn Lamb’s big board lift off.

Sarah Boyce embarks on her premier Herne Bay space mission.

James Mellor, another big board debutant, tackles Earthexit.

Guy Venables also dipped his toenails into the Herne Bay Cartoon Festival for the first time.

Festival veteran – but still VERY young – Zoom Rockman drawing Skanky Seagulls.

My only criticism of the festival this year was that some of the boards had HUGE holes in them! I’m impressed by the way Des Buckley got round this by incorporating them into his drawing.

Royston Robertson showing that two heads are better than one in solving a nation divided (Photo trickery by Royston)

Nathan Ariss and Sarah Mann on the moon selfie. Ideally there should’ve been another hole for people to put their camera arms through.

Tim Harries questions the theory of spatial dimensions and relativistic physics.

The Surreal McCoy cunningly saves the moon theme for the final frame..

The FT pocket cartoonist Jeremy Banx doing a VERY large pocket.

PCO Treasurer Amy Amani and our Chair-moon (gerrit?) Clive Goddard proving their business acumen – get your board done and flog stuff.

Steve Way was quick off the launch pad in an attempt to be ready for kick off in the Charity Shield cup final.

Pete Dredge and Alex Hughes filling in their festival expenses forms while pretending to do some caricaturing.

Andrew ‘Dancing’ Shoes’ Birch, about to launch.

The man couldn’t stop dancing. Here he is on set at the fake moon landing location shoot pictured with dance partner local artist Gill Wilson.

Cecil B DeMarshall directing his movie epic (you can tell I haven’t got much real work on at the moment) aided by clapper board intern Ace Rockman and in the background festival organiser and soundtrack penny whistle foley artist Sue Austen.

Martin Rowson summoning the gulls to eat chips out of his balloon filled Boris…the lack of takers proving the seagulls of Herne Bay have their limits.

In scenes resembling Zombie Apocalypse members of the public then set about tearing apart the defenceless Mr Johnson!

In cahoots with festival honcho Steve ‘The Dry Iceman Cometh’ Coombs, Rowson then tried to entice the gulls into eating his Dominic Cummings saveloy.

Cummings was eventually devoured by festival regular Teddy the dog.

The customary end of day cartoonists carousel ride. Dredge, Rockman & Banx (sounds like a local accountancy firm)

Chris Burke, Dave Brown, Alex Hughes and Royston Robertson on their mounts.

That man Birch again plus Steve Coombs and Nathan Ariss in traditional cartoonists stetsons.

An out take from the earlier group shot where we tried to get Señor Birch to stand still for a second.

…not easy.

All photos by and copyright of Kasia Kowalska unless otherwise stated.

 

 

Herne Bay Cartoon Festival 2019 launch countdown

July 29, 2019 in Events, General, News

This year’s poster was created for the festival by © Marf.

Sue Austen (Festival Organiser) writes:

The Herne Bay Cartoon Festival has landed for another year. This is the seventh consecutive festival in the lovely Kent seaside town. The theme for this year is Fly Me to the Moon referencing the fiftieth anniversary of the first manned mission to the moon in 1969.

The Fly Me to the Moon exhibition is now open at Beach Creative featuring new work by PCO members including Dave Brown, Martin Rowson, Kathryn Lamb, Andrew Birch, Noel Ford, Tim Harries, Roger Penwill, Royston Robertson, Des Buckley, Kipper Williams, Jeremy Banx, Gerard Whyman, The Surreal McCoy, Rob Murray, Sarah Boyce, Glenn Marshall, Chris Burke, Neil Dishington, Jonesy and others.

Poster cartoon by © Steve (Jonesy) Jones.

Also open now is Book Marks at the Bay Art Gallery in William Street. Book Marks is a PCO exhibition on the theme of literature and books which has come to Herne Bay from Westminster Reference Library as the first small step on a planned tour of the solar system. The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press.

The festival’s third exhibition is One Giant Leap which will be open from Friday 2nd  August at The Seaside Museum, 12 William Street, CT6 5NR. This show features work on loan from the British Cartoon Archive held at the University of Kent. The exhibition includes original cartoons and artwork from the time of the moon landing in 1969, other Apollo missions and moon related stories.  Artists represented in the show include Giles, Trog, Garland, Jensen, Homer, Emmwood, Langdon, Gary Barker, Rowson and Dave Brown.More than 20 cartoonists and caricaturists will descend on Herne Bay for the weekend of 2nd- 4th August.  On Saturday 3rd Zoom Rockman hosts a cartoon workshop at Beach Creative and later the same day Roger Todd will run a puppet caricature workshop there.

On Sunday 4th the weekend culminates with the annual Cartooning Live event on Herne Bay Pier where the visiting artists create giant cartoons, aunt sallies and peep boards. We are promised a balloon Boris will be attacked by seagulls whilst astronaut ‘John’ Glenn (Marshall) will be attempting Herne Bay’s first moon landing on the town’s iconic pier.

For updates on the Herne Bay Cartoon Festival, follow @HBCartoonFest on Twitter or go to Facebook.com/HBCartoonFest.

With thanks to all our sponsors and supporters including Arts Council England, Canterbury City Council, British Cartoon Archive, University of Kent and the PCO.

Knokke Heist 2017/8 cartoon festival

June 27, 2019 in Events, General

Des Buckley writes:

“It’s all doves with laurels flying over a tank.CCGB doyenLes Lilley.

The Knokke-Heist Cartoon Festival sets up camp on a Belgium beach promenade each Summer. On display are two major exhibitions including their International Competition. Knokke & Heist are conjoined seaside towns on the sandy channel coast. In recent years Ive dropped by their shiny plastic tent to dawdle & gawp. Last year, perhaps unsurprisingly no Union Jacks adorned the flag poles outside. Indeed in the last two years only two UK Cartoons were on show, both from the same artist. I’m genuinely unsure whether this reflects recent spats with FECO, indifference or nothing in particular. Alas I’ll miss this years 58th show as my annual road trip falls after it closes. A couple of visits to Cartoon Fest does not a critic make, I’m no Brian Sewell, though I do have a red face & talk bollocks…

The Festival features 2 x shows. A selection of Belgian editorial cartoons & the International Gouden Hoed’ (Golden HatCartoon Exhibition. Facsimiles of the cartoons are interned within the fabric of plastic panels in the marquee.

1. Belgian Cartoon Exhibition

The Belgium press cartoons are helpfully translated into English, French & Flemish. Our European pals across the Channel share our liberal sensibilities & disdain for authority. In the wake of ‘Charlie Hebdo’ & outrages in Brussels Belgian Cartoonists seem less ‘sensitive’ in their representations of terrorism, terrorists & sexual politics. I’m aware there are fault lines between Belgium’s French & Walloon populations but lacked the nous to spot evidence of this in this display. The Politico-Social Cartoons were lively & vibrant. The impudent pocket cartoons almost poke you in the eye. Whilst I can’t be sure, my impression is the cartoonists aren’t entirely on the same page. I found this refreshing & imagine them (perhaps unfairly) as dysfunctional hissing cats. The general direction was ‘look at what those prat politicians are doing’ but, there were a couple taking wicked potshots at demented demonstrators. The sexual quotient was more muted than I anticipated but in the shop there were postcards that would have Donald McGill gagging on his little stick of Blackpool rock.

2. Gouden Hoed’ (Golden Hat) Int. Cartoon Exhibition

Linguistic gymnastics are almost superfluous in the larger International show. Most artwork carries no captions and little text. In attempting to reach out to all, artists opt for high visual impact and political caricature.

Cartoon by © Kanar (Belgium)

We in the West seem to be indulging in bouts of self flagellation & unseemly flirtations with shameless snake-oil salesmen. I like Rich Hall (Melty faced US Comedian) but don’t agree with his tirade against Political Cartoons. Much on display at Knokke-Heist is absolutely glorious. But however gorgeous the artwork or compelling the theme, viewing multiple Donald Trumps somewhat dulls approbation.Some International Contributors whilst happy to take a swipe at his Orangenessmay be transmitting more nuanced messagesabout repression. In the UK our ability to lampoon without fear of grim consequence was hard won.

Cartoon by © Josef Parchal (Spain)

It’s foolish to draw conclusions about a show chosen by panel from global Cartoon submissions. One embarrassing anomaly being the Brazilian cartoon that appeared inthe 2017& 201catalogue! It is remarkable however, that so much content comes from countries that might euphemistically be considered to haveauthoritarian regimes.Whilst Mr Putin was another predictable ‘aunt Sally’ other obvious brigands & despots were noticeable by their absence. My prejudice on this was informed by remarks made at a recent PCO hosted event. The fear of giving offence is not just about personal safety but genuine anxiety about the implications for family members, even if that cartoonist is exiled. Cartoonists elsewhere may live with harsher sanctions than an ugly Twitter-storm.

Cartoon by © Nicola Listes (Croatia)

Visiting this exhibition is a rewarding & enjoyable way to spend a couple of hours. Humour is subjective & was not entirely obligatory. The artworks went from animated squiggles to epilepsy inducing tapestries of colour. There were a sprinkling of earnest graphic statements but most works had humorous intent. Cartoonists from Iran & Turkey were especially numerous with an exquisite variety of work. We all understand that an apparently tossed off doodle can take hours! Some of the carefully crafted Iranian Artwork was Herculean in ambition & execution. I loved the exhibition.

Les Lilley’s quote (above) was made in jest but there is truth in it. Perhaps a lack of embarrassment when illustrating occasionally naive political statements confers gravitas. If a cartoon dares to be serious it may persuade viewers to take cartoons seriously. This could explain why Continental Cartoonists can be afforded respect as artists & why ruthless regimes harass them. Me, I prefer cartoons to be funny too!

Name check: The singular British contributor was Jason McClarnin, top marks to him.

Information

The Knokke-Heist Festival’s event is popular & well resourced. The coastal towns heavily promote it on the web, in their literature & tourist office. Cartoons seems to enjoy a cultural prestige which is absent in the UK. Belgium has surrealism ‘form’ and a fine cartoon legacy from Herge (Tin Tin) through Peyo (Smurfs) to Bob de Groot. For those grumbling about lack of markets, check out the cash prizes & consider entering by December 2019 in time for 2020!

Web: myknokke-heist.be. Address: Strand ter hoogte van het Heldenplein

Exhibition: 29 June – 1 September 2019 

Opening times: 10am to 7pm Entry: Free

Prizes: 1. Gold €10,000 2. Silver €5,000 3. Bronze €1,000.

All photos by © Des Buckley

Shrewsbury Cartoon Festival photo album

May 6, 2019 in Comment, Events, General, News

The ‘Plan B’ Shrewsbury Square. Photo © Tat Effby.

Glenn Marshall & Jonathan Cusick write:

With Storm Hannah due to roll in threatening rain and high winds the marquee company wouldn’t put up the festival’s gazebo roofing. Fear of airborne ‘para-boarding’ cartoonists made the festival organisers hastily arrange a Plan B for Saturday, which involved us decamping to the local Darwin Shopping Centre (every third business in Shrewsbury seems to contain the word Darwin)

A distant Steve Bell in front of a crowded audience. Photo © Jonathan Cusick.

Before that, on Friday evening Guardian cartoonist Steve Bell returned to the festival and spoke to a packed and enthusiastic crowd at the University Centre. Surveying his use of animals throughout his career, he picked out highlights including the penguin from his ‘If’ strip and ended with a few live drawings including his toilet-headed Trump. After twenty minutes of audience questions he signed copies of his latest book. A real treat for cartoon fans and definitely one of the highlights of the festival.

Saturday morning at John Cusick’s cartoon animal drawing workshop using exhibits from the Shrewsbury Museum collection. Photo © Jonathan Cusick.

Zoom Rockman cartoons stripped bare teaching how to draw his Skanky Pigeon character. Photo © Kate Lennard.

There were also well attended indoor talks by The Surreal McCoy and TWO by Clive Goddard (above) nothing to do with folk wanting to get out of the bad weather. Photo © Alison Patrick.

Meanwhile in the basement level of Darwin Shopping Centre dry and warm cartoonists began creating. Here Shrewsbury based cartoonist Tat Effby took to the big boards like a duck to water. Photo © Clive Goddard.

Luke Crump with one of his incredible ‘doodle style’ creations. Photo © Clive Goddard.

The Surreal McCoy hot-footed over from her ‘Wolf of Baghdad’ talk to fit in a board before hot-footing off again to join the ‘festival music ensemble’. Photo © Clive Goddard.

Jeremy Banx and Noel Ford mid-boards. Photo © Tat Effby.

Tim Harries & Rich Skipworth colouring in. Photos © Tat Effby.

John Landers’ snakes on a plain surface. Photo © Clive Goddard. 

Pete Dredge caricaturing Pa Marshall plus Jonathan Cusick really going with the animal theme. Photo © Tat Effby.

The 30 second rehearsal before the launch of The Shrewsbury Cartoon Players and Puppeteers inaugural performance of ‘The Animals Went In Two By Two’. Photo © Tat Effby. The Noah’s Ark was ironically moved indoors even though it would’ve been perfectly suited to the biblical weather conditions.

Royston Robertson featuring in the festival write-up in the Shropshire Star.

The festival produced a book of the ‘Drawn To Be Wild’ exhibition cartoons which is still available here price £9.95 + postage.

Thanks to all the organisers and sponsors for another successful festival that went down a storm.

Shrewsbury International Cartoon Festival in the rear-view mirror.

April 25, 2018 in Events, General

Jonathan Cusick, Pete Dredge, John Roberts and Helen Pointer ‘drawing the crowds’.

Rupert Besley writes:

The sun shone on the righteous – and on the cartoonists in Shrewsbury. It was a bumper gathering in the town this last weekend, with visitors and participants drawn from far and wide. Few more so than festival regular Dean Alston from Down Under, whose ace Big Board, along with a Noel Ford classic, was among the first things to greet arrivals in The Square. Close by worked guest cartoonists from the States, Maria Scrivan and Ken Krimstein, while further input to the international flavour of the day came from the strong deputation of Belgians, all involved in the European Cartoon Centre at Kruishoutem near Ghent.

Big boards by Australia’s Dean Alston and the UK’s Noel Ford.

US cartoonists Maria Scrivan and Ken Krimstein with their big boards.

Cartoon by Nikola Hendrickx from Belgium and Nikola in action.

The private view of the ‘Are we nearly there yet?’ exhibition at The Bear Steps Gallery.

This was the 15th Shrewsbury Cartoon Festival and the theme of Transport was a fertile and perfect choice. The galleries (Bear Steps, Theatre Severn & V.A.N, plus Wendy Shea exhibition at Participate) gave proof, if ever needed, of what can be done from kicking around a good subject and, back in The Square, heads spun towards the reassuring sight of Air Flight Marshall at the check-in desk for budget airline Icarus Air.

The GORGEOUS Glenn Marshall at the Icarus Air check-in desk.

Roger Penwill fronts the Drawma while Noel Ford, Wilbur Dawbarn and Royston Robertson take to the boards accompanied by The Surreal Accordionist. 

You can count on Shrews for good live music from beneath the Market Hall and so it proved throughout. Mid-afternoon came the Drawma, with mellow accordion softening the oohs and aarrghs of those there for quick-drawn gags and terrible puns.

Caricaturists Alex Hughes suitably in tropical attire for the unseasonal heatwave.

Elsewhere in The Square, the line-up of top caricaturists was kept hard at it all day (Hughes, Roberts, Pointer, Cusick, Leatherbarrow, Dredge & Ryder, with Christelle Jones at Bear Steps). Meanwhile, other Big Boards got filled by the likes of (with apologies to anyone inadvertently missed) Clive & Amy Goddard, Steve Best, Royston Robertson, Wil Dawbarn, Ross Thomson, Ger Whyman, Hunt Emerson, Rich Skipworth, John Landers, The Surreal McCoy, Jeremy Banx, Roger Penwill, Nikola Hendrickx & present writer, not forgetting fine graphic contributions too from Zoom Rockman and Patrick Holden.

PCO Chair-human Clive Goddard with PCO’s Treasurer-human Amy Amani-Goddard.

Steve Best applying blue.

Maria Scrivan ‘likes’ Royston Robertson’s twitter cartoon. 

Gerard  Whyman hogs some limelight.

The top of Rich Skipworth.

The Surreal McCoy and her surreal cartoon.

Jeremy Banx creates Noah’s limo.

Semi-big boards by John Landers and Roger Penwill.

Ross Thomson & Hunt Emerson drawing and colouring in.

Dean Alston and Wilbur Dawbarn doing some more drawing and colouring in.

Rupert Besley on a familiar scene from a cartoonists daily life.

Zoom of Crouch End draws Clive of India.

Helen Pointer’s ‘Introduction to Caricature’ workshop.

The cartoon workshops are an important part of the festival – this year tackling caricature, movement in drawings, an automobile barn dance plus Stop Motion animation (Barry the Shrew) and some fun paper planes (from Biggles Rudling). Festival patrons Alex Lester and Martin Wainwright came up trumps in their support of the Festival, the former using his radio interview skills to host the panel of cartoonists in conversation at the Wightman Theatre on the Friday evening. The latter was able to apply some of his editing experience to the list of rules drawn up for the Air Cartooning contest that rounded off the following evening. And, on the Sunday morning, while bikers gathered in their droves on the outskirts of the town, festival participants were treated to a fascinating tour of Historic Shrewsbury.

Rupert Besley wins the inaugural ‘Air Cartooning’ Cartoon Off ® Noel Ford

Thanks and full credit to all responsible, beginning with organisers Sarah Knapp, Bill McCabe, Tim King, Roger Penwill, Noel Ford, and Jonathan Cusick, along with all the volunteer helpers, and not forgetting the many participants (including visitors) who made the whole thing so successful.

Thanks also to Mika Schick for the excellent photographs.

More detail on the festival: Shrewsbury International Cartoon Festival