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Dave Brown Busts Out

November 18, 2021 in General

Oliver Preston (Cartoon Museum Chair), Dave Brown and Steve Bell at the Cartoon Museum Gillray bust unveiling. Photo © Kasia Kowalska

Dave Brown writes:

‘If Hogarth was the grandfather of the modern cartoon, You were its father…’

(David Low on James Gillray, 1943)

Gillray set the template for the modern political cartoon. His savage humour and supreme draughtsmanship making him the unrivalled visual satirist of the day. In The Plumb-Pudding in Danger he created arguably the greatest, and certainly the most pastiched, example of the form. For many contemporary political cartoonists he is a direct influence, but all cartoonists are indebted to him.

James Gillray ‘Plumb-Pudding in Danger’ 1805

Gillray stood out from his contemporaries due to his outstanding visual inventiveness, but also the sophistication and innovation of his print making technique. His prints were known and admired by Goya and David, both artists borrowing from them in compositions of their own. One German journalist claimed Gillray was ‘the foremost living artist in the whole of Europe’, while Napoleon allegedly remarked that Gillray had contributed more to his defeat than all the armies of Europe. Yet in the first anthology of his work, published three years after his death, the editor wrote, ‘It is a scandal upon all the cold-hearted scribblers in the land to allow such a genius as Gillray to go to the grave unnoticed’.

Self Portrait by James Gillray, c.1800 © National Portrait Gallery, London

Gillray’s antecedent in satirical print making, William Hogarth, is known to us from various self-portraits, a bust ‘from the life’, a statue on the facade of the Victoria and Albert Museum and a more recent life-size bronze in Chiswick High Road. William Blake, another visionary print maker and Gillray’s fellow student at the Royal Academy schools, commands both a small bas relief in St Paul’s and a large bronze bust by Epstein in Westminster Abbey. But of Gillray we have only one verified contemporary likeness, his self-portrait miniature, painted on ivory, measuring 3” x 2 1/2”. There are no statues, no blue plaque, his only memorial is the small gravestone in the churchyard of St James’s Piccadilly, which until its recent replacement was badly worn and cracked.

In the studio with the clay model. Photo © Kasia Kowalska

James Gillray is, in my opinion, not simply one of the greatest satirical cartoonist to have lived, but one of Britain’s greatest artists in any genre. His are the footsteps the rest of us walk in, the shoulders we stand on, the metaphors we still steal. He was, according to contemporary accounts a modest man, but even so a simple gravestone seems scarcely a sufficient memorial. It was for this reason I determined to create a new portrait bust of him.

My piece is closely modelled on his self-portrait. That portrait demonstrates that Gillray was a skilful and adept miniaturist, detailing the short fringe brushed forward to conceal a receding hairline, and the heavy brow and prominent lower lip noted in contemporary descriptions. So although the miniature also exhibits some stylistic traits common in neoclassical portraiture, we may assume that it is a reasonably true and honest likeness.

At the unveiling at the Cartoon Museum with the finished bronze. Photo © Kasia Kowalska

As well as following the likeness of the miniature, I also researched neoclassical portrait sculpture (particularly the work of Houdon, whose pieces often employed modern dress rather than pseudo-classical attire, and Nollekens, whose subjects included two of Gillray’s famous ‘victims’ Pitt and Fox), and have attempted to reference this, while still producing a contemporary artwork.

Cartoon by © Dave Brown for the Independent after Gillray’s ‘Plumb-Pudding in Danger’

Political satire is an essential correlative to a functioning democracy, so personally I should like to see a Gillray statue in Parliament Square (we could pull down a politician or two to make room for him!). From there he could cast a critical eye over the Lords and Commons, his etching needle poised to prick their pomposity. If someone would care to petition Parliament and raise the funds I’m certainly available to make it, but until then I offer this portrait bust…the father of political cartooning by one of its bastard offspring.

You can read a longer version of this piece in The Independent

 

NOT the National Portrait Gallery

August 21, 2018 in Events, General, News

Poster cartoon by kind permission of © Richard Jolley/ Private Eye magazine.

PCO Chair human Clive Goddard writes:

“No, its ‘Not the National Portrait Gallery’ but it is right on its doorstep in a brand new gallery space at Charing Cross Library. It is an exhibition full of irreverent, funny and, in some cases, downright disrespectful caricatures and cartoons, all poking fun at the singularly human business of having a likeness made.

The show features work by just under 50 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale”

‘The exhibition is on from 10th-23rd September, details of location and opening times here. During the run we have two associated events:

Martin Rowson with hands on a naked Boris. Photo © Zoom Rockman

Panel Talk

Monday 17th September 6-8pm

Discussion hosted by The Guardian cartoonist and author Martin Rowson with Chris Burke (The Times), Andy Davey (The Sun, Evening Standard, The Telegraph), Rebecca Hendin (BBC, Buzzfeed and more) and John Roberts (live event caricaturist) who all work across different fields as cartoonists, caricaturists and illustrators.

Angela Merkel by © Chris Burke

Samuel Beckett by © Andy Davey

Theresa May by © Rebecca Hendin

Amy Winehouse by © John Roberts

The talk is free but we recommend you book one of the limited places on the Westminster Libraries website.

 

Helen Pointer with presenter and comedian Sue Perkins. Photo © Helen Pointer

Caricature Workshop

Sunday 16th September 2-4pm

An ‘Introduction to Caricature’ with Helen Pointer. Helen is a highly experienced and much in-demand caricaturist.

This is suitable for all ages.

Again the event is free but you should book one of the limited spaces via the Westminster Libraries website.

 

with apologies to the real National Portrait GalleryWhy not combine a visit to both!

Hello to the National Portrait Gallery!

February 5, 2008 in General

…who have been looking around here. We have a very nice and large exhibition of work disputing the theme of “art” opening in the spring which is looking for a nice London venue later in the year. If you are interested, please do get in touch here.

Cartoon caricature of Keira Knightley by Matt Buck – Hack

On matters ‘art’ we would also like to direct the attention of readers to this YouTube video about the exhibition of “humour” art which is currently on at the Hayward Gallery. Creative credits are due to the Culture Show and presenter Karl Pilkington.

And last, but not least, London’s Political Cartoon Gallery has an opening night tomorrow, Wednesday 6th February, for the much anticipated show about James Gillray. Bloghorn has blogged about this before. The show should be absolutely fantastic.

British cartoon talent