You are browsing the archive for Noel Ford.

by Royston

Cartoon Pick of the Week

December 5, 2008 in General

Bloghorn spotted this great work this week…

One: Stephen Hutchinson (aka Bernie) in Private Eye on child protection officers

Two: Gerald Scarfe in the Sunday Times on India

Three: A spot of blowing our own Foghorn … Noel Ford on the cover of the new Christmas issue of the PCO’s cartoon magazine. (Below – click image to enlarge). Subscribe to The Foghorn here

The PCO: Great British cartoon talent

Bloghorn’s cartoon pick of the week

September 12, 2008 in Links, News

Bloghorn spotted this great work this week. Quite a lot of it appeared to be bashing the Prime Minister …

One: Dave Brown in the Independent on the Large Hadron Collider at CERN

Two: Noel Ford in the Church Times on Fairtrade clergymen

Three: Mac (Stan McMurtry) in the Daily Mail on life’s little problems. “Maybe it’s someone to see the house”

Week ending 12th September 2008

It’s British cartoon talent

Shrewsbury International Cartoon Festival – The Big Boarders

April 9, 2008 in General

Kipper Williams of The Guardian is one of this year’s PCO Big Boarders at the festival. Above is one of Kipper’s submissions to the “But is it Art?” exhibition, which is already open in the town.

The full list of cartoonist Big Boarders drawing at this year’s festival, over the weekend of Friday 18th and Saturday 19th April, is:

Steve Bright, Clive Collins, Bill Stott, Ross Thomson, Martin Honeysett, Alex Hughes, Pete Dredge, John Roberts, Matt Buck (Hack), Royston Robertson, Mike Turner, Noel Ford, Steve Best (Bestie), Dave Brown, Ian Baker, Chris Burke, Andy Davey, Neil Dishington, Paul Hardman, and Andy McKay (NAF).

PCOer Pete Dredge will be blogging tomorrow about how it feels to do a big board at Shrewsbury.

British cartoon talent

by Royston

PCO Procartoonists – Drawing for the stage

December 12, 2007 in General

PCOer Noel Ford writes:

One of the things I love about being a freelance cartoonist is that, apart from my regular editorial slots, I never know what might be just around the corner. In more than 30 years of cartooning, I’ve had my fair share of weird, wonderful and bizarre commissions, but one that stands out in recent times is the one commissioned by the Welsh Opera singer Buddug Verona James. (Non-welsh readers should know that in Wales, a “u” is pronounced “i” and a double “d” is pronounced “th”).

The job comprised, partly, the artwork for the programmes and posters for Buddug’s one-woman show, A Knife at the Opera, a very funny tale – with singing – about a serial killer who is knocking off theatre critics. Buddug plays the detective and the six divas who are the suspects. The best part of the job was drawing the characters of the suspects which were to be blown up life-size on to door-sized panels. These panels, behind each of which Buddug would disappear to make her quick changes and reappear as the character on the panel, were to be arranged in a shallow semi-circle on the open stage so that when the audience came to take their seats they would be confronted with six of my life-size cartoons.

I have to confess that when I went to see the show, earlier this year, I felt a buzz when I sat looking at my characters, looking back at me from the stage, and hearing the packed house chuckling even before the show had started. For that reason in particular, this was one of my favourite recent jobs.

You can find out more about the show here: A Knife at the Opera

British cartoon talent

PCO Procartoonists – An artist’s story

August 22, 2007 in News

PCO member Noel Ford writes;

I’ve just had an interesting and, for me, unique experience, complete with ironic twist, that should be of interest to any cartoonists with a grievance concerning the unauthorised use of their cartoons.

Earlier this year, a client informed me that three of the of the cartoon illustrations which I had produced for him, had been spotted in a business magazine, decorating a feature. Consequently, I wrote to the editor of this magazine, informing her that she had published the cartoons without obtaining permission from either my client or myself. I was quite polite, and said that, in this case, the matter could be resolved by her paying me for repro rights, for which I enclosed an invoice.

I received no reply.

I phoned, explained the situation, and was told the editor would call me.

She didn’t.

I phoned again, and spoke to the magazine’s business manager, who promised everything would be sorted.

It wasn’t – and he didn’t call back.

I phoned again. Neither the editor or the business manager was available, so I asked for a call back, adding that I would not call again and that should they not contact me, I would commence legal proceedings.

They didn’t call back.

I wrote a final formal letter, informing them they were in breach of my copyright, and confirmed that unless I heard from them forthwith, I would take the matter to the courts.

They didn’t reply.

So, having made the threat, I was obliged to follow through, and I went to the website of Her Majesty’s Courts Service here

Submitting my claim, on line, was both easy and quick. I had to pay £30, which would be added to my claim.

The court served my claim on the 8th of August. Whether the editor was happy to concede my claim or she just didn’t fancy the trip from SE England to Aberystwyth to defend her magazine, I don’t know, but I received a cheque from them this morning for the full amount of my invoice, plus my court costs.

So, the moral is, don’t stand by and do nothing but moan if your work is used without consent. The law is there, and HMCS and the Internet make it easy to claim.

And the ironic twist? The magazine had used my cartoons to illustrate a feature on how to avoid being sued.

The PCO says: Hooray! And check out F for Ford at our portfolio website