{"id":106307,"date":"2019-05-23T22:17:48","date_gmt":"2019-05-23T21:17:48","guid":{"rendered":"https:\/\/procartoonists.org\/?p=106307"},"modified":"2022-03-02T09:18:58","modified_gmt":"2022-03-02T09:18:58","slug":"rejection-dejection","status":"publish","type":"post","link":"https:\/\/procartoonists.org\/rejection-dejection\/","title":{"rendered":"Rejection dejection"},"content":{"rendered":"

\"\"<\/p>\n

Photo \u00a9 \u00a0Mika Schick<\/em><\/p>\n

The Surreal McCoy writes:<\/strong><\/p>\n

When you give a talk on rejection the main worry of course is that no one will turn up. Thankfully quite a few people did attend a recent evening entitled The Art Of Rejection hosted by three members of the PCO at Westminster Reference Library in central London.<\/span><\/p>\n

\"\"<\/p>\n

The Surreal McCoy’s studio with walls papered with rejection slips. \u00a9The Surreal McCoy.<\/em><\/p>\n

Jeremy Banx, The Surreal McCoy and Glenn Marshall took to the library floor, sharing their rejected work and the ways in which they deal with this inevitable part of a creative person\u2019s life. [Spoiler alert: they just keep drawing more cartoons.]<\/p>\n

\"\"<\/p>\n

The Jeremy Banx take on the police line-up butchered chicken trope. \u00a9Banx<\/em><\/p>\n

\u00a0<\/span>One audience member later quipped \u201cit’s the start of a new way of working. Now I send all my drawings directly to the bin, which reduces anxiety and frees up valuable time.\u201d<\/span><\/p>\n

\"\"<\/p>\n

Glenn Marshall’s failed desperate attempt to avoid rejection.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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