Bottle Moments: Cartoons for Key Workers
Rob Murray writes:
Six weeks ago, in the midst of the Covid-19 pandemic and with the country on lockdown, I joined forces with psychologist and author Dr Kevin Dutton to launch Bottle Moments: a project using personalised cartoons to bring some much-needed joy — and to say ‘thank you’ — to frontline key workers.
Kev is a longstanding client of mine, with whom I have collaborated on several projects in the past (most notably illustrating some of his bestselling books, including The Good Psychopath’s Guide to Success, co-written with Andy McNab).
No 34: “Giving my little niece, born just before lockdown, a big squeeze and telling my parents’ pup that he’s such a good boy” – George, NHS comms officer
The idea for Bottle Moments is a simple one: we asked frontline key workers to contact us on social media and tell us about something that is getting them through this difficult time: a happy memory, an aspiration, or perhaps simply a special friend or relative they can’t wait to see again when this is all over. A moment they wish they could bottle and keep forever — something they think about to help them get through the tough times.
No 15: “Looking forward to cuddling this lovely fella, my Dad.” – Marion, general surgical nurse.
Key workers provide a photo or two for reference, and I bring their Bottle Moment to life as a quick cartoon, encapsulated in a bottle — which we then post on Instagram and Twitter.
The response has been incredible. Most importantly, the reaction of key workers themselves to the cartoons I’ve drawn for them has been wonderful — they have hugely appreciated the drawings and said they’ve brightened their days after a tough shift; some have even told us they’ve been moved to happy tears.
The media response has also been amazing. Amongst the highlights, Kev and I appeared on The Ian Collins Show on TalkRadio on 22nd May, and we were featured in the Daily Mirror on 28th (above).
But the biggest boost to our project came last Friday, when we were interviewed on ITV’s Good Morning Britain (viewable here). Aside from giving us a platform to explain Bottle Moments to an enormous TV audience, the segment also featured two key workers being surprised with a cartoon I’d produced for them.
No 55:“I’m a key worker in a school and my wife works in mental health. We go to a lot of horror conventions which are stopped at present, including the Walking Dead convention. We’re looking forward to being back at these events.” – Tim, school cleaner
Mental health was already a talking point before the pandemic, and lockdown has only increased people’s awareness of the need to hold onto positive memories and relationships. It’s also been very rewarding for me to see the positive impact a cartoon sketch can have on an individual.
So far I’ve drawn about 70 and counting — and we’re aiming to tackle as many as we can. Key workers can contact us with their requests via @BottleMoments on Twitter and Instagram, also using the hashtag #bottlemoments.
Latest Blog
by Glenn Marshall
Noel Ford 1942-2019
September 30, 2019 in Comment, General, News
Noel with daughter Sara at Nottingham’s Big Grin Cartoon Festival 2003. Photo © Pete Dredge
Pete Dredge writes:
It’s a cruel irony that it is only when someone passes that the outpourings of love, praise and acknowledgement spill out from friends, colleagues and acquaintances. Such has been the response to the sudden and unexpected death of ace cartoonist and one of the founders of PCO, Noel Ford , who died on September 27th after a cruel return of the kidney cancer that was first diagnosed two years previously.
I suspect Noel would have been, on the one hand, hugely embarrassed, but on the other, quietly delighted by the tributes that have been pouring in on the forums and social media, not only for his cartooning skills but also to the nature of the man.
One of Noel’s many Punch covers.
Noel was a modest chap, never one to blow his own trumpet but was someone who would go about his business with the supreme confidence of knowing that he was, and had been for many years, on the top of his game. His game, of course, was cartooning, particularly gag cartooning and, at his peak, was producing double page spreads and covers for Punch magazine with audacious regularity.
Punch original from the recent ‘London Cartoon Show’ exhibition.
It’s pointless listing Noel’s professional credits, there are far too many to mention, but one of his many gifts was his ability to rally, organise and deliver cartooning projects. A professional cat herder, if ever there was one. I’ve seen Noel’s patient diplomacy, wisdom and common sense work effectively at close hand on many occasions when others’ egos, intransigence and misconceptions – no names! – would lock horns and all it would take was a few choice words from Noel to smooth over troubled waters. Such was the respect that his fellow professionals had for him. Take Noel out of the equation and many of these initiatives would never have seen the light of day.
A digital drawing for the PCO ‘GAGGED’ censorship exhibition currently on display at Saint-Just-le-Martel cartoon festival.
The Cartoonists’ Guild, College of Cartoon Art and, most successfully, the PCO had all benefitted hugely from Noel’s vision, perseverance and professionalism. Add to this his invaluable committee work on the Shrewsbury Cartoon Festival and The cartoonists’ Club of Great Britain, Noel certainly put in much more than he took out from these extra-curricular calls of duty.
Clipping from ’80s magazine, either Weekend or Tit Bits (via Davey Jones)
Noel was born in Nuneaton on 22 December 1942 and apparently displayed early signs of his future calling, drawing cartoons in chalk on the pavement outside the front door of the Ford family house. After leaving school it was at the Birmingham College of Arts and Crafts where Noel received the oft repeated advice we have all probably received, to “forget about any ambitions of becoming a cartoonist. You’ll never make a living that way”. The rest is Noel Ford cartooning history. Sadly, today, that lazy, dismissive piece of advice is probably more pertinent that it would have been in the 1960’s and 70’s. More’s the pity that today the markets for showcasing Noel’s and other’s superb gag cartoon craft have all but disappeared.
Caricature of Noel by Bob Monkhouse and a picture of Bob drawing it (via Royston Robertson)
Noel was irritatingly multi-talented. Not only was he a superb draughtsman, he was also a gifted musician, writer and an early pioneer of the digital art platform as well as being a fine exponent of the Argentine Tango (check this.Ed).
Cartoon from the exhibition at the ‘Music’ themed Shrewsbury International Cartoon Festival 2014.
It has to be said, Noel enjoyed the good things in life. Good food, fine wine, a good book, comradeship, country living, dogs and, above all, the love of his family and friends.
Noel demonstrating his equestrian skills at Herne Bay Cartoon Festival 2017. Photo © Karol Steele
I’ll miss his mischievous twinkle and Muttley-like chuckle when something, invariably, would tickle his proverbial fancy.
Noel at one of the Shrewsbury Cartoon Festival ukulele-thons. Photo ©The Surreal McCoy
With deepest sympathy to Margaret, Sara and family from all your friends at PCO.
Tags: cartoonist, cartoonists, Cartoonists' Club of Great Britain, CCGB, College of Cartoon Art, Herne Bay Cartoon Festival, Noel Ford, PCO, Pete Dredge, Procartoonists, Punch, Shrewsbury Cartoon Festival, Shrewsbury International Cartoon, The Cartoonists’ Guild 5 Comments »