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Herne Bay Cartoon Festival 2019 – Bumper bonus photo album!

August 9, 2019 in Events, General, News

The traditional festival team photo at the start of the day.

Last Sunday saw the annual live drawing event on the Herne Bay pier as part of the Cartoon Festival which this year was themed around the anniversary of the Apollo 11 moon landing. Our chief PCO paparazzo Kasia Kowalska was dispatched to record that one small step for cartooning kind.

We open with some seaside postcard humour as The Independent’s Dave Brown displays his Boris (ooh err missus)

An effigy of him would be set upon by angry crowds later in the afternoon (Boris, NOT Dave Brown)

Cheeky painting by Martin Rowson.

Christopher Burke resurfaces the moon.

Kathryn Lamb’s big board lift off.

Sarah Boyce embarks on her premier Herne Bay space mission.

James Mellor, another big board debutant, tackles Earthexit.

Guy Venables also dipped his toenails into the Herne Bay Cartoon Festival for the first time.

Festival veteran – but still VERY young – Zoom Rockman drawing Skanky Seagulls.

My only criticism of the festival this year was that some of the boards had HUGE holes in them! I’m impressed by the way Des Buckley got round this by incorporating them into his drawing.

Royston Robertson showing that two heads are better than one in solving a nation divided (Photo trickery by Royston)

Nathan Ariss and Sarah Mann on the moon selfie. Ideally there should’ve been another hole for people to put their camera arms through.

Tim Harries questions the theory of spatial dimensions and relativistic physics.

The Surreal McCoy cunningly saves the moon theme for the final frame..

The FT pocket cartoonist Jeremy Banx doing a VERY large pocket.

PCO Treasurer Amy Amani and our Chair-moon (gerrit?) Clive Goddard proving their business acumen – get your board done and flog stuff.

Steve Way was quick off the launch pad in an attempt to be ready for kick off in the Charity Shield cup final.

Pete Dredge and Alex Hughes filling in their festival expenses forms while pretending to do some caricaturing.

Andrew ‘Dancing’ Shoes’ Birch, about to launch.

The man couldn’t stop dancing. Here he is on set at the fake moon landing location shoot pictured with dance partner local artist Gill Wilson.

Cecil B DeMarshall directing his movie epic (you can tell I haven’t got much real work on at the moment) aided by clapper board intern Ace Rockman and in the background festival organiser and soundtrack penny whistle foley artist Sue Austen.

Martin Rowson summoning the gulls to eat chips out of his balloon filled Boris…the lack of takers proving the seagulls of Herne Bay have their limits.

In scenes resembling Zombie Apocalypse members of the public then set about tearing apart the defenceless Mr Johnson!

In cahoots with festival honcho Steve ‘The Dry Iceman Cometh’ Coombs, Rowson then tried to entice the gulls into eating his Dominic Cummings saveloy.

Cummings was eventually devoured by festival regular Teddy the dog.

The customary end of day cartoonists carousel ride. Dredge, Rockman & Banx (sounds like a local accountancy firm)

Chris Burke, Dave Brown, Alex Hughes and Royston Robertson on their mounts.

That man Birch again plus Steve Coombs and Nathan Ariss in traditional cartoonists stetsons.

An out take from the earlier group shot where we tried to get Señor Birch to stand still for a second.

…not easy.

All photos by and copyright of Kasia Kowalska unless otherwise stated.

 

 

Herne Bay Cartoon Festival 2019 launch countdown

July 29, 2019 in Events, General, News

This year’s poster was created for the festival by © Marf.

Sue Austen (Festival Organiser) writes:

The Herne Bay Cartoon Festival has landed for another year. This is the seventh consecutive festival in the lovely Kent seaside town. The theme for this year is Fly Me to the Moon referencing the fiftieth anniversary of the first manned mission to the moon in 1969.

The Fly Me to the Moon exhibition is now open at Beach Creative featuring new work by PCO members including Dave Brown, Martin Rowson, Kathryn Lamb, Andrew Birch, Noel Ford, Tim Harries, Roger Penwill, Royston Robertson, Des Buckley, Kipper Williams, Jeremy Banx, Gerard Whyman, The Surreal McCoy, Rob Murray, Sarah Boyce, Glenn Marshall, Chris Burke, Neil Dishington, Jonesy and others.

Poster cartoon by © Steve (Jonesy) Jones.

Also open now is Book Marks at the Bay Art Gallery in William Street. Book Marks is a PCO exhibition on the theme of literature and books which has come to Herne Bay from Westminster Reference Library as the first small step on a planned tour of the solar system. The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press.

The festival’s third exhibition is One Giant Leap which will be open from Friday 2nd  August at The Seaside Museum, 12 William Street, CT6 5NR. This show features work on loan from the British Cartoon Archive held at the University of Kent. The exhibition includes original cartoons and artwork from the time of the moon landing in 1969, other Apollo missions and moon related stories.  Artists represented in the show include Giles, Trog, Garland, Jensen, Homer, Emmwood, Langdon, Gary Barker, Rowson and Dave Brown.More than 20 cartoonists and caricaturists will descend on Herne Bay for the weekend of 2nd- 4th August.  On Saturday 3rd Zoom Rockman hosts a cartoon workshop at Beach Creative and later the same day Roger Todd will run a puppet caricature workshop there.

On Sunday 4th the weekend culminates with the annual Cartooning Live event on Herne Bay Pier where the visiting artists create giant cartoons, aunt sallies and peep boards. We are promised a balloon Boris will be attacked by seagulls whilst astronaut ‘John’ Glenn (Marshall) will be attempting Herne Bay’s first moon landing on the town’s iconic pier.

For updates on the Herne Bay Cartoon Festival, follow @HBCartoonFest on Twitter or go to Facebook.com/HBCartoonFest.

With thanks to all our sponsors and supporters including Arts Council England, Canterbury City Council, British Cartoon Archive, University of Kent and the PCO.

Cartoonists Gagged again

July 20, 2019 in Events, General, News

Media crews filming the Gagged exhibition wall. 

Our GAGGED exhibition on the suppression and censorship of cartoonists around the world had another outing last week. It was displayed at the international conference ‘Defend Media Freedom’ in London. The conference was instigated by the UK and Canadian governments.

Media freedom is in decline worldwide. It was reported that the number of journalists jailed for their work is at the highest level since the 1990s. We’ve seen an increase of cartoonists around the world being harassed, imprisoned and censored.

Amal Clooney with Canadian Minister of Foreign Affairs Chrystia Freeland and UK’s Foreign Secretary (at time of going to press) Jeremy Hunt.

One of the main speakers was human rights lawyer Amal Clooney who said ‘journalists are under attack like never before’. She added that after the murder of Washington Post columnist Jamal Khashoggi in the Istanbul Saudi Arabian embassy last year, world leaders responded with ‘little more than a collective shrug’. She went on to single out Donald Trump and commented that ‘the country of James Madison (one of America’s founding fathers and a champion of a free press) has a leader today who vilifies the media.’ There have been a number of cases recently where cartoonists in the States (and Canada) have had their work censored and lost long-standing work.

Jeremy Hunt spoke of meeting Malaysian cartoonist Zunar who suffered years of persecution and restrictions but is now enjoying more freedom since the regime change in his home country.

A powerful and colourful mural being painted live by ArtLords a street art collective from Afghanistan. Here’s an Index on Censorship film about them.

Every plaque on the wall names a media worker killed over the past years, 99 died worldwide in 2018 alone.

PCO member Alex Hughes from Drawnalism was transcribing the talks in cartoon form (he produced more work in two days than I do in a year)

Terry Anderson (Cartoonist & Deputy Exec Director, CRNI) with Jodie Ginsberg (Chief Executive, Index on Censorship)

A gagged Marshall  

In September GAGGED is moving on to the Saint-Just Cartoon Festival in France.

Cartoon Museum re-opening

July 8, 2019 in Events, General, News

Clive Goddard writes:

Spread over two nights last week, so that the maximum number of people could turn up, London’s new Cartoon Museum opened its doors and let a few highly important guests have a good gawp around. The glamorous Cartoonerati turned out in force to see the newly renovated (if not quite finished) museum which has moved to a large basement in Wells Street, Fitzrovia. 

It was one of those rare hot and humid days in the city which tested the air-conditioning to its limits and reduced most of the attendant humans to sweaty, ink-stained wrecks. However, there was cold wine provided as well as unidentified little things on plates and a communal defibrillator to keep everyone conscious. Speeches were made by Oliver Preston, new director Becky Jeffcoate, our own Steve Bell who had selected and hung the artwork for the show, and Baron (Kenneth) Baker of Dorking (the 84 year old politician not the bloke who used to trundle around inside R2-D2).

The new museum has the same floor area as the old one but is now all on one level and has a safer, cheaper lease so it should be safe for a while yet.

Gerard Whyman, the PCO’s trusty lens-man (©The Sun 1974), came all the way from Newport and took these photos. Which was nice.

 

Nick Newman perusing the comics gallery.

Museum director Becky Jeffcoate being very amused by Mr Goddard’s colonoscopy anecdote.

A sun-bronzed Glenn Marshall pretending he drew the Hogarths. (Ed: What do you mean pretend? Hogarth’s and my work are virtually indistinguishable!)

A cut-out Kate Charlesworth enjoys a glass of fizz.

All photos © Ger Whyman

NB If anyone has any good pictures of Opening Part II let us know and we’ll add them.

Book Marks exhibition

June 5, 2019 in Events, General, News

Poster cartoons by © Sarah Boyce, The Surreal McCoy & Noel Ford.

Clive Goddard writes:

An exhibition of cartoons on the theme of books, literature and libraries drawn by the UK’s finest and funniest cartoonists. Appropriately enough the show will be taking place at Westminster Reference Library from June 3rd to 22nd and is free to enter.

The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale. For a list of exhibitors & price list for the works please email:

info@procartoonists.org

Cartoon by © Chris Madden.

Cartoon by © Jeremy Banx.

During the exhibition, on Saturday 15th June 2-4 pm, there will be a free drawing workshop run by cartoonist Zoom Rockman, creator of the Zoom comic and the Beano’s Skanky Pigeon strip as well as work in Private Eye magazine. This event is free and suitable for all ages but spaces are limited so booking is highly recommended via the Westminster Libraries website.

Cartoon by The Independent’s © Dave Brown

Cartoon by © Richard Jolley.

Westminster Reference Library can be found at: 35 St. Martin’s Street, London WC2H 7HP.D

Cartoon by The Guardian cartoonist © Martin Rowson

Private Eye cartoon by © Glenn Marshall

 

 

Shrewsbury Cartoon Festival photo album

May 6, 2019 in Comment, Events, General, News

The ‘Plan B’ Shrewsbury Square. Photo © Tat Effby.

Glenn Marshall & Jonathan Cusick write:

With Storm Hannah due to roll in threatening rain and high winds the marquee company wouldn’t put up the festival’s gazebo roofing. Fear of airborne ‘para-boarding’ cartoonists made the festival organisers hastily arrange a Plan B for Saturday, which involved us decamping to the local Darwin Shopping Centre (every third business in Shrewsbury seems to contain the word Darwin)

A distant Steve Bell in front of a crowded audience. Photo © Jonathan Cusick.

Before that, on Friday evening Guardian cartoonist Steve Bell returned to the festival and spoke to a packed and enthusiastic crowd at the University Centre. Surveying his use of animals throughout his career, he picked out highlights including the penguin from his ‘If’ strip and ended with a few live drawings including his toilet-headed Trump. After twenty minutes of audience questions he signed copies of his latest book. A real treat for cartoon fans and definitely one of the highlights of the festival.

Saturday morning at John Cusick’s cartoon animal drawing workshop using exhibits from the Shrewsbury Museum collection. Photo © Jonathan Cusick.

Zoom Rockman cartoons stripped bare teaching how to draw his Skanky Pigeon character. Photo © Kate Lennard.

There were also well attended indoor talks by The Surreal McCoy and TWO by Clive Goddard (above) nothing to do with folk wanting to get out of the bad weather. Photo © Alison Patrick.

Meanwhile in the basement level of Darwin Shopping Centre dry and warm cartoonists began creating. Here Shrewsbury based cartoonist Tat Effby took to the big boards like a duck to water. Photo © Clive Goddard.

Luke Crump with one of his incredible ‘doodle style’ creations. Photo © Clive Goddard.

The Surreal McCoy hot-footed over from her ‘Wolf of Baghdad’ talk to fit in a board before hot-footing off again to join the ‘festival music ensemble’. Photo © Clive Goddard.

Jeremy Banx and Noel Ford mid-boards. Photo © Tat Effby.

Tim Harries & Rich Skipworth colouring in. Photos © Tat Effby.

John Landers’ snakes on a plain surface. Photo © Clive Goddard. 

Pete Dredge caricaturing Pa Marshall plus Jonathan Cusick really going with the animal theme. Photo © Tat Effby.

The 30 second rehearsal before the launch of The Shrewsbury Cartoon Players and Puppeteers inaugural performance of ‘The Animals Went In Two By Two’. Photo © Tat Effby. The Noah’s Ark was ironically moved indoors even though it would’ve been perfectly suited to the biblical weather conditions.

Royston Robertson featuring in the festival write-up in the Shropshire Star.

The festival produced a book of the ‘Drawn To Be Wild’ exhibition cartoons which is still available here price £9.95 + postage.

Thanks to all the organisers and sponsors for another successful festival that went down a storm.

Eaten Fish talked

April 10, 2019 in Events, General, News

Eaten Fish with broadcaster Libby Purves

The Surreal McCoy writes:

With great emotion and delight PCO welcomed Ali Dorani (Iranian cartoonist aka Eaten Fish) to Westminster Reference Library last Friday. Our patron, the wonderful Libby Purves, was there to host the event.  She later remarked on her Twitter feed “He is astonishing. Fragile but warm, an original thinker, self aware and witty.”

Artwork © Eaten Fish

In front of a full and captivated house Ali told his story, illustrated with the cartoons he drew whilst in the refugee camp and afterwards. He described how it felt to see the #addafish shoal drawn by cartoonists he had idolised as a child – they gave him heart that the world hadn’t forgotten about his plight – and thanked the PCO for spearheading the campaign.

Artwork © Eaten Fish

Ali also talked about how Edvard Munch’s ‘Scream’ had always resonated with him, especially in the worst times of his ordeal on Manus. Ali commented that little did he know he’d end up in the country of Munch’s birth.

Ali was brought over for the event by International Cities of Refuge Network (ICORN) who were key in getting him out of Manus Refugee Internment camp. He is currently an artist in residence in Stavanger. He’s really interested in film making and it’s something he’d like to explore in future. Ali told about his obsession with the film of ‘Lord of The Rings’ when he was young; he watched it over and over again. When he was interviewed by Australian immigration he said one reason he wanted to come to Australia was he hoped to meet Peter Jackson. The officer said ‘that’s New Zealand not Australia’, Ali responded ‘yes but he does have a big office in Melbourne’.

The PCO is looking forward to working with Ali on other campaigns in the future, we’ll keep you posted!

You can follow Ali on facebook

 

Freedom of Expression Awards 2019

April 8, 2019 in Events, General, News

Congratulations to our friends at Cartoonists Rights Network International for winning the Index on Censorship Freedom of Expression Award for CAMPAIGNING.

The impressive awards ceremony was held in London last Thursday evening and hosted by comedian Nish Kumar.

Index on Censorship described CRNI as “a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. It is a lifeline for cartoonists in danger across the world.”

CRNI Deputy Executive Director Terry Anderson after accepting the award.

In his speech Terry Anderson said: “Like virtually no other profession the cartoonist makes it their business to remind the citizenry that the emperor is naked.”

Terry kindly mentioned the support they have had from Procartoonists. Many of our members have contributed to campaigns for the likes of Zunar, Ramón Nsé Esono Ebalé, Free Turkey Media and of course drawn fish for Eaten Fish.

Terry also praised International Cities of Refuge Network (ICORN) who offer refuge to writers, journalists and artists at risk of persecution. They’d been instrumental in the release of Eaten Fish.

The full speech can be seen here.

Ali Dorani (Eaten Fish) with Terry Anderson

Two cartoonists who benefited from CRNI backing had flown in specially to attend the awards. Zunar, a cartoonist who faced 43 years in prison for criticising the Malaysian government and Ali Dorani, AKA Eaten Fish, the Iranian cartoonist who spent four years interned in Australian-run Manus Island refugee internment camp.

Painting by © Zehra Doğan

All the award winners were incredible as indeed were all the nominees. I was particularly taken with the story of Kurdish artist and journalist  Zehra Doğan. She has only recently been released from a Turkish prison after being jailed for painting the destruction of a town in Turkey’s Kurdish region. When in prison she wasn’t allowed to have artists’ materials so drew on newspapers or old milk cartons using crushed fruit, herbs and even blood as paint with bird feathers to draw. Zehra won the award in the ARTS category.

One of the wonderful award cartoons by © Doaa el-Adl.

Winners were presented with cartoons especially drawn by Egyptian cartoonist Doaa el-Adl.

All the winners (L to R) Carolina Botero Cabrera, executive director of ‘Fundación Karisma’, DIGITAL ACTIVISM winner; JOURNALISM winner Mimi Mefo; Terry Anderson of CAMPAIGNING winner CRNI and ARTS winner Zehra Doğan. Photo © Elina Kansikas for Index on Censorship

Details of all the winners can be seen here.

For anyone interested in supporting Index on Censorship their CEO Jodie Ginsberg launched ‘The 1972 Club’ a membership scheme that funds their work as well as giving you great benefits.

Photo via © Rachael Jolley

Terry doing some painting and decorating on the wall at the new Index on Censorship office earlier in the day.

‘Women In History’ Cartoon Exhibition

February 22, 2019 in Events, General, News

Poster cartoon by © The Surreal MCoy

The PCO is putting on an exhibition in collaboration with Idea Store at Canary Wharf to tie in with Women’s History Month. ‘Women In History’ is an exhibition of cartoons and caricatures based loosely around the theme and also looking more widely at issues affecting women.

Our patron Sandi Toksvig writes:

“Cave paintings were really the first cartoons. The latest analysis of them suggest they were done by women. Perfect! Let’s celebrate Women’s History month with cartoons done by female artists following in the footsteps of the very first art.”

Cartoon by © Sarah Boyce

The show has been curated by PCO committee members The Surreal McCoy and Sarah Boyce (office admin by Glenda Marshall).

Sarah writes:

“We are delighted that Idea Store has given us this space to showcase the work of women cartoonists. It’s been a tough job narrowing down the long list to those that will be on display. We wanted to get a broad range of voices and styles in the exhibition and make sure as many women cartoonists as possible got a chance to participate. Hopefully visitors will enjoy the talent, diversity and humour on display.”

‘Victoria Victorious’ by © Cathy Simpson

Women’s History Month started in schools in California in 1978 to enhance understanding of all women’s contributions to history and society. It centres around International Women’s Day, originally celebrated in 1911 and now a fixture on 8th March. Women’s History Month is now an annual declared month in the UK, USA, Australia and Canada.

Illustration by © Kate Charlesworth

The show has contributions from 20 cartoonists including international submissions from Egypt, Greece and New Zealand.

Isadora Duncan by Athens based cartoonist © Maria Tzaboura 

Those taking part are:

Afraa Alyousef, Sally Artz, Ros Asquith, Sarah Boyce, Kate Charlesworth, Maddie Dai, Tat Effby, Jacky Fleming, Grizelda, Rebecca Hendin, KJ Lamb, Rasha Mahdi, Lorna Miller, Lou McKeever, Danny Noble, Chichi Parish, Martha Richler, Cathy Simpson, The Surreal McCoy and Maria Tzaboura.

Malala Yousafzai with her father by © Rebecca Hendin

The exhibition runs throughout March at:

Idea Store Canary Wharf, Churchill Place, London, E14 5RB.

We’ll be showing many more of the cartoons and drawings from the show on our social media platforms over the next few weeks.

All artwork on display will be available for purchase with 10% of the sales going to Solace Women’s Aid

Cartoon by © Maddie Dai

We’re hoping to put on more exhibitions and events in partnership with Idea Store later in the year.

Tomi Ungerer – ‘Expect the unexpected’

February 13, 2019 in Comment, General, News

Glenn Marshall writes:

I’m easily influenced by all sorts of things around me, as Tomi Ungerer said ‘I’ve always been a sponge, just absorbing whatever I see, whether it’s in daily life or in art’, and Ungerer, who sadly died last week, was particularly inspiring and influencial to me. I love his varied, playful and boundary-pushing work. He was often subversive and outspoken, and he saw himself very much as a satirist. This is a great quote taken from the Tomi Ungerer official website:

‘Satire is the outlet for my revulsion towards a society turned into a pigsty by materialism, consumerism, greed and arrogance. I have particularly aimed my pen at the bourgeoisie and its hypocrisy. I am a satirist to this day though more so in the medium of writing, collage and sculpture. I have been reproached for being obscene in my depictions, but what can I do, society is obscene and my drawings reflect this. And without mercy!’

I also love how he could turn his hand to many disciplines, including painting, collage, print-making, cartoons, graphic design and sculpture, often with a skewed and rebellious humour.

Cover and internal illustration ‘The Party’ 1966 © Tomi Ungerer

Over the years he produced over 140 books. The Tomi Ungerer Museum which opened in 2007 in Strasbourg, his town of birth, has around 11,000 pieces of his work (I’m not even up to treble figures yet!)

‘Business’ brush painting © Tomi Ungerer

I particularly liked the brisk drawings he did with huge paintbrushes and with very limited strokes; you can see him in action in the fantastic 2007 biographical documentary ‘Far Out Isn’t Far Enough: The Tomi Ungerer Story’. The title is lifted from his 1983 illustrated book about his years in Canada. Many of his drawings are wonderfully animated into life in the film too. It’s well worth seeking out. Trailer here

POTTED BIO:

He was born in 1931 in Strasbourg, growing up under the German occupation of Alsace during World War II which greatly affected him. In a very recent interview with The Comics Journal he is quoted as saying: “I was brought up and educated with hate, hatred of the neighbours, hatred of the Germans, hatred of the Catholics. It was nothing but hate, hate, hate.”

Cover for one of his most popular early children’s books ‘TheThree Robbers’ 1961, © Tomi Ungerer

After traveling around Europe he moved to New York with just $60 in his pocket and a case crammed with artwork and manuscripts. He’d always been inspired by Saul Steinberg and other artists in The New Yorker so it seemed natural for hm to move there. He soon picked up illustration and advertising work for publications including the New York Times, Life magazine, The Village Voice and Harper’s Bazaar and started getting his children’s books published.

‘Eat’ poster, 1967.                                                ‘Black Power/White Power’ poster, 1967
 © Tomi Ungerer.                                                © Tomi Ungerer

In the late ’60s he became more political, making posters against the Vietnam War and racial segregation. He believed he was being watched by the FBI for his political views and indeed was taken away and interrogated after a trip to China.

It was at this time he started publishing (very) adult illustrations in his books such as ‘Fornicon’ (don’t look them up on a work computer!). This lead to a backlash particularly as he was mostly known for his writing of children’s books.

For these reasons much of his work became blacklisted with many of his books removed from libraries. In 1970 he escaped to Nova Scotia before moving to Co.Cork in Ireland with his third wife Yvonne Wright in 1976 where he settled until he died aged 87.

The above three drawings are from the book ‘The Underground Sketchbook’ 1964, © Tomi Ungerer

There are two big exhibitions opening in Paris this spring that he’d been working towards. I certainly plan doing a Eurostar mini-pilgrimage to those. I will add the exhibition details when they are available.

To end here’s a clip of Ungerer that was posted on the Tomi Unger website which includes his thoughts on death (Video by Brad Bernstein & Rick Cikowski)

Our commiserations to Tomi’s family and friends.

NB: I’m indebted to the fine obituaries in The Irish Times and The New York Times that I mined for biographical detail. There is also a good interview with Ungerer on Design Boom