Infectious Laughter

March 31, 2020 in General

Cartoon © Pete Dredge

Naturally many cartoonists have been indulging in some sick humour whilst trying to cope under lockdown. These are from the bunkers of Procartoonists members, including the very funny and worryingly accurate Dredge cartoon above.

© Sarah Boyce

Of course most of us are used to working locked down at home. This is Sarah Boyce’s take on home working.

© Neil Dishington

It has even allowed us to revisit the cartoon cliche, well demonstrated here by Dish.

@ Jeremy Banx

The over-seventies are particularly locked up under lockdown. This from the FT by Banx.

© Guy Venables

And of course we can’t touch each other. This from the ceiling of the household of the great master Guy Venables.

© Dave Brown

Naturally a little bit of politics is inevitable as Boris belatedly tries to hold back the tide. Here the ‘Cnut’ Johnson is rendered by Dave Brown for The Independent.

© Andy Davey

More on Boris’s effort on containment from Andy Davey….with a rather precient final frame.

© Steve Bright

In international news Donald Trump’s every pronouncement is – as usual – going viral, as perfectly illustrated here by Brighty.

© Roz Asquith

Roz Asquith takes a wry look at how some people might work from home.

© Rebecca Hendin

A public information strip by Rebecca Hendin for The New Statesman

© The Surreal McCoy

With people struggling to travel back to their own countries an archive cartoon from the Surreal McCoy seems very apt.

© Glenn Marshall

While you lot all worry about catching Covid 19 I’m in blind panic that I’m down to my last 250 toilet rolls!!!

 

© Colin Whittock

Colin Whittock also concerns himself with the toilet paper crisis.

© Rupert Besley

Some distance learning from Rupert Besley.

© Wilbur Dawbarn

More spatial awareness. This by Wilbur.

© Andrew Birch

Birch concerns himself with how criminals are having to adapt now w’ere all permanently at home and burglary is less of an option.

© James Mellor

On a more positive note this is James Mellor’s tribute to the key workers who are being overwhelmed at the moment.

© Royston Robertson

and here’s a VERY true cartoon by Royston for the Nursing Standard.

© Graeme Bandeira

Graeme Bandeira has been producing some wonderful and moving cartoons for The Yorkshire Post. This one has been shared particularly widely.

© Nick Newman

and finally applause to Nick Newman for this cartoon in The Sunday Times.

Thanks to the PCO members for allowing me to pilfer their work.

Remember folks to clunk, click every trip and always use a condom.

Mike Turner 1942 – 2020

March 17, 2020 in News

Mike and Anita O’Brien at Ayr Cartoon Festival

Pete Dredge writes:

Like many cartoonists of a certain age, I first met Mike in the late 1970’s through membership of the Cartoonists’ Club of Great Britain. In those days the Club would meet monthly in The Cartoonist Pub in London’s Shoe Lane, as well as regularly arranging various “out of town” weekend, brewery-sponsored jaunts and an annual 5 day convention at Butlins. Mike, being one of the most sociable of chaps you’d ever wish to meet, was in his element. Nothing cliquey about Mike, he would find the time to talk to anyone and everyone in the room. This of course was no mean feat and Mike would usually sustain this time-consuming endeavour with a pint of best bitter and pin-sharp wit to hand.

Mike was a slightly built Mancunian but had the constitution of an ox and would often be found propping up the bar into the wee small hours as others fell pathetically by the wayside. I have only twice gone 24 hours without sleep and both times were in Mike’s wonderful, mischievous company. The first was on the CCGB’s 1979 trip to New York and, more recently, at the Ayr Cartoon Festival in 2001.

Sadly Mike contracted prostate cancer about 7 years ago and this put paid to his legendary imbibing and although his treatment appeared to be successful the cancer returned a few months ago with devastating effect . I last saw Mike about 3 years ago but spoke to him regularly on the phone over the years. Latterly the usual ‘mock bewilderment ‘ conversations about the machinations of cartoon editors was gradually replaced by more serious discussions of a medical nature.

Mike was a great gag cartoonist (Private Eye, The Spectator, The Oldie etc) who should have graced the pages of magazines much more frequently than he did. He served the CCGB well, not only as a lifelong member but as a distinguished chairman and put great store on the importance of the newsletter as a means of keeping distant, more remote members in touch with what was going on. As well as being a member of the PCO, Mike was also a member and regular attendee of BCA dinners.

Mike and joyous laughter (seasoned with a hint of cynicism) were synonymous and I, and all his colleagues will miss him greatly.

 

Offensive Weapon?

March 16, 2020 in Events, General

Glenn Marshall writes:

Procartoonists recently hosted a panel discussion labelled ‘OFFENSIVE WEAPON?’ at the North London Story Festival. The talk centred around the issue of cartoons causing offence and where to draw the line. I was joined by Carol Isaacs AKA The Surreal McCoy and The Guardian’s Martin Rowson.

I opened with a brief look at the history of cartoons causing offence, including this one by Richard Newton in 1798, of John Bull farting in the face of George III – oh how we love a fart gag! Newton had his first cartoon published when he was 13 and went on to be supported by the radical publisher William Holland, producing further attacks not only on the Royals and Napoleon but also the slave trade. His short but prolific career ended when he died of typhus aged just 21.

This cartoon by James Gillray of the then Duke of York could’ve been a recent cartoon about the current Duke of York – it’s regularly pastiched. It was deemed acceptable when drawn 1792, but when it was included in a collection of Gillray’s work in the more puritanical Victorian era – around the 1840s – the books were impounded by the police for being obscene. It was only deemed suitable for the public at large in 2009!

Martin mainly talked about his own experience with offence. The cartoon above from the Guardian was his response to the 2017 van attack on the Finsbury Park Mosque, a comment on how some of the print media can incite hate.

Paul Dacre’s Daily Mail went apoplectic with a front page banner raging ‘Fake news, the fascist left and the REAL purveyors of hate’ and went on to an outraged ‘comment’ page. Clearly Martin was doing something right!

Bernard Verlhac (Tignous), Georges Wolinski; Jean Cabut, (Cabu), Stephane Charbonnier (Charb) Jean Cabut (Cabu).

Martin also talked about the Charlie Hebdo attack, paying tribute to the 12 people murdered including the four cartoonists above.

Carol, who is the PCO’s committee member for overseas, discussed issues around the globe of cartoonists who have been persecuted and censored. This covered many of the people we have campaigned for, along with our friends from Cartoonists’ Rights Network International

This is one of many great drawings Carol showed by the Syrian cartoonist Ali Farzat who has had a long history of being attacked and censored by the current regime for his work. He now operates out of Kuwait.

This topical cartoon by Niels Bo Bojesen from Danish daily newspaper Jyllands-posten published in January caused the Chinese embassy in Denmark to demand an apology.

Following our talk, we were fortunate that the next speaker cancelled, as we ran into a prolonged and lively Q&A.

Our travelling GAGGED exhibition on suppression and censorship of cartoonists sound the globe also had an outing over the festival.

Thanks  to the festival organiser from Middlesex University for inviting us along.

The Wolf of Baghdad released

February 27, 2020 in Events, General, News

I’ve just wolfed down in one sitting the wonderful, recently published ‘The Wolf of Baghdad’ by PCO’s Carol Isaacs, AKA The Surreal McCoy, published by Myriad Edition. It follows the story of Carol’s family roots and the everyday life of the Jewish community in Baghdad, where a quarter of the city’s population were Jewish up until the little-known vicious pogram of 1941. Within a decade nearly all 150,000 had been murdered or exiled.

All illustrations © The Surreal MCoy

The wolf in the title originates from the Baghdadi Jews belief that the wolf protects them from harmful demons.

I love the illustrations of the ghostly characters and buildings and the limited, muted colour palette that evolves to segment different parts of the story. The wonderful, clean line drawing reminded me of Marjane Satrapi’s ‘Persepolis’.
Although the novel is wordless it is punctuated by really insightful testimonies.

There is also a superb, evocative soundtrack which Carol performs on along with the band ‘3yin’ which is great to listen to while reading the book for the complete Surround-O-Vison experience!

Some quotes about the book:

The book has some great reviews including this from UK comic shop Page 45. This from The Jewish Cronicle and one from The Morning Star.

Carol and 3yin playing live with visuals from the motion comic at The Phoenix cinema in East Finchley last November.

The Surreal McCoy has recently been talking about the book at the  Mathrubhumi International Festival of Letters in Kerala, India and has visited New York for a premier screening of the DVD at The New York Sephardic Film Festival 2020. There are also some shows coming up including Carol and 3yin playing live with moving visuals from the book at JW3 in London on 5th March. Recommended for a unique experience.

The book can be purchased direct from Myriad Edition

For updates on the project follow The Wolf of Baghdad blog.

The Genius of Giles

January 7, 2020 in Comment

Rupert Besley writes:

Christine Keeler and Mandy Rice-Davies are back in the news.

It’s become something of a festive tradition to bemoan the lack of good viewing in the Christmas schedules. ‘Absolutely nothing on telly,’ goes the cry. ‘Last year was bad enough and this year is worse.’ And so it has seemed this last month.

The BBC’s star contribution to the season has been The Trial of Christine Keeler. It has been well received. I’m sure it is well written, well acted and well done, but I only half-watched the first episode before deciding to give it a miss. The main facts are well enough known, with characters too self-indulgent and story too sordid to grab my interest. As Peter Cook put it, ‘I go to the theatre to be entertained. I don’t want to see plays about rape, sodomy and drug addiction. I can get all that at home.’

The Macmillan era was far from Britain’s finest hour. The Tory government was led by a patrician figure hamming it up as quirky and characterful but trustworthy elder statesman straight off the grouse moors, ready to gull the public into believing they had never had it so good (remind you of someone?). On one thing Macmillan was right: the unpredictability of politics, with its potential for everything to be brought crashing down by things unexpected. ‘Events, dear boy.’

The Profumo story unfolded in the summer of 1963. That was the year that ‘sexual intercourse began’ (Philip Larkin). Sex came out from under the covers and dared to speak its name on the front pages of reputable newspapers.

Cartoonists had a field day, few more so than Giles. I was about to turn 13 and had little interest in or understanding of politics at the time. But I well remember the cartoon above appearing in my mother’s Sunday Express and the amusement it gave at breakfast. Then, as now, I marvelled at the genius of Giles and secretly hoped (in vain) that one day I might work out how to do something similar. I can’t, of course, and never will. The talents of Giles are not given to all, but it has been fun to see what magic he brought to the pages of a newspaper.

The cartoon above begins with a strong idea, even if that comes from the common cartoon device of bringing a larger issue down to a personal level that we can relate to. In lesser hands, that idea could still have fallen pretty flat. What makes this cartoon so wonderful is all that Giles brings to the artwork. The composition is masterful. Without need of great detail, he conjures up the comfortable, sunny world of the well-heeled Establishment, about to get one hell of a rocking. Instead of putting the central figures at the centre of the artwork, he has them already racing off to the left; this, together with the papers still in mid-air above the garden lounger, deftly conveys the urgency of impending crisis. Centre-stage is the small dog, yapping at heels and loving every moment. What member of the press or public could not identify with that dog? What puts the cherry on the cake is the expression captured on the face of each of those racing over the grass, especially the wife with long-held suspicions now rampant. Two days later, Giles followed the cartoon up with this (below) in the Daily Express. Genius.

PCO Cartoon Review of the Year 2019

January 1, 2020 in General, News

Cartoon © Brian Adcock, The Independent

Glenn Marshall reporting from behind the paracetamol bottle:

Once more it is time to look back with the traditional (well, third year running) PCO ‘Cartoon Review of the Year’. It was always going to be a very hard task to not just fill it with cartoons about Trump and BORXIT® so in the end I just gave up and ran with it!

So to set the tone here’s a great drawing from © Chris Burke.

Martin Rowson sums up the plight of cartoonists facing a metaphor shortage in 2019.

I’m having to restock my Brex-mageddon bunker as most of my haul is now well past its sell-by date. I should’ve taken © Andrew Fraser’s Valentine’s Day advice in Private Eye and just bought tinned goods rather than Greggs vegan sausage rolls and doughnuts.

This © Colin Dukelow cartoon from Private Eye sums up what many felt about the ‘B’ word by the end of the year…probably by the beginning of the year too.

In March Brexit was taken off the menu for a few more months. Cartoon served up by © Mike Stokoe in The Spectator.

Moving on to April the heavily redacted Mueller report was released. Loved this cartoon by •••• in the •••••••• •••••

Illustration by © Steve Bright

In Sports News: May saw Liverpool ‘pipped’ (GERIT?) at the post for the Premiership title by the WONDROUS Manchester City. Eat that Klopp (the PCO strenuously denies any bias in their reporters) After coming so close I really can’t see Liverpool ever winning the Premiership! (Nosramarshall)

In June ‘stable genius’ Donald Trump visited the UK. © Royston Robertson shared this cartoon to mark the occasion. Really Royston could post this daily, or even hourly, and it would still be applicable.

In more Trump news: In July Trump told four Democrat congresswomen ‘go back to the places they came from’. This was Steve Jones’ lunar take on it tying in with the anniversary of the Apollo 11 moon landing. (Private Eye)

I loved this Boris arse-faced Mona in The Guardian by Steve Bell. No idea what the story was, but I’m a Mona Lisa obsessive. I’m writing this review, so I’m putting it in.

A lovely drawing of the Time magazine ‘Person Of The Year’ (cue FUMING Donald) Greta Thunberg by © Andy Davey from The Evening Standard

© Wilbur Dawbarn’s Greta-inspired back to school clothing range, product placed in Private Eye.

Retail News: In October it was announced that, following a spate of high street closures, Debenhams was facing financial difficulty. © Sarah Boyce may have put her finger on why with this Private Eye cartoon.

Back to climate change: © Kathryn Lamb had this seasonally adjusted cartoon published in The Spectator….

… and this inflammable Private Eye cartoon by Clive Goddard. Sadly this could be a current scene from the Australian Met Office.

A cartoon by © The Surreal McCoy from Prospect which could virtually apply to any of 2019’s news stories.

Cartoon by © Nick Newman, The Sunday Times.

In November Prince Andrew pizza expressed his views on the Jeffrey Epstein scandal to Emily Maitlis. I suspect he’s someone else who may shy away from being interviewed by Andrew Neil in the future.

On that subject here was a rather prescient cartoon by © Kipper Williams actually from a June issue of The Spectator!

Also in November Boris visited flood-hit Yorkshire mostly to gargle his campaign message. Illustration by © Rebecca Hendin for The Guardian.

And still on matters aquatic (and to mention someone other than Bojo) here is Dave Brown’s cartoon for The Independent of Jezco and Joswin getting their campaign messages across…or not.

©Zoom Rockman in Private Eye visits the polling station.

As we head into the New Year here’s another excellent cartoon by •••• from the FT showing you can get new life out of a cartoon metaphor Mr Rowson.

© Brian Adcock, bookends the year with this offering from The Independent.

So what fresh horrors will 2020 have in store? I expect A LOT more about him, him, and more him!

Thanks to Procartoonist members for the use of their cartoons.

Happy New Year from the PCO.

Political Cartoon Awards 2019 – The Results

December 17, 2019 in Events, General, News

The winners! Peter Schrank standing in for Peter Brookes, Photo © Kasia Kowalska


Clive Goddard writes:

Another year of backslapping and mingling with strangers has been and gone at the glitzy Poltical Cartoon Awards. This time the whole event was forced to decamp from its usual palatial venue due to ‘the impending election’ causing everyone to cram into the offices of the sponsor over the road. The body heat generated by the assembled humans made the free, cold beer even more essential.

Veteran MPs, Kate Hoey and Ken Clarke had been dragged away from their respective sofas and selflessly agreed to miss Emmerdale in order to hand out the gongs, almost all of which went to the younger end of the cartooning spectrum. The winners, featuring a good showing from PCO members, were as follows:

Political Cartoon of the Year, 
Rebecca Hendin, The Guardian.

Runner up Politcal Cartoon of the Year, Ben Jennings, 
The Guardian.

Political Cartoonist of the Year
, Dave Brown, The Independent.

Runner-up
 Political Cartoonist of the Year, Peter Brookes, The Times.

Pocket Cartoon of the YearZoom Rockman, Private Eye.

Pocket Cartoonist of the Year
, Jeremy Banx, Financial Times.

Jeremy Banx says a few words, Photo © Ellwood Atfield

Cartoon Glenn Marshall meets Ken Clarke, Photo © Lord Lucan

Zoom Rockman meets Ken Clarke, Photo © Ellwood Atfield

Rebecca Hendin meets Ken Clarke, Photo © Ellwood Atfield

Brian Adcock meets Ken Clarke Photo © Donna Payne


Send in the Clowns?

December 8, 2019 in Comment, Events

Cartoon by © Rupert Besley

Rupert Besley writes:

[a personal viewpoint, not purporting in any way to represent the opinions of the PCO]

For the first time in my life I’m seriously wondering if humour might not be doing more harm than good. That’s a worrying thought and no conclusion I would ever wish to reach. I get to this point down the following route.

The expert analysis of recognised independent think-tanks all seems to agree that Brexit, hard or soft, will leave the country’s economy worse off than before and that those who will suffer most are those already hardest hit and at the bottom of the pile. And yet the parties pursuing this course (Conservative and Brexit) are those that have been riding high in the polls and especially so in the least well-off areas.

I can think of only one explanation for this and it comes in three parts.

Firstly, television has turned politics into a celebrity contest. The two-second conclusions of grassroots opinion foisted on us each day by television news are by their nature superficial and short. Vox pop verdicts may do people a disservice, but from them it seems that large numbers of voters are deciding not on policy or even party but just on the personality of each leader.

Next, no such Johnson-Corbyn dance-off begins on an even footing. The UK press, predominantly in right-wing hands, has seen to that. Boris Johnson, one of their own, is portrayed as loveable chump, accorded the status of national treasure and first-name recognition. The cameras love him, as he does them. For years the most widely read papers in this country have found space each day to vilify Corbyn (surname only), made out to be some kind of crazed communist blend of racist and terrorist. (The shame, perhaps, is that he himself does not do personal attacks on anyone.)

Finally, in any such competition, the guy-in-the-pub, say-it-straight, got-all-the-answers funster image of a Johnson or a Farage will come across to many (or any who don’t know them) as more appealing than the duller, dour, more complicated and apparently humourless mode of a Corbyn.  What else is there to explain the strong personal lead Johnson enjoys in the polls, regardless of his track record? Baffled by the complexities of the political situation and bored with its repetitiveness, people are looking instead for good cheer and light relief.

I accept that we live in an age when a political leader has to have ‘personality’ and be  good on television. They need that to carry the country with them. Things were different in the world I came into. Attlee was a modest man and self-effacing. Of him it was said, ‘An empty taxi drew up in Downing St and Clement Attlee stepped out.’  Stafford Cripps was not known for his laddishness. But, as Chancellor, he is credited with laying the foundations of Britain’s post-war economic prosperity. The Attlee government, which included the likes of Nye Bevan, Hugh Gaitskell and Herbert Morrison, created the NHS and greatly expanded the welfare state. Earnest, high-minded politicians, intent on tackling the ills of the world – but none of them great for a larf.

How might it have been, one wonders, if in those post-war decades the electorate had gone instead for the characters played by the most popular comics of the day? Ken Dodd for Chancellor, perhaps. Or Charlie Drake? Arthur Askey for PM or maybe Bernard Bresslaw. I only arsked.

Bringing Animals to Life cartoon workshop

October 30, 2019 in Events, General

Shrewsbury Museum and Art Gallery have asked Jonathan Cusick to repeat the animal cartoon workshop he ran during this year’s cartoon festival, during the October half term.
‘Bringing Animals to Life’ is on Halloween, 31st October. It’s one of the activities they’ve ran to tie in with a major exhibition by local comic leg-end Charlie Adlard. (‘Drawn of the Dead’, on show at the museum until 3rd November). Fellow PCO’er Tat Effby ran a family zombie portrait workshop in August.
Jonathan shows various key principles for cartoon drawing, then visitors get to apply these directly in a drawing session working from various exhibits from the museum’s taxidermy archive. In April the selection included squirrels, ducks, owls, badgers, crows and an alligator. It’s fun and for artists of all abilities and ages; a perfect half term activity for the family.

Places are limited, the April workshop sold out.
Tickets are £8 and can be booked via https://www.ticketsource.co.uk/shrewsburymuseum and include all-day entry to the museum.

Press One to Continue Nightmare

October 28, 2019 in Comment

Rupert Besley writes (mainly because he couldn’t get through on the PCO helpline):

I’m sure I’m not alone in my dislike of having other people’s words being put into my

Choose from one of the following options, then click on Next to continue:

– orifice

– earplug

– lexicon

– exhaust pipe

– rear end

– mouth

You know the kind of thing. Urgently needing to put right some wrong, you get trapped in the maze of a website, caught up in an endless loop of FAQs, FUQs (Frequently Unanswered Questions) and irrelevant options, none of them remotely applicable to your own particular circumstance.

In desperation you reach instead for the phone.

We are experiencing an unusually high level of calls and all our advisers are busy…cue cheering Funeral March music… Did you know that by logging on to our website you can find the answer to this and many other interesting questions?

35 mins and several bruises to the forehead later, it’s

Press 1 for Sales.

Yes, always they press one for sales. But listening to what you might have to say is the last thing they wish for. Instead, more options of zero relevance.

Customer Service? Disservice, more like. Contact Us, my

Select from one of the following:

– posterior

– kneecap

– eyebrow

– elbow

– elephant

– arse

I’m writing this from the cosy interior of a padded room, with spume-flecked fingers and froth still running down my chin. I am currently in a state of hostilities with my bank (which has robbed me of access to my online banking), BT (with whom my online account has now gone missing), the supplier of our solar panels (one small part of which is now not working as it should) and my doctor’s surgery and my pharmacy (at odds over my prescription). With each of these it is nigh on impossible to get through to the person who can put things right, thanks to the barrage of obstacles and blocking mechanisms put in one’s way.

BT (slogan, Helping You Communicate) are a case in point. My ongoing complaint, unresolved for more than 2 weeks, has now been escalated to Serious Stuff. I have been verified and validated by more voices in distant places than I care to list, have repeated my tale to each, but none has yet been able to find the account that we’ve had for years. Other telecom companies are available, all no doubt equally guilty of the same kind of practices. So, what has any of this got to do with cartoons? Not a lot, maybe, except that…

The digital age was meant to democratise, empowering individuals and giving them voice. Instead, the dark forces of commercialism and political interest, the rich and the powerful, are making use of digital media to skew information, manipulate minds, control thinking and stifle free expression. Cartoonists stand up to this. They (along with stand-up comics and other satirists) are crap detectors supreme. Cartooning in all its forms (gags, strips, caricature, leader page editorials) has the job of spotlighting (with brevity and humour) inconsistencies and deceit, hypocrisy, abuse and fraud. Cartoons fight back. Cartoons continue to be edged out of traditional forms of media, but they remain an essential part of any free Press and a necessary tool for highlighting things in need of correction. Cartoons get straight to the point.

We need them more than

– hedgehogs

– biscuits

– chainsaws

– custard

– sometimes

– ever.

All cartoons by © Rupert Besley