Herne Bay Cartoon Festival Sets Sail Again

July 3, 2021 in Comment, Events, General, News

Herne Bay Cartoon Festival is back this year. We weren’t able to gather in 2020 for obvious reasons, and when we meet again this summer we will sadly be missing some friends including festival co-organiser Steve Coombes who passed away last December. His tireless enthusiasm and joi de vivre will be missed so much at the festival. Here is a wonderful tribute to Steve that appeared in The Guardian by his partner Sue Austen. Sue ran the festival with Steve since it started in 2013 and she is at the helm this year.

Caricature of Steve Coombes on the Herne Bay Pier carousel by © Dave Brown

This year’s title and theme is Herne Bay Cartoon Festival Takes to the Waves. We are expecting a flood of cartoons about the oceans with the kind of jokes we have come to expect from our cartoonist contributors. (See Royston Robertson‘s fabulous poster for examples)  Our exhibition of new work and old jokes will be open at Beach Creative, Beach Street, Herne Bay, CT6 5PT from 23 July until 19 August.

Des Buckley mid hang at Beach Creative. Photo by Yagmur Coombes.

Cartooning Live will once again be on Herne Bay Pier on Sunday 1 August from 12 noon. Amongst those involved are PCO members Martin Rowson, Rob Murray, Clive Goddard, The Surreal McCoy, Jeremy Banx, Chris Burke, Kathryn Lamb, Alex Hughes, James Mellor, Des Buckley, Guy Venables, poster boy Royston Robertson plus last and least Glenn Marshall.

And there will be an exhibition of the popular Daily Express cartoonist Giles at The Seaside Museum, 12 William Street, Herne Bay, CT6 5EJ open from 10 July to 7 August. In 2020 the Giles Family celebrated its 75thanniversary. We had planned an exhibition last year in collaboration with the The British Cartoon Archive at the University of Kent. So, a year later, we are presenting The Giles Family Holiday at Home. From the start the family enjoyed many holidays together and days out. So, in a year when we are all encouraged to take a ‘staycation’ our exhibition explores some of the joys of the British seaside holiday, whatever the weather!

On Saturday 31 July 2.00pm at Beach Creative there will be ‘Raise Three Fingers for Myanmar’. It’ll be a workshop run by The Surreal McCoy for all the family to create a wall of three finger salutes in support of the people of Myanmar.

Interview with Myanmar cartoonists

July 1, 2021 in General

A military coup on February 1st of this year has returned the southeast Asian country of Myanmar (formerly known as Burma) back to full military rule. After the election in November 2020 was won by the National League For Democracy in a landslide victory, the military, known as the Tatmadaw, refused to accept the result citing voter fraud. Peaceful protest against the coup quickly turned deadly as people were killed and wounded by security forces. Anyone in opposition to the government quickly found themselves vulnerable to arrest, detention and torture. 

This is an interview conducted by Carol (The Surreal McCoy) on behalf of the PCO with two prominent members of the Myanmar Cartoonists Association who have had to flee their country for their own safety: Waiyan Taunggyi and Lagoon Eain (their pen names).

PCO members provided the questions and a fuller version of this interview will be available soon as a video on the PCO Youtube channel.

Waiyan Taunggyi

Lagoon Eain

PCO: Please tell us a bit about yourselves.

WT

Mingalarba (‘hello’ in Burmese). I am cartoonist Waiyan Taunggyi. I am from Myanmar and have been a cartoonist for over twenty years. I have been drawing cartoons for local media, NGOs, INGOs the United Nations and I also do commercial cartoons for businesses. Sometimes I teach basic drawing lessons for kids and adults. I especially do political cartoons and illustrations.

LE

Really, I’m an artist. I do painting, animating, sculpting and music. But I draw cartoons, especially political cartoons as a duty of citizenship. So I [have] created a lot of cartoons since 2010. I criticised governments, candidates and military groups. Since 2012, President U Then Sein wanted to arrest me because of [my] cartoons and now the dictator Min Aung Hlaing wants to arrest me in this military coup. So, our family is running from them.

Cartoon by © Waiyan Taunggyi

PCO: Before the coup were you able to draw your thoughts and opinions as freely as you liked or did you have to censor yourself? Were any subjects off-limits?

WT

I got what I deserved. However, there have been cases where the Burmese military has filed lawsuits under Article 66D.* The Burmese military has previously banned freedom of expression. So even if we make fun of the military, we have to [do so] indirectly with pictures of ancient Burmese Commanders.

[*’The Telecommunications Law was introduced in 2013 and since then it has been used repeatedly to restrict freedom of speech and expression. Defamation charges under Section 66 (d) of the law have been brought against reporters, politicians and social media users. Many people have been arrested for criticising the military, the government or merely posting on Facebook.’- The Burma Campaign UK.]

LE

I publish my cartoons on social media such as Facebook, some media websites and some  printed journals. Sometimes, other media are afraid to use my cartoons because of [lack of] freedom of expression. So, I published all of my cartoons on my own Facebook page. I always consider about justice. So, I don’t think about other opinions and censorship.

Cartoon by © Lagoon Eain

PCO: What role do cartoons have in the Myanmar Spring Revolution?

WT

Cartoons played a very important role in the Spring Revolution. My cartoons gave motivation to the people. I comforted sad people with my cartoons. When in the February revolution most protesters used my cartoons as a sign board. When protesting in front of Chinese Embassy, they printed my cartoon and used it. I was so glad when I saw them I even took a photo with them. Editorial cartoons against the Burmese Military Terrorists bothered them a lot. It was effective and they even threatened my life. I’m so proud to draw effectively and I believe editorial cartoons played an important role in Spring Revolution.

LE

I think that cartoons can entertain the civilians who are tired of this coup, can give motivation for fighting this military group. And then can show what is important during this time with a single picture. So I have a duty to draw.

Cartoon by © Waiyan Taunggyi

PCO: How have your cartoons been regarded by the military?

WT

The dictatorship might have thought I was loathsome monster and they use imposters online to criticise my work. I am certain that these coordinated attacks were an attempt to drag me down.  They really are afraid the power of pencils. They thought that cartoons were a propaganda machine used to make people hate them. Also, the military terrorists didn’t have a cartoonist who can draw high quality cartoons in response to our political activism.

LE

How military regard is not my business but I think they really hurt. Because they want to arrest and search me. 

Protesters in Yangon

PCO: Because there is so little free press and internet access is limited, how are artists getting their work out to the public? Is there an underground movement? 

WT

I was in Myanmar until the first week of April. I first hid in my brother’s house. However, after the dictatorship used the military to target and kill civilians who protested peacefully and even targeted people suspected of being against the regime, I thought if I stayed in Myanmar my life was no longer safe. I knew I would have to leave Myanmar to create my art freely. When I began to flee, I was in constant fear of being caught by the police and military and that they would discover my external hard disks /the tablet I draw because there’s a lot of anti-coup pictures.

I can sigh with relief when I arrived in the safe zone. I think I arrived in April second week to the safe zone with cartoonist Lagoon Eain. Then I send my cartoons to the media from the safe zone. Most Cartoonist in Myanmar would not dare to create cartoons anymore because their life is in danger. I feel it is my responsibility to draw anti-coup cartoons on behalf of my partner cartoonists. Now that I am in safety, I can send my cartoons to the journal who will print out weekly and spread it secretly to the people. Some protesters print out my cartoons as a stickers and they quietly stick to the army walls at night.

LE

About February first week, they closed [the] internet. I tried [to get] my cartoons published on fliers. And then I can publish again on social media with [the] help of VPN apps.

Cartoon by © Lagoon Eain

PCO: What materials do you use in your art? Digital or pen and ink?

WT

I draw [in] all mediums, but mostly create digital works. Previously, I used a Huion Tablet with a Windows Platform. However, when I fled from Myanmar, I took only an iPad. I currently draw with my iPad now.

LE

With my iPad and laptop.

PCO: How are you managing at the moment with the practicalities – money, food, shelter?

WT

Currently I’m ok for now, but I am not sure what to do when my savings run out.

LE

For practicalities, I get support from my friends.

Cartoon by © Waiyan Taunggyi

PCO: What is next for you? Do you think you will return to Myanmar?

WT

I want to live a place where I can create my art freely and safely and have human rights. Hopefully, when the revolution is over I can go back to Myanmar.

LE

We are in second county and we have the only choice to go to [a] third county. Really, I want to return [to] my country again. I love Myanmar. I want to live in this country, but now I can’t live in Myanmar. The military group want to kill me.

Add Ink: Cartoon Chronicles of Life in Hong Kong

May 13, 2021 in Events, News

PCO member and award-winning South China Morning Post’s political cartoonist Harry Harrison has just launced his new book ‘Add Ink: Cartoon Chronicles of Life in Hong Kong’,

Recognised for more than 20 years as one of Hong Kong’s top political cartoonists, Harrison’s 329 page book is carefully curated by SCMP’s editors from the daily editorial cartoon ‘Harry’s View’. It illustrates the most gripping events from the last five years while providing a pointed and humorous critique on the city’s many contradictions, satirising global events through a Hong Kong lens, as well as the Covid-19 pandemic.

Cartoon © Harry Harrison

Harry writes: “Hongkongers always have a dark sense of humour no matter how difficult things get, and the book is a tribute to the people in the city who inspire me every day,…While my cartoons are not able to make the city’s problems magically disappear, I hope they can provide some relief by encouraging us to laugh at ourselves.”

More info plus you can get hold of a copy here.

A Plague Be Upon Us

April 6, 2021 in Events, General, News

 

Glenn Marshall writes:

Martin Rowson, the South London sonnetist who also does a bit of drawing, has just released his poetic lockdown diary ‘Plague Songs’ . Full of customary Rowson bile and twisted humour these ‘rhymes of our times’ address the accursed last year under the dark shadow of Covid.

Tomorrow night sees an online book launch event where Martin will be talking to the comedian and writer Robin Ince and reading from the book. I already have my warm Liebfraumilch and party nibbles ready for the occasion. Limited tickets available here.

Musician & playwright Jon Tregenna has also put Martin’s verses to music. CD available here.

#threefingers for Myanmar campaign

March 21, 2021 in Comment, General, News

The Surreal McCoy writes:

In collaboration with artists and creatives in Myanmar (formerly Burma), PCO are running #threefingers a social campaign in support of local cartoonists and artists, and in recognition of the deteriorating situation there. A landslide election for the National League for Democracy party was overthrown by a brutal military coup on February 1, 2021, sparking a national Civil Disobedience Movement (CDM). 

Cartoon © Steve Bright

PCO members have been drawing a selfie giving the three fingered salute in solidarity with the movement. The three-fingered salute has become a symbol of resistance in protest and in art. Across the milk tea nations, from Myanmar to Thailand to Hong Kong, the gesture represents a global solidarity for democracy, defiance against tyranny, and the fight for freedom.

Cartoon © Dave Brown

The Tatmadaw (Burmese Army) has cracked down hard on protestors, as they have in previous civil uprisings. They have reigned with terror in Myanmar’s border states for generations, leading a vicious campaign to remove the Rohingya minority from the country, in 2017.

Cartoonists protest in Yangon.

Myanmar artists have used their art to project the nation’s voice and call upon artists and allies from all nations to raise three fingers for human rights, freedom and democracy.

Cartoon © Zunar

We are partnering with the Burma Campaign UK and Three Fingers.org, to bring the campaign to a global audience. The artwork will be displayed on the site with a view to selling (with the creator’s permission). All proceeds will be directed to Mutual Aid Myanmar, an organisation assisting civil society in Myanmar.

Cartoon © Kerina Stevens

Please retweet/repost whenever you can with the hashtag #threefingers and these social media handles:

https://twitter.com/Raise3Fingers

https://www.instagram.com/raise3fingers/

https://www.tiktok.com/@raise3fingers

Cartoon © Jeremy Banx

Cartoon © Rupert Besley

Cartoon © Steve Jones

Cartoon © Des Buckley

Cartoon © Martin Rowson

Alison Brown

January 15, 2021 in General, News

Clive Goddard, PCO Chair writes:

The Professional Cartoonists’ Organisation are shocked and saddened to hear of the death of the London Cartoon Museum’s Alison Brown.

Aged just 39, Alison was the museum’s retail and front of house manager as well as assisting with exhibitions and being the face of many public events. She was a passionate advocate for cartoons and comic art and an instantly likeable person, popular with everyone who met her.
Having been admitted to hospital in December with a pelvic infection she had undergone surgery and transferred to a rehab ward where she remained in good spirits. Tragically, she then contracted Covid 19 which, due to her weakened state, she was unable to fight off.

Our deepest sympathies go out to Alison’s family and friends.

Here’s another tribute to Alison by The Cartoon Museum Director Joe Sullivan: The Museums Association

There is a fundraiser commemorating the life of Alison by raising money for both Cancer Research UK and The Cartoon Museum. More details here: here

The PCO Cartoon Review of the Year 2020

December 28, 2020 in General, Links, News

Cartoon by © Andy Davey.

Glenn Marshall wrote:

Once more my friends it’s time for the PCO Cartoon Review of the Year, featuring work from members of the PCO (speech) bubble. It’s been a difficult year to find humour in, although it would be a nightmare for cartoonists if any year was filled with just love, joy and kittens! I ended last year’s review with “So what fresh horrors will 2020 have in store?” – how little did we know!

As we chase off 2020 (envisioned above by Andy Davey for The Telegraph) one story seems to have dominated this year’s review over all others. Just for fun, see if by the end you can spot which one it is?

Cartoon by © Dean Patterson

To start us off the this cartoon by Dean Patterson sums up the year in one image.

Cartoon by © Andrew Fraser

Some family entertainment by Drew in Private Eye.

Cartoon by © The Surreal McCoy

This cartoon by Ms McCoy was from Lockdown 1.0 but works equally well now for Lockdown 2.5 (and counting)

Cartoon by © Matt Percival

…and from check-in let’s move on to the baggage area with a Percival cartoon reclaimed from The Spectator.

Cartoon by © Nick Newman

Nick Newman in the The Sunday Times on the looooong running Dom Com. In a questionnaire in The Sunday Times Nick recently cited this cartoon as a favourite he’d done this year.

Cartoon by © Glenn Marshall 

Some testing times for Cummings back in May.

Cartoon by © Rebecca Hendin

Rebecca Hendin’s very own lockdown guidelines appeared in the New Statesman.

Cartoon by © Jeremy Banx

Masker vs Anti-masker featuring Batman and Superspreader from Banx in the Financial Times. Jeremy was recently voted ‘Pocket Cartoonist of the Year’. You can see a report on the awards by PCO Chair-human Clive Goddard on the PCO YouTube Channel.

Cartoon by © Clive Goddard

…and talking of Clive Goddard.- in other news (was there any other news I hear you ask?) here’s Harry and Meghan doing some extreme social distancing from the family by Clive.

Cartoon by © Steve Bell

Can’t a have a cartoon review of the year without some Donald – hopefully not so much in next year’s! This splendid reworking of the Delacroix painting  ‘Liberty Leading the People’ (more like ‘Liability Bleeding the People’) is by Steve Bell in The Guardian. Steve was voted ‘Political Cartoonist of the Year’ in the afore-mentioned awards.

Cartoon by © Andy Davey

…and in The Daily Telegraph Andy Davey poured ‘Scorn’ (other bleaches are available) on Donald Trump.

Cartoon by © Sarah Boyce

The Black Lives Matter movement started after the killing of George Floyd in Minneapolis. Here is a creative twist on the phrase from Sarah Boyce published in PE.

Cartoon by © Rupert Besley

INTERLUDE: As a diversion from relentless bad news stories here’s a lovely, soothing cartoon and drawing from Rupert Besley.

Cartoon by © Chris Williams

School days are supposed to be the haPPEiest of our lives! Here’s Dink on the return to school in September.

Cartoon by © Tat Effby

The taking down of public statues also led on from the birth of Black Lives Matter. Later in the year there was a furore about the Mary Wollstonecraft memorial sculpture by artist Maggi Hambling. Tat Effby successfully clashes the two stories with a nude Clive of India.

Cartoon by © Steve Jones

In lack of live Entertainment News: Jonesy reports for Private Eye on the new rules for theatre goers…

Cartoon by © Kipper Williams

…and Kipper Williams took us to the cinema in The Spectator.

Cartoon by © Royston Robertson

Excellent cartoon from our technology correspondent Royston Robertson. I think we’re all suffering from a bit of this, indeed I’m sure I have ‘Long Zoom Fatigue’

Cartoon by © Martin Rowson

Didn’t have to have my arm twisted to use this pretty bullying cartoon by Martin Rowson for Kevin Maguire’s The Mirror column.

Cartoon by © Graeme Bandeira

In sports news Graeme Bandeira puts his hand to a caricature of Maradona for The Yorkshire Post. For some bonus content you can see Graeme’s cartoon that won ‘Political Cartoon of the Year’ in the awards report mentioned earlier,

Cartoon by © James Mellor 

In more sports news James Mellor takes to the fairways. Like many I took up indoor grouse shooting.

Cartoon by © Guy Venables

Back to Trump who, at time of going to press, STILL hasn’t lost the election. This by Guy Venables in his regular slot for The Metro.

Cartoon by © Ed Nay

Clever drawing by Nay. Can you see what is yet?

Cartoon by © Steve Bright

A contender for Man(iac) of the Year, the dyed-hair Trumpublican attorney Rudy Giuliani. I loved this caricature by Brighty.

Cartoon by © Pete Dredge

A substantially funny cartoon from Pete Dredge served up in The Spectator.

Cartoon by © Pete Songi

A fabulous homage to Hogarth’s ‘Gin Lane’ by Pete Songi culled from Martin Rowson’s twittersphere #Draw2020challenge.

Cartoon by © Dave Brown

Talk about Johnson being out of his depth with everything from PPE, Cumming’s eye tests, track and disgrace etc etc etc, You feel Boris just hasn’t got it….well he did get it, but you know what I mean. This from The Independent by Dave Brown really sums up Boris’ year.

Cartoon by © Roger Penwill

Roger Penwill takes to the road for ‘Roadway’ (the magazine from the Road Haulage Association). It’s about the Kent lorry parks post Brexit, but became even more relevant with the closed border before Christmas.

Cartoon by © Wilbur Dawbarn

This BBC balanced offering from Wilbur plucked from The Spectator…

Cartoon by © Zoom Rockmann

…and more Christmas fun. This taking the Santa knee from Zoom Rockman in the Private Eye Christmas special..

Cartoon by © Chris Burke

Let’s end the year with this lovely festive offering from Chris Burke, it’s what we all wanted in our stockings this year.

So a Happy? New Year from all at PCO megacorp.

Now, I wonder what fresh horrors 2021 will have in store?

Cartoon by © Martin Rowson for The Mirror Kevin Maguire column.

 

Draw The Coronavirus – The eBook!

December 17, 2020 in Comment, Events, General, News

The ‘Great’ Glenn Marshall (WINNER of Draw The Coronavirus competition) writes:

Many cartoonists, illustrators, artists and fly-by-nights have been taking refuge from the cruel world by joining in Martin Rowson’s regular cartoon challenges. He sets a subject and we all vent spleen (most of us were in lock down and online twiddling our thumbs-up emojis anyway so it gave us something to fill time between Joe Wicks and hitting the cooking sherry)

Cartoon by © Steve Bell

At the end of April, the Museums Association and the BBC launched ‘Museums From Home Day’. Martin, in collaboration with The Cartoon Museum, set the challenge of #DrawTheCoronavirus. The Musuem has now launched a fabulous ebook of the entries, featuring around 200 cartoons by 71 different artistes including Ralph Steadman, Glenn Marshall, Steve Bell, Ben Jennings, Glenn Marshall, Nick Newman, Jeremy Banx, Glenn Marshall, Steve Bright, Zoom Rockman, Grizelda, oh and Glenn Marshall.

Cartoon by © Rob Murray

ALL proceeds from the book are going towards the Cartoon Museum’s fundraising appeal to secure their long-term future after a difficult year with the pandemic. The eBook will be available to buy for a modest £10 from their online store,

Cartoon by © Grizelda

Here are couple of quotes from the press release:

Joe Sullivan, Cartoon Museum Director:

“It has been fantastic to see the creativity and humour of these artists in the face of coronavirus, reflecting issues everyone has been struggling with through lockdown, and using it as fuel to make us laugh. It is a pleasure to work with them all and share their amazing, work with everyone in this e-book. All proceeds from sales of the e-book go directly to helping the museum to secure our future, and we are very thankful to all the artists involved for donating their work to the e-book. Thank you too all our supporters for helping us to survive through the pandemic, and we hope this book brings you as much fun reading it as we had making it!”

Martin Rowson:

“Faced with an invisible enemy, a question should be nagging away at the back of each of our minds: what’s this virusy bastard LOOK like? And, as it’s our job to reimagine our leaders the better to enable us to laugh at them, who’s more qualified to define Corona in all its Pandemic Covidness than cartoonists? Forget electron microscopes – here you’ll find the truest & most accurate depictions of our Common Foe!”

.….and another quote from Martin Rowson:

“Challenge won by the Great @marshallcartoon

Here’s Martin talking about ‘Draw The Coronavirus’ on BBC Radio 4 Today programme back in April:

 

Cartoon by © Steve Bright

Cartoon by © Nick Newman

For anyone wanting to join in with Mr Rowson’s caricature challenges they’re frequently set on his twitter feed @MartinRowson

Cartoon by © Zoom Rockman

By the way, did I mention who won it?

 

Cartoons For Change child labour initiative

December 10, 2020 in Comment, General

Fernando Morales-de la Cruz of Cartoons For Change writes:

On the 72nd anniversary of the Universal Declaration of Human Rights

Cartoons for Change denounces violation of the human rights of 300 million child workers

The Cartoons for Change initiative brings together hundreds of cartoonists, illustrators and artists from all continents committed to the eradication of child labor and the strictest respect of human rights. 2021 is the International Year for the Elimination of Child Labor.

The truth about Fairtrade & Ben and Jerry´s by Chavo del Toro from Mexico

Berlin, Germany – December 10, 2020. On the seventy-second anniversary of the Universal Declaration of Human Rights, the Guatemalan journalist and activist, Fernando Morales-de la Cruz, founder and editor-in-chief of Cartoons for Change, denounces the continuing violation of the human rights of almost 300 million children. That is the number of boys and girls around the world who still today have to work in order to survive, deprived of the basic rights and freedoms supposedly guaranteed by the Declaration and numerous laws and treaties that followed it.

Although developed nations are bound by international and national laws to respect human rights and the rights of children, the European Union is today the largest financial beneficiary of child labor and misery in the rural communities that produce coffee, cocoa and many other agricultural products.

Fernando Morales-de la Cruz in front of the Euro sign in Frankfurt, Germany. Photo by Ferhat Bouda/AgenceVU

Switzerland claims to be an exemplary democracy, but Swiss-registered companies have more children in their supply chain of coffee, tea and cocoa than there are boys and girls studying in Swiss schools. Around the world, there are more than four million children working in the Swiss supply chain. This belies the assurances from Professor Klaus Schwab, founder of the World Economic Forum and main promoter of the Swiss business model, that his organization, the most powerful business lobby in the world, is “Committed to Improving the State of the World”.

Industrialized countries such as the United States, Canada, Japan and South Korea also profit by acquiring products and raw materials that exploit tens of millions of poor children. All of this happens despite the fact that all States have officially committed to respecting human rights and supporting Sustainable Development Goals. Even Norway, which claims to respect the human rights of all, has a huge sovereign pension fund which still invests in companies that profit from the sweat of hundreds of thousands of children.

Cartoon by © Glenn Marshall

The Republic of Germany benefits fiscally by charging very high taxes on products harvested with child labor and modern slavery. Germany collects a tax of € 2.19 for each kg of roasted coffee and € 4.79 for each kg of instant coffee. The German coffee tax is equivalent to almost 100% of what the globally-powerful German coffee industry pays to the increasingly poor coffee growers in Latin America, Africa and Asia. In 2019 the coffee industry paid up to 75% less than the inflation-adjusted price established in the 1983 International Coffee Agreement. Germany has collected more than 54,000 million euros in coffee tax since 1950, while the coffee regions that supply Germany suffer the increase of misery, hunger, malnutrition, child labor and forced migration for economic reasons. In contrast to the German coffee tax, in most of the coffee regions that supply the German coffee industry there is an almost total lack of schools, hospitals, nurseries, decent housing, living wages, pensions or social security.

“It is urgent to stop the exploitation of hundreds of millions of defenseless girls and boys. All industries, corporations and countries that profit from child labor must stop it even if it helps them generate billions of dollars yearly in additional profits and taxes. Today, December 10, 72 years after the Universal Declaration of Human Rights and 31 years after the ratification of the Convention on the Rights of the Child, there are still too many industries, such as chocolate, coffee, mining, clothing and many others in which child labor continues to increase, because it is highly profitable for multinationals and developed nations, ”says  Morales-de la Cruz, Founder and Editor-in-Chief of Cartoons for Change.

To denounce this cruel reality and defend 300 million child workers, Cartoons for Change has successfully convened cartoonists, illustrators, artists, teachers and students from across the world to participate in the global protest #365DaysAgainstChildLabor and in the event #BerlinWall2021.

Concept of Cartoons for Change protest at #BerlinWall2021

“Our unique worldwide protest and exhibitions will also use the Berlin Wall, a symbol of freedom in Germany’s capital, and other walls in other continents. Our objective is to pressure governments and multinationals to take urgent and concrete actions to stop the cruel, illegal but highly lucrative business models based on child labor and slavery” says Morales-de la Cruz.

Cartoons and illustrations should be sent to the email cartoons@itima.org with the highest possible resolution for printing, as some of them will be printed to be placed on the Berlin wall in sizes up to 1.6 by 2.40 meters. The Cartoons for Change are also being published in the press and shared on the Twitter and Instagram accounts @cartoons4change and @BerlinWall2021 and via Facebook @Cartoons4ChangeNow.

Cartoon by © Steve Jones

If you want more information about Cartoons for Change or would like to know how you can contribute to eradicate child labor and abolish slavery, please contact Cartoons for Change through any of the social networks, by email at info@cartoonsforchange.org or through the page www.cartoonsforchange.org

Cancer Sells

December 9, 2020 in Comment, General

Tat Effby writes:

Cancer isn’t funny. I wouldn’t dream of making jokes about it. Or so I thought until I got it, after which point I’m afraid it was open season.

I’ve written about my experience of breast cancer in a graphic short story called Cancer Sells. It was my entry for the Jonathan Cape / Observer graphic short story competition and I’m pleased to share it here. I wasn’t a cartoonist when I was going through treatment but I was a writer, so all the appalling, demeaning, disgusting and absurd incidents got squirrelled away where they percolated for a long time. It’s now 10 years since my brush with cancer, although it was less of a brush and more like being beaten about the body with a broom.

I actually have quite a lot to thank cancer for; first it didn’t kill me, second it led, in a round about way, to me becoming a cartoonist. It was one of those crossroads moments (not a Crossroads moment – that involves a lot more wobbly scenery) where the simple act of not-dying made me consider a change of direction. So I left my job as an advertising creative and eventually evolved into a cartoonist, and let me tell you I’m glad I did: I’ve never had so much sex or money.

This story won’t be to everyone’s taste, cancer is an awful disease and I couldn’t countenance making jokes about someone else’s experience, but this was mine, so here it is.

All artwork and story © Tat Effby

You can support and get more information on breast cancer here:

Breast Cancer UK

Pink Ribbon Foundation 

Cancer Research UK