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Herne Bay Cartoon Festival 2019 – Bumper bonus photo album!

August 9, 2019 in Events, General, News

The traditional festival team photo at the start of the day.

Last Sunday saw the annual live drawing event on the Herne Bay pier as part of the Cartoon Festival which this year was themed around the anniversary of the Apollo 11 moon landing. Our chief PCO paparazzo Kasia Kowalska was dispatched to record that one small step for cartooning kind.

We open with some seaside postcard humour as The Independent’s Dave Brown displays his Boris (ooh err missus)

An effigy of him would be set upon by angry crowds later in the afternoon (Boris, NOT Dave Brown)

Cheeky painting by Martin Rowson.

Christopher Burke resurfaces the moon.

Kathryn Lamb’s big board lift off.

Sarah Boyce embarks on her premier Herne Bay space mission.

James Mellor, another big board debutant, tackles Earthexit.

Guy Venables also dipped his toenails into the Herne Bay Cartoon Festival for the first time.

Festival veteran – but still VERY young – Zoom Rockman drawing Skanky Seagulls.

My only criticism of the festival this year was that some of the boards had HUGE holes in them! I’m impressed by the way Des Buckley got round this by incorporating them into his drawing.

Royston Robertson showing that two heads are better than one in solving a nation divided (Photo trickery by Royston)

Nathan Ariss and Sarah Mann on the moon selfie. Ideally there should’ve been another hole for people to put their camera arms through.

Tim Harries questions the theory of spatial dimensions and relativistic physics.

The Surreal McCoy cunningly saves the moon theme for the final frame..

The FT pocket cartoonist Jeremy Banx doing a VERY large pocket.

PCO Treasurer Amy Amani and our Chair-moon (gerrit?) Clive Goddard proving their business acumen – get your board done and flog stuff.

Steve Way was quick off the launch pad in an attempt to be ready for kick off in the Charity Shield cup final.

Pete Dredge and Alex Hughes filling in their festival expenses forms while pretending to do some caricaturing.

Andrew ‘Dancing’ Shoes’ Birch, about to launch.

The man couldn’t stop dancing. Here he is on set at the fake moon landing location shoot pictured with dance partner local artist Gill Wilson.

Cecil B DeMarshall directing his movie epic (you can tell I haven’t got much real work on at the moment) aided by clapper board intern Ace Rockman and in the background festival organiser and soundtrack penny whistle foley artist Sue Austen.

Martin Rowson summoning the gulls to eat chips out of his balloon filled Boris…the lack of takers proving the seagulls of Herne Bay have their limits.

In scenes resembling Zombie Apocalypse members of the public then set about tearing apart the defenceless Mr Johnson!

In cahoots with festival honcho Steve ‘The Dry Iceman Cometh’ Coombs, Rowson then tried to entice the gulls into eating his Dominic Cummings saveloy.

Cummings was eventually devoured by festival regular Teddy the dog.

The customary end of day cartoonists carousel ride. Dredge, Rockman & Banx (sounds like a local accountancy firm)

Chris Burke, Dave Brown, Alex Hughes and Royston Robertson on their mounts.

That man Birch again plus Steve Coombs and Nathan Ariss in traditional cartoonists stetsons.

An out take from the earlier group shot where we tried to get Señor Birch to stand still for a second.

…not easy.

All photos by and copyright of Kasia Kowalska unless otherwise stated.

 

 

What’s your favourite cartoon book?

March 2, 2019 in Comment, General

We’ve been talking in the inner sanctums of the PCO forum about favourite books on cartoons/cartoonists. Here I share some of our choices:

Steve Jones (Jonesy)

I could easily have gone with Sempe, Stauber or Ungerer – Steadman, in particular, was a really close call – but Matt Jones’ mighty labour of love blew me away. Ronald Searle should be worshipped as a god.

 Pete Dredge

Apologies for blatant trumpet blowing and self promotion. It was a long time ago (1982). It won’t happen again. When my cartoon career first took off in 1976 I had quite a purple patch (now a long distant memory!) where everything I touched seemed to turn to gold (plate)! Today I’m scratching around (does the Weekly News still take gags??) but I can look back at those early successes with a nostalgic eye and be somewhat grateful that there was a thriving market where a half decent cartoonist could get his/her foot on the ladder.

To be included in that list of Hitler’s favourite (mainly US) cartoonists still gives me a thrill. Whatever happened to those other guys?

Here’s a sample page from that tome:

Rupert Besley

No question which for me. It’s the book I grew up with and where I first discovered the joy of cartoons. Four books actually (Down With Skool!, How to be Topp, Whizz for Atomms & Back in the Jug Agane). My father was a headteacher and a new volume arrived each Christmas, to be fought over by the rest of the family for the rest of the year. The cover below is from a later omnibus edition.

The Willans/Searle collaboration was that rare thing in books, a perfect meeting of brilliant minds, with text and illustrations equally superb, each enhancing the other. And just as funny 60 years on.

Wilbur Dawbarn

A Searle book was the first thing to come to my mind, too. We could probably do a blog post purely on Searle books!

To throw in something different, then, here’s a collection of the also brilliant but considerably underrated Rowland Emett. What I love about Emett is the way he caricatured not just people, but trains and other vehicles, buildings, trees… everything! An absolute master of composition and chaos. Richard Ingrams once told me he didn’t like Emett’s stuff, it was ‘too spidery’, I think he said. The utter heathen.

Cathy Simpson

The Complete Molesworth is a strong contender, but perhaps ‘Bert Fegg’s Nasty Book for Boys & Girls’ does it for me. A friend gave me a copy of it when I was 16, and it was the first time I’d come across the work of the sorely-missed Martin Honeysett.

Roger Penwill

Russell Brockbank was a very early influence. He had a cartoon in the back of the weekly The Motor in the 50’s and 60’s. I read that mag every week as I was keen on cars (Dad worked for Ford’s) and loved the weekly dose of Brockbank humour. Over The Line is a typical collection, published in 1955.

Matthew Buck

Always enjoyed Philip Thompson and Mel Calman’s work together over many years.

Guy Venables

This was bought for me on Christmas 1981 and the foreword is by Tom Wolfe. It is a definitive collection of the finest satirical cartoonists from all over the world covering from the 60s to the 80s. Bletchman, Booth, Descloozeaux, Feiffer, Francois, Flora, Gorey, Koren, Bill Lee, Le-Tin, Levine, Mihaesco, Myers, Osbourn, Rauch, Roth, Searle, Steadman, Sempe, Sorel, Ungerer and Wilson. The young cartoonists brain couldn’t want a better introduction to satirical cartooning than this book which explained to me the sheer width of styles and scale of ambition ideas and narratives could have. If you haven’t got it, you should get it. Without it I probably wouldn’t have become a cartoonist.

Glenn Marshall

I could quite easily have plumped for the wonderful ‘Ronald Searle’s America’ book already chosen by Jonesy but instead I’ll pick this one on Timothy Birdsall (who Searle was a fan of) given to me by a friend. Shamefully I didn’t know his work at all, which appeared in Private Eye, The Spectator and The Sunday Times. He was more widely known for his regular appearances drawing live on the BBC show ‘That Was The Week That Was’. Here he is explaining how political cartoons are made.

I love his smudgy and yet detailed style. Sadly he died tragically young aged just 27 in 1963.

There should be a few suggestions here to send you scurrying to eBay but what are your favourites? Let us know in the comments section below.

PCO Cartoon Review of 2017

January 1, 2018 in Comment, General, News

 

Everyone else is doing it so we thought we’d have our own look back at the year…with cartoons by PCO members. The Big Issue drawing above by Andrew Birch manages to fit the whole year into just one cartoon!

© Ralph Steadman

We started the year with Trump’s bigly attended inauguration. Trump was undoubtedly (Mad) Man of the Year although he was closely followed by Kim Jong-Range Missile. This flattering portrait of Trump is by the inimitable Ralph Steadman.

© Steve Bell

At the beginning of the year Theresa May visited Washington to hold hands with The Donald. This cartoon from Steve Bell on the ‘special relationship’. You can see more of Steve Bell’s favourite cartoons of the year on the Guardian website.

© Wilbur Dawbarn

June saw Mrs M making another bad decision in calling a snap election. Who’d of thunk this would turn Jeremy Corbyn into a headline act at Glastonbury! This on the election race by Private Eye regular Wilbur Dawbarn.

© Andy Davey

The election didn’t go too well for Theresa. Here’s Andy Davey on the costly deal she was forced to do with the DUP (from The Indy). Unsurprisingly the figures weren’t heralded on the side of a bus.

© Jeremy Banx

Russian cyber interference in overseas elections has been a big story in 2017. This cartoon by FT cartoonist Banx. (although this could easily be a drawing of The Daily Mail newsroom)

© Martin Rowson

In June we had the terrible fire at Grenfell Tower. This is Martin Rowson’s response in The Guardian on the Government hiding from responsibilities.

© Zoom Rockman

…another illustration on Grenville Tower by prodigious talent Zoom Rockman taken from Private Eye. ‘Things That Wouldn’t Happen’. Would the House of Parliament use cheap cladding for the renovation work?

© Ros Asquith

The NHS is still desperately underfunded. This was a very funny cartoon by Ros Asquith after doctors warned in July about Government plans for ‘brutal’ NHS cuts.

© Dave Brown

October started with the awful mass shooting in Las Vegas – one of many atrocities in 2017. This was Dave Brown’s reaction in the Independent.

© Sarah Boyce

In a year where it seems every male in a position of power is a sexual predator an excellent cartoon from Sarah Boyce in Private Eye

© Will McPhail

Workplace equality has also been an issue throughout the year. This perfectly summed up in a Private Eye cartoon by New Yorker regular Will McPhail.

© Steve Bright

We couldn’t review the whole year without mentioning B****t. Here’s a fine summing up of how negotiations are going by Brighty in The Sun.

© Royston Robertson

…we have though restricted ourselves to just two on the ‘B’ word. This corker by Royston published in Private Eye.

© Matthew Buck

Ok, that was an ‘alternative truth’ we now have three ‘B’ word cartoons, this from Matthew Buck for Tribune.

© Guy Venables

…and on the same subject word(s) of the year was ‘Fake News’. This take on it from Guy Venables in the Private Eye 2017 Annual.

© Steve Jones

Trump has recently been denying global warming again because the East Coast has had a bit of a heavy cold spell. Here’s a strip on Trump’s view on climate change by Jonesy (from Resurgence & Ecologist magazine)

© Mike Turner

Finally, on a rather apocalyptic note to end the year, this is from Mike Turner in The Spectator.

Happy New Year from the PCO…although I suspect 2018 will be another year of global calamity and abject misery – at least we’ll have plenty to draw cartoons about. 

Merry cartoony Christmas!

December 22, 2014 in Events, General

Procartoonists.org wishes you a merry Christmas and a very happy new year with this selection of festive cartoons from our members.

Have a great one, folks!

 

dredge_xmas

© Pete Dredge

jonesy_xmas© Jonesy

royston_xmas_2014© Royston

surreal_xmas© The Surreal McCoy

besley_xmas

© Rupert Besley

ariss_xmas© Nathan Ariss

whittock_xmas© Colin Whittock

aaron_xmas© Huw Aaron

hack_xmas

© Matthew Buck

brighty_xmas© Brighty

guy_xmas© Guy Venables

noelford_xmas© Noel Ford

ger_xmas© Gerard Whyman

anderson_xmas

© Terry Anderson

penwill_xmas© Roger Penwill

stott_xmas© Bill Stott

Check out all the PCO cartoonists in the portfolios here.

Battle fought, then sandwiches

November 24, 2014 in Events, General, News

Andy Davey works on the Procartoonists team banner

Andy Davey works on the Procartoonists team banner

Andy Davey gives his post-match analysis, as Procartoonists team captain, on the Battle of the Cartoonists 2014 Photos by Kasia Kowalska

It was great to take part in the Battle of the Cartoonists at Trinity Buoy Wharf in one of the less glamorous quarters of London’s fashionable Docklands. We cartoonists are not used to glamour, so it was perhaps fitting that a bunch of grubby satirists should be let loose in an old oil and hemp store on a wharf overlooking the Dome.

We, the PCO team, had done some vague pre-planning but left enough room for the spontaneity and creativity of the el Galacticos in our team – Jeremy Banx, Guy Venables and ex-Punch and Readers Digest cartoon editor Steve Way.

The Procartoonists team of Andy Davey, Jeremy Banx, Steve Way and Guy Venables

The Procartoonists team of Andy Davey, Jeremy Banx, Steve Way and Guy Venables at work. Note PCO banner from the 2008 St Pancras Battle in the background.

The work was good all round this year,  the quality of banner artwork was excellent and all kept on-theme (Recording Britain Now). The Independent deservedly won with a cohesively themed banner showing the map of the UK boasting “Here Be Monsters”. The draughtsmanship was superb, led by the inestimable pen of Dave Brown, with Peter Schrank, Dave Simonds and Matt Buck.

The Independent's winning banner

The Independent’s winning banner. Click to enlarge

Dave Brown, Matt Buck and Dave Simonds celebrate Grand Prix-style

Dave Brown, Matt Buck and Dave Simonds celebrate Grand Prix-style

Other teams present were The Guardian (Steve Bell, Ros Asquith and Kipper WIlliams) and Private Eye (Simon Pearsall, Henry Davies, Kathryn Lamb and David Ziggy Greene). The Eye, those perennial winners of the popular clap-o-meter vote, didn’t win this year but had a banner that could easily have done so – a delight of wit, simplicity and minimalism, including several excellent gags.

Detail of Henry Davies cartoons from the Private Eye banner

Detail of Henry Davies cartoons from the Private Eye banner

Kipper Williams and detail from the Guardian banner

Kipper Williams and detail from the Guardian banner. Click to enlarge

Of course, it pains me to say all this as captain of the Procartoonists.org team. I have, of course, offered, in the manner of honour down the centuries, to take the pistol and whisky option, or a more public display of seppuku with a blunt nib.

It’s quite a challenge to get the whole thing planned, drawn and coloured within the two-hour limit, so seeing the banners finished is always a treat. And it’s even more of a treat to get a free bacon sandwich and beer afterwards. Phew, largesse unknown to the likes of us scribblers.

The banners are to be sold off, apparently, so if you want a 4m x 1m work of spontaneous art to decorate your stately home, contact the Campaign For Drawing.

For sale: the finished PCO banner is held aloft

For sale: the finished PCO banner is held aloft

The Round-up

May 4, 2013 in Events, General, Links, News

 

Frank Sidebottom holds a copy of Oink! @Procartoonists.org

A new documentary is being planned about anarchic TV icon Frank Sidebottom (aka Chris Sievey). In the guise of Frank, Sievey contributed strips to Oink! in the late 1980s. Director Steve Sullivan says the film “will cover Chris and Frank’s whole career, including focusing on his work as a comic creator and illustrator.” Sullivan has turned to crowd-funding to kick-start the project, and raised over £11,000 from Frank fans in his first day of fundraising. Read more about the project here.

The documentary is not to be confused with this fictionalised take on the Sidebottom legend, which will star Michael Fassbender.

Procartoonists.org member Ralph Steadman was sadly too unwell to attend the private view of his Steadman @ 77 retrospective at the Cartoon Museum in London this week. But the exhibition has already been receiving good press, including this piece from the Camden New Journal. The paper also reports on the theft of a Steadman original from a nearby pub following the private view.

Bloomberg Businessweek looks at the new British legislation that may change the way images are used on the internet, particularly when it comes to orphan works. Every cartoonist – or user of online materials – should brush up on this. For more on copyright law, and advice on how to protect your work online, look back at our previous posts on the subject here and here.

The Brighton Festival begins this weekend, and Harry Venning isn’t the only cartoonist opening up his studio to the public. PCOer Guy Venables and Private Eye/Independent cartoonist Grizelda will also be inviting visitors into their workspaces. Find out more about the festival here. The Spectator also has coverage of the Artists Open Houses.

For those who like lists, Buzzfeed has produced this handy run-down of historic cartoons that changed the world.

And finally, some encouraging signs from the next generation: Dutch teenagers have been clamouring for political cartoons in 7Days, a weekly newspaper for young people in the Netherlands. The editorial team have listened, and topical cartoons are now appearing courtesy of Cartoon Movement.