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Book Marks exhibition

June 5, 2019 in Events, General, News

Poster cartoons by © Sarah Boyce, The Surreal McCoy & Noel Ford.

Clive Goddard writes:

An exhibition of cartoons on the theme of books, literature and libraries drawn by the UK’s finest and funniest cartoonists. Appropriately enough the show will be taking place at Westminster Reference Library from June 3rd to 22nd and is free to enter.

The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale. For a list of exhibitors & price list for the works please email:

info@procartoonists.org

Cartoon by © Chris Madden.

Cartoon by © Jeremy Banx.

During the exhibition, on Saturday 15th June 2-4 pm, there will be a free drawing workshop run by cartoonist Zoom Rockman, creator of the Zoom comic and the Beano’s Skanky Pigeon strip as well as work in Private Eye magazine. This event is free and suitable for all ages but spaces are limited so booking is highly recommended via the Westminster Libraries website.

Cartoon by The Independent’s © Dave Brown

Cartoon by © Richard Jolley.

Westminster Reference Library can be found at: 35 St. Martin’s Street, London WC2H 7HP.D

Cartoon by The Guardian cartoonist © Martin Rowson

Private Eye cartoon by © Glenn Marshall

 

 

Shrewsbury International Cartoon Festival 2019 preview

April 13, 2019 in Comment, Events, General

It’s only two weeks until Shrewsbury International Cartoons Festival. This years theme is ‘Animals’ and has a very full programme. This year all the speakers happen to be Procartoonists members.

 

Friday 26th, 7.30pm

Fist up on the Friday night The Guardian’s Steve Bell will share his lifelong close-up study of ‘Political Animals’, from Tarzan Hesletine to Leopard May on Friday 26th April. Tickets are £10 and can be booked online via this link. A donation will be made from the event to Guide Dogs UK.

Saturday 27th April, 10.30am

On Saturday Beano and Private Eye regular Zoom Rockman will be hosting a strip cartoon workshop. Zoom first started drawing his strip ‘Skanky Pigeon’ for the Beano when when he was just 12 years old!

Saturday 27th April, 11.00am

An exploration of the world of cartooning with ‘Fintan Fedora’ author, cartoonist and PCO Chair-human Clive Goddard.

Saturday 27th April, 1.30pm

After his earlier session Clive will be back again with more Fintan fun at new venue.

Saturday 27th April, 11.00am

The Surreal McCoy presents a preview of her audio-visual graphic memoir based on her Iraqi-Jewish family’s memories of their lost homeland.
The Wolf of Baghdad explores themes of displacement, refugees, identity and belonging.
After presenting an excerpt of the work, Carol will give an illustrated talk on the making of it and take questions from the audience in a Q and A.
Tickets can be booked online via this link.

Saturday 27th April, 12.00pm

An animal cartoon masterclass with Radio Times caricaturist Jonathan Cusick. Jonathan is also one of the festival organisers. You’ll be drawing using exhibits from the gallery, as Jonathan says ‘The great thing is the animals will not be moving’.

Team Goddard creating a big board at last years festival. 

On Saturday a menagerie of cartoonists will be be going animalistic drawing on big boards and caricaturing in the town square.

Throughout the weekend various exhibitions will be running including ‘Drawn To Be Wild’ at The Bear Steps Gallery and ‘The Lizards of Oz and Other Creatures’ an exhibition animal related cartoons by Australian cartoonist. More details on the festival website.

What’s your favourite cartoon book?

March 2, 2019 in Comment, General

We’ve been talking in the inner sanctums of the PCO forum about favourite books on cartoons/cartoonists. Here I share some of our choices:

Steve Jones (Jonesy)

I could easily have gone with Sempe, Stauber or Ungerer – Steadman, in particular, was a really close call – but Matt Jones’ mighty labour of love blew me away. Ronald Searle should be worshipped as a god.

 Pete Dredge

Apologies for blatant trumpet blowing and self promotion. It was a long time ago (1982). It won’t happen again. When my cartoon career first took off in 1976 I had quite a purple patch (now a long distant memory!) where everything I touched seemed to turn to gold (plate)! Today I’m scratching around (does the Weekly News still take gags??) but I can look back at those early successes with a nostalgic eye and be somewhat grateful that there was a thriving market where a half decent cartoonist could get his/her foot on the ladder.

To be included in that list of Hitler’s favourite (mainly US) cartoonists still gives me a thrill. Whatever happened to those other guys?

Here’s a sample page from that tome:

Rupert Besley

No question which for me. It’s the book I grew up with and where I first discovered the joy of cartoons. Four books actually (Down With Skool!, How to be Topp, Whizz for Atomms & Back in the Jug Agane). My father was a headteacher and a new volume arrived each Christmas, to be fought over by the rest of the family for the rest of the year. The cover below is from a later omnibus edition.

The Willans/Searle collaboration was that rare thing in books, a perfect meeting of brilliant minds, with text and illustrations equally superb, each enhancing the other. And just as funny 60 years on.

Wilbur Dawbarn

A Searle book was the first thing to come to my mind, too. We could probably do a blog post purely on Searle books!

To throw in something different, then, here’s a collection of the also brilliant but considerably underrated Rowland Emett. What I love about Emett is the way he caricatured not just people, but trains and other vehicles, buildings, trees… everything! An absolute master of composition and chaos. Richard Ingrams once told me he didn’t like Emett’s stuff, it was ‘too spidery’, I think he said. The utter heathen.

Cathy Simpson

The Complete Molesworth is a strong contender, but perhaps ‘Bert Fegg’s Nasty Book for Boys & Girls’ does it for me. A friend gave me a copy of it when I was 16, and it was the first time I’d come across the work of the sorely-missed Martin Honeysett.

Roger Penwill

Russell Brockbank was a very early influence. He had a cartoon in the back of the weekly The Motor in the 50’s and 60’s. I read that mag every week as I was keen on cars (Dad worked for Ford’s) and loved the weekly dose of Brockbank humour. Over The Line is a typical collection, published in 1955.

Matthew Buck

Always enjoyed Philip Thompson and Mel Calman’s work together over many years.

Guy Venables

This was bought for me on Christmas 1981 and the foreword is by Tom Wolfe. It is a definitive collection of the finest satirical cartoonists from all over the world covering from the 60s to the 80s. Bletchman, Booth, Descloozeaux, Feiffer, Francois, Flora, Gorey, Koren, Bill Lee, Le-Tin, Levine, Mihaesco, Myers, Osbourn, Rauch, Roth, Searle, Steadman, Sempe, Sorel, Ungerer and Wilson. The young cartoonists brain couldn’t want a better introduction to satirical cartooning than this book which explained to me the sheer width of styles and scale of ambition ideas and narratives could have. If you haven’t got it, you should get it. Without it I probably wouldn’t have become a cartoonist.

Glenn Marshall

I could quite easily have plumped for the wonderful ‘Ronald Searle’s America’ book already chosen by Jonesy but instead I’ll pick this one on Timothy Birdsall (who Searle was a fan of) given to me by a friend. Shamefully I didn’t know his work at all, which appeared in Private Eye, The Spectator and The Sunday Times. He was more widely known for his regular appearances drawing live on the BBC show ‘That Was The Week That Was’. Here he is explaining how political cartoons are made.

I love his smudgy and yet detailed style. Sadly he died tragically young aged just 27 in 1963.

There should be a few suggestions here to send you scurrying to eBay but what are your favourites? Let us know in the comments section below.

Hector Breeze RIP

January 6, 2019 in General

Cartoon from Private Eye – A Cartoon History

Rupert Besley writes:

The sad news of the passing of Hector Breeze not long after celebrating his 90th birthday, has, unsurprisingly, brought in a flood of tributes from fellow cartoonists, all recognising the greatness of the man along with the warmth, charm and wit of his cartoons. Hero, wonderful, great, favourite, brilliant, classic, prolific… are words piling up on the PCO forum from the pens of Pete Dredge, Noel Ford, Roger Penwill, Mike Turner, Neil Dishington, Andrew Birch, Glenn Marshall – and expect more to come as the news spreads.

Hector Breeze

Hector Breeze developed what was surely the perfect cartooning style for the kind of pocket-sized gags he churned out so prolifically and successfully over so many years (since the late 50s). With their robust lines, economy of detail and strong use of solid blacks, HB cartoons were instantly recognisable as his and stood out a mile off as funny. Central to them were his stock characters, ever charming, ever bewildered. Tramps, army chaplains, oddballs, kings. You had to warm to them.

‘Gentle humour’ is a damning phrase, usually coded for ‘not funny’. Hector Breeze cartoons were never savage or angry, but they were funny. Damned funny.

Private Eye cartoon

He sold his first cartoon to Melody Maker in 1957 and over the following five decades and more, Hector Breeze cartoons brought sheer enjoyment to national publications that included Private Eye, Punch, the Evening Standard, the Mirror, Sketch, Guardian and Express. Having begun in a government drawing office, he later worked in advertising. Among his other skills (no surprise from the clarity of his signature) was letter-carving in stone.

A collection of Hector’s work produced by Private Eye in 1973

As with Sprod, it took me some while to discover that Hector Breeze was his real name and not something dreamt up as pen-name (he couldn’t have hit on better if he had tried).

In 2011 the PCO Blog team put together a piece on the Top Ten of Cartoonists’ Favourite Cartoonists. Pete Dredge’s choice was Hector Breeze, illustrated with a perfect gag and summed up exactly right:

‘Out of the mouths of his mundane, benign, chunkily drawn characters comes the sharpest of captions.’

In 1996 Ralph Steadman wrote that Breeze’s “clumsy bewildered characters restore my faith in the seriously daft.”*

Cartoon from the Hector Breeze Private Eye Cartoon Library

From Pick of Punch, 1973

Our thoughts are with Hector’s family.

*Quote and photo courtesy of  The British Cartoon Archive

PCO Cartoon Review of 2018

January 2, 2019 in Comment, General, News

 

Cartoon © Steve Bright

As is tradition, here is our review of the year featuring cartoons by PCO members and when I say tradition I mean we did it for the first time last year.

The Brighty cartoon above was done to introduce last year but is sadly still very true for the end of 2018.

If you can’t bear any more mentions of Brexit or Trump you’re advised to look away now!

Cartoon © Dave Brown

After the terrible Florida school shootings towards the beginning of the year Trump’s well considered proposal was to arm teachers. This was Dave Brown’s response in his ‘Rogue’s Gallery’ drawing for The Independent.

Cartoon © Mike Turner

Salisbury received a tourism boost in March when visited by two Russian holiday makers. Here’s a cartoon of Mike Turner’s on the Novichok nightmare.

Cartoon © Graeme Bandeira

March also saw the relativity sad news of Stephen Hawking’s death. Graeme Bandeira paid cartoon tribute to him in The Yorkshire Post. Our quarks are with Stephen’s family.

Cartoon © Sarah Boyce

In April the Home Office become Rudd-erless after the Windrush scandal erupted. This by Sarah Boyce published in Private Eye.

Cartoon © Nathan Ariss

Nathan Ariss had signalled Amber Rudd’s departure in Private Eye too.

Cartoon © Steve Bell

In June we had the start of the Donald/Kim love-in as they met in Singapore. That moment captured here by Steve Bell in The Guardian.

Cartoon © Martin Rowson

Then in July The Donald asked his administration to invite his other love interest Vlad Putin to the White House. The moment foretold here by Martin Rowson also in The Guardian. Of course the person Trump loves more than anyone else is Trump himself.

Cartoon © Steve Jones

The nation went into shock in July when England actually preformed well AND won a penalty shoot out in the World Cup!!! This was a favourite football tournament themed cartoon by Jonesy (used in Private Eye).

Cartoon © Tat Effby

There’s been much in the news this year about climate change and plastic in the oceans. Here’s a fine cartoon I’ve recycled on the subject by Tat Effby.

Cartoon © The Surreal McCoy

The Surreal McCoy also took to the oceans with this message on #MeToo.

Cartoon © Kipper Williams

In August Theresa May started thinking of life after being PM when she put in a ‘Strictly’ application by throwing some shapes, mostly Isosceles triangles, on her tour to South Africa. This from Kipper Williams in The Spectator.

Cartoon © Jeremy Banx

In September the Dancing Queen announced at the party conference in Birmingham plans for the ‘Festival of Brexit’. This Jeremy Banx cartoon in the Finacial Times became very popular on social media.

Cartoon © Royston Robertson

On the subject of Brexit, and it’s very difficult to get OFF the subject of Brexit, here’s a fine cartoon by Royston Robertson from The New European.

Cartoon © Andy Davey

…and there’s more. Andy Davey’s finely woven tapestry on the Brexit battle within the Conservative party. (Daily Telegpah)

Cartoon © Rob Murray

This Rob Murray Private Eye cartoon perfectly sums up our nation divided.

Cartoon © Wilbur Dawbarn

It’s not only the UK that’s been in turmoil, across in France they’ve had gilets jaunes fever. This Gauling cartoon by Wilbur Dawbarn.

As the year ended Trump closes down the US government to try and force through funding for his election promise to ‘Build A Hamster Wheel’. This just in from our correspondent Clive Goddard.

Illustration © Rebecca Hendin

This illustration by Rebecca Hendin has NOTHING to do with the year (it was drawn for the BBC Culture series ‘Stories That Shaped The World’) but I think it sums up 2018 perfectly…a sort of contemporary Edvard Munchian existential scream.

Cartoon © Brian Adcock

…and in The Guardian new PCO member Brian Adcock digs out his crystal ball to predict what might happen in 2019…yep, more of the same.

Happy? New Year from the PCO

 

Portrait of the Not The National Portrait Gallery exhibition

October 3, 2018 in Events, General

Photo © Glenn Marshall

Clive Goddard writes:

I’m not sure how you measure these things in any meaningful way but I’m going to confidently declare that the PCO’s #NotTheNPG caricature exhibition at Charing Cross library was a complete triumph. For a start, the location was excellent, being in an area of central London visited by art loving tourists and now, thanks to the collective funds and effort of the  membership, kitted out as a proper gallery space with hanging facilities and frames which we can use again.

Poster featuring caricatures by Wilbur Dawbarn, Jonesy, Andy Davey and Simon Ellinas.

We could, I suppose, measure the show’s success in terms of the members’ response to the call for submissions. 47 different people had their work shown which added up to around 130 pieces on the walls (and tables and floor), whittled down in a painfully difficult process from over 300 submissions.


Photo © Jeremy Banx


How else to measure it? Well, people turned up. Not in their thousands, of course because it was a cartoon exhibition not a recording of the X Factor, but in sufficient numbers to make it worth doing and to stop the invigilators from sloping off to the pub. We were plugged in both Private Eye and The Evening Standard which certainly helped raise the show’s profile. And those that visited the show really liked it. The comments book was full of very complimentary things and there were plenty of encouraging words exhanged, too. It was also great to hear a lot of audible laughter coming from the visitors which made a pleasant change in the normally po-faced environment of an art gallery. Tate Modern really frowns upon people chuckling at their exhibits as I once discovered to my cost at a Turner Prize show.

Preview piece in The Evening Standard.

Better still, we sold stuff. Prints and originals on the walls quickly attracted those lovely little red dots which translated into total sales of nearly £3,000. This included a couple of hundred which the invigilators earned by selling more of their own work out of a grubby suitcase beneath the table.

Jeremy Banx, Christopher Burke and Steve Way at the Private View. Photo © Mika Schick.

The events were a great success too. The private view was well attended by many cartoonists, art editors and collectors most of whom behaved impeccably and didn’t get too drunk. Unfortunately Damian Hirst, Jeremy Corbyn, Boris Johnson and the other caricature victims on display, though cordially invited, were unable to attend due to some pathetic reason or other. I don’t know – they didn’t RSVP. 

Helen Pointer workshop. Photo © The Surreal McCoy

Helen Pointer’s caricaturing workshop went down a storm, attracting a full table of happy punters eager to learn and to try their hand/s at the dark art.

The panel discussion. 

The panel discussion featuring PCO heavyweights* Martin Rowson, Andy Davey, Rebecca Hendin, John Roberts and Chris Burke was a sell out**. Different perspectives on working practices and processes were shared and there was a dialogue between people working in slightly differing, yet overlapping, adjacent fields, ie: portraiture through a lens that included everything from event caricature to political cartooning to illustration gave a welcome broad perspective. And, again, most people behaved very well throughout.

The clash of the hairdos. Photo © Glenn Marshall

So now that it’s all over and Uncle Glenn has de-framed everyone’s work and is trying to find the SAEs they came with, we start thinking about the next one. Today Charing Cross, tomorrow the world!

Major thanks to everyone concerned.

Clive Goddard

PCO Chair-human

* In terms of talent not body mass index.
** In terms of numbers not principles.

NOT the National Portrait Gallery

August 21, 2018 in Events, General, News

Poster cartoon by kind permission of © Richard Jolley/ Private Eye magazine.

PCO Chair human Clive Goddard writes:

“No, its ‘Not the National Portrait Gallery’ but it is right on its doorstep in a brand new gallery space at Charing Cross Library. It is an exhibition full of irreverent, funny and, in some cases, downright disrespectful caricatures and cartoons, all poking fun at the singularly human business of having a likeness made.

The show features work by just under 50 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press, whose signed originals and prints will be on sale”

‘The exhibition is on from 10th-23rd September, details of location and opening times here. During the run we have two associated events:

Martin Rowson with hands on a naked Boris. Photo © Zoom Rockman

Panel Talk

Monday 17th September 6-8pm

Discussion hosted by The Guardian cartoonist and author Martin Rowson with Chris Burke (The Times), Andy Davey (The Sun, Evening Standard, The Telegraph), Rebecca Hendin (BBC, Buzzfeed and more) and John Roberts (live event caricaturist) who all work across different fields as cartoonists, caricaturists and illustrators.

Angela Merkel by © Chris Burke

Samuel Beckett by © Andy Davey

Theresa May by © Rebecca Hendin

Amy Winehouse by © John Roberts

The talk is free but we recommend you book one of the limited places on the Westminster Libraries website.

 

Helen Pointer with presenter and comedian Sue Perkins. Photo © Helen Pointer

Caricature Workshop

Sunday 16th September 2-4pm

An ‘Introduction to Caricature’ with Helen Pointer. Helen is a highly experienced and much in-demand caricaturist.

This is suitable for all ages.

Again the event is free but you should book one of the limited spaces via the Westminster Libraries website.

 

with apologies to the real National Portrait GalleryWhy not combine a visit to both!

Cartoonists in Conversation

April 30, 2018 in Events, General

Jonathan Cusick writes:

A Friday evening talk has traditionally opened the public programme of the Shrewsbury cartoon festival. This year ‘Cartoonists in Conversation’ aimed to give the public an insight into the lives of cartoonists, whose work they would probably be familiar with but know little about the people behind them.

The number of cartoonists gathering in the town (this year there were 30) meant we had a stellar line-up to choose from. Jeremy Banx (Financial Times, Wall Street Journal, Private Eye) resplendent in his beret, The Surreal McCoy (The Spectator, Reader’s Digest, The Sunday Times), Royston Robertson (Private Eye, Reader’s Digest, The Spectator) and Wilbur Dawbarn (The Beano, Private Eye, The Spectator) were joined by Ken Krimstein (New Yorker, Harvard Business Review) who was over from Chicago and brought an international perspective to the chat. Our host for the evening was BBC radio presenter Alex Lester,  a festival patron and cartoon enthusiast.

Line up: Alex Lester, The Surreal McCoy. Royston Roberston, Ken Krimstein, Wilbur Dawbarn & Jeremy Banx. Photo © Gerard Whyman

The discussion covered various aspects of life as a cartoonist, alongside some superb examples of their work. Topics covered included the creation of the work and their workspace, some ‘greatest hits’ over the years, stories of rejection slips, offence, their influences and inspirations, and of course a mention of Trump. After the main panel discussion came questions direct from the audience.

A silhouetted Banx talks about one of his cartoons. Photo © Gerard Whyman

An abominable Royston Robertson cartoon. Photo © Gerard Whyman

 

 

An influential cartoon by Bernard Kliban.

We were delighted that the event was a sell-out, and indeed extra chairs were added for latecomers.

Photo © Gerard Whyman

Hearty thanks for the success of the evening go to the cartoonists on the panel, and Alex Lester for all being fabulous. The Wightman Theatre set us up wonderfully and Andy McKeown of WildStrawberry.com’s wonderful projection made the evening such a treat visually.

The PCO has a new Chairleg

February 26, 2018 in General, News

After a very successful tenure as PCO Chairleg the venerable Bill Stott has decided to step down to spend more time with Joan Baez and his Jaguar XK8 – happily Bill will remain on the committee. Step forward Clive Goddard, who will be fitting into Bill’s Chairleg trousers. Clive needs no introduction but here’s one anyway penned by great man himself:

I was born in Berkshire at the very beginning of the swinging sixties. Unfortunately I managed to miss all the swinging by being at school and, of course, by being in Berkshire. 

As soon as I was old enough to hold a crayon I decided I wanted to be a gag cartoonist. Personally, I blame the late, great Roland Fiddy whose cartoons I grew up with in the otherwise tedious ‘Look & Learn’ magazine. Blessed with generous parents, I was hurriedly furnished with a copy of ‘How to be a Cartoonist’ by Walter T Foster which I studied thoroughly despite it being about 40 years out of date.

 

Published in Private Eye © Clive Goddard

At 19 I was hired by the Newbury newspaper to produce a strip which could be about any local issue so long as it wasn’t contentious, offensive or funny. A mere thirty years later I finally sold a cartoon to my first national publication, Private Eye. It was a joke about BSE; a dreadful livestock disease but an excellent source of humour and a major breakthrough in my fortunes. 

© Clive Goddard

Since then I have drawn for the likes of Private Eye, New Statesman and Prospect as well as for the likes of Playboy, Zoo and the Sun on Sunday, so I’m evidently not fussy. I have been commissioned by the BBC, OUP, Paperlink, the Metropolitan Police, the RNLI, The NHS, Mars Confectionary and just about everyone inbetween. I’ve also illustrated a huge bunch of ‘Horrible’ books for Scholastic Children’s books and written three comedy adventure novels for kids.

 

© Clive Goddard

Happily married with approximately four children, numerous cats and a drawer full of Sharpies, some of which still work. 

PCO Cartoon Review of 2017

January 1, 2018 in Comment, General, News

 

Everyone else is doing it so we thought we’d have our own look back at the year…with cartoons by PCO members. The Big Issue drawing above by Andrew Birch manages to fit the whole year into just one cartoon!

© Ralph Steadman

We started the year with Trump’s bigly attended inauguration. Trump was undoubtedly (Mad) Man of the Year although he was closely followed by Kim Jong-Range Missile. This flattering portrait of Trump is by the inimitable Ralph Steadman.

© Steve Bell

At the beginning of the year Theresa May visited Washington to hold hands with The Donald. This cartoon from Steve Bell on the ‘special relationship’. You can see more of Steve Bell’s favourite cartoons of the year on the Guardian website.

© Wilbur Dawbarn

June saw Mrs M making another bad decision in calling a snap election. Who’d of thunk this would turn Jeremy Corbyn into a headline act at Glastonbury! This on the election race by Private Eye regular Wilbur Dawbarn.

© Andy Davey

The election didn’t go too well for Theresa. Here’s Andy Davey on the costly deal she was forced to do with the DUP (from The Indy). Unsurprisingly the figures weren’t heralded on the side of a bus.

© Jeremy Banx

Russian cyber interference in overseas elections has been a big story in 2017. This cartoon by FT cartoonist Banx. (although this could easily be a drawing of The Daily Mail newsroom)

© Martin Rowson

In June we had the terrible fire at Grenfell Tower. This is Martin Rowson’s response in The Guardian on the Government hiding from responsibilities.

© Zoom Rockman

…another illustration on Grenville Tower by prodigious talent Zoom Rockman taken from Private Eye. ‘Things That Wouldn’t Happen’. Would the House of Parliament use cheap cladding for the renovation work?

© Ros Asquith

The NHS is still desperately underfunded. This was a very funny cartoon by Ros Asquith after doctors warned in July about Government plans for ‘brutal’ NHS cuts.

© Dave Brown

October started with the awful mass shooting in Las Vegas – one of many atrocities in 2017. This was Dave Brown’s reaction in the Independent.

© Sarah Boyce

In a year where it seems every male in a position of power is a sexual predator an excellent cartoon from Sarah Boyce in Private Eye

© Will McPhail

Workplace equality has also been an issue throughout the year. This perfectly summed up in a Private Eye cartoon by New Yorker regular Will McPhail.

© Steve Bright

We couldn’t review the whole year without mentioning B****t. Here’s a fine summing up of how negotiations are going by Brighty in The Sun.

© Royston Robertson

…we have though restricted ourselves to just two on the ‘B’ word. This corker by Royston published in Private Eye.

© Matthew Buck

Ok, that was an ‘alternative truth’ we now have three ‘B’ word cartoons, this from Matthew Buck for Tribune.

© Guy Venables

…and on the same subject word(s) of the year was ‘Fake News’. This take on it from Guy Venables in the Private Eye 2017 Annual.

© Steve Jones

Trump has recently been denying global warming again because the East Coast has had a bit of a heavy cold spell. Here’s a strip on Trump’s view on climate change by Jonesy (from Resurgence & Ecologist magazine)

© Mike Turner

Finally, on a rather apocalyptic note to end the year, this is from Mike Turner in The Spectator.

Happy New Year from the PCO…although I suspect 2018 will be another year of global calamity and abject misery – at least we’ll have plenty to draw cartoons about.