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Portrait of the Not The National Portrait Gallery exhibition

October 3, 2018 in Events, General

Photo © Glenn Marshall

Clive Goddard writes:

I’m not sure how you measure these things in any meaningful way but I’m going to confidently declare that the PCO’s #NotTheNPG caricature exhibition at Charing Cross library was a complete triumph. For a start, the location was excellent, being in an area of central London visited by art loving tourists and now, thanks to the collective funds and effort of the  membership, kitted out as a proper gallery space with hanging facilities and frames which we can use again.

Poster featuring caricatures by Wilbur Dawbarn, Jonesy, Andy Davey and Simon Ellinas.

We could, I suppose, measure the show’s success in terms of the members’ response to the call for submissions. 47 different people had their work shown which added up to around 130 pieces on the walls (and tables and floor), whittled down in a painfully difficult process from over 300 submissions.


Photo © Jeremy Banx


How else to measure it? Well, people turned up. Not in their thousands, of course because it was a cartoon exhibition not a recording of the X Factor, but in sufficient numbers to make it worth doing and to stop the invigilators from sloping off to the pub. We were plugged in both Private Eye and The Evening Standard which certainly helped raise the show’s profile. And those that visited the show really liked it. The comments book was full of very complimentary things and there were plenty of encouraging words exhanged, too. It was also great to hear a lot of audible laughter coming from the visitors which made a pleasant change in the normally po-faced environment of an art gallery. Tate Modern really frowns upon people chuckling at their exhibits as I once discovered to my cost at a Turner Prize show.

Preview piece in The Evening Standard.

Better still, we sold stuff. Prints and originals on the walls quickly attracted those lovely little red dots which translated into total sales of nearly £3,000. This included a couple of hundred which the invigilators earned by selling more of their own work out of a grubby suitcase beneath the table.

Jeremy Banx, Christopher Burke and Steve Way at the Private View. Photo © Mika Schick.

The events were a great success too. The private view was well attended by many cartoonists, art editors and collectors most of whom behaved impeccably and didn’t get too drunk. Unfortunately Damian Hirst, Jeremy Corbyn, Boris Johnson and the other caricature victims on display, though cordially invited, were unable to attend due to some pathetic reason or other. I don’t know – they didn’t RSVP. 

Helen Pointer workshop. Photo © The Surreal McCoy

Helen Pointer’s caricaturing workshop went down a storm, attracting a full table of happy punters eager to learn and to try their hand/s at the dark art.

The panel discussion. 

The panel discussion featuring PCO heavyweights* Martin Rowson, Andy Davey, Rebecca Hendin, John Roberts and Chris Burke was a sell out**. Different perspectives on working practices and processes were shared and there was a dialogue between people working in slightly differing, yet overlapping, adjacent fields, ie: portraiture through a lens that included everything from event caricature to political cartooning to illustration gave a welcome broad perspective. And, again, most people behaved very well throughout.

The clash of the hairdos. Photo © Glenn Marshall

So now that it’s all over and Uncle Glenn has de-framed everyone’s work and is trying to find the SAEs they came with, we start thinking about the next one. Today Charing Cross, tomorrow the world!

Major thanks to everyone concerned.

Clive Goddard

PCO Chair-human

* In terms of talent not body mass index.
** In terms of numbers not principles.

Contains Male Nudity

July 29, 2018 in Events, General, News

 

An exhibition where the nudes splayed on the gallery walls are male for a change!

Cartoon by © Jeremy Banx

The show is made up of art and cartoons. For the most part it’s figure painting, sculpture and drawings, but as in previous years’ exhibitions there will be a room given over to theme-related cartoons.

Cartoon by © The Surreal MCoy

Artists and gallery owners Helen Wilde and Terry Sole curate the exhibition with cartoons gathered from PCO members (or cartoon members gathered from the PCO) by Glenn Marshall.

Painting by © Helen Wilde

One New Street is a small, independent  gallery and studio space in Herne Bay.

Cartoon by © Steve Bright

Leonardo cartoon by © Rob Murray

If you have a Leonardo you have to have a Michelangelo. This by © Clive Goddard

The exhibition runs until 1st September. There will be a ‘Privates View’ on the opening weekend.

 

Cartoonists in Conversation

April 30, 2018 in Events, General

Jonathan Cusick writes:

A Friday evening talk has traditionally opened the public programme of the Shrewsbury cartoon festival. This year ‘Cartoonists in Conversation’ aimed to give the public an insight into the lives of cartoonists, whose work they would probably be familiar with but know little about the people behind them.

The number of cartoonists gathering in the town (this year there were 30) meant we had a stellar line-up to choose from. Jeremy Banx (Financial Times, Wall Street Journal, Private Eye) resplendent in his beret, The Surreal McCoy (The Spectator, Reader’s Digest, The Sunday Times), Royston Robertson (Private Eye, Reader’s Digest, The Spectator) and Wilbur Dawbarn (The Beano, Private Eye, The Spectator) were joined by Ken Krimstein (New Yorker, Harvard Business Review) who was over from Chicago and brought an international perspective to the chat. Our host for the evening was BBC radio presenter Alex Lester,  a festival patron and cartoon enthusiast.

Line up: Alex Lester, The Surreal McCoy. Royston Roberston, Ken Krimstein, Wilbur Dawbarn & Jeremy Banx. Photo © Gerard Whyman

The discussion covered various aspects of life as a cartoonist, alongside some superb examples of their work. Topics covered included the creation of the work and their workspace, some ‘greatest hits’ over the years, stories of rejection slips, offence, their influences and inspirations, and of course a mention of Trump. After the main panel discussion came questions direct from the audience.

A silhouetted Banx talks about one of his cartoons. Photo © Gerard Whyman

An abominable Royston Robertson cartoon. Photo © Gerard Whyman

 

 

An influential cartoon by Bernard Kliban.

We were delighted that the event was a sell-out, and indeed extra chairs were added for latecomers.

Photo © Gerard Whyman

Hearty thanks for the success of the evening go to the cartoonists on the panel, and Alex Lester for all being fabulous. The Wightman Theatre set us up wonderfully and Andy McKeown of WildStrawberry.com’s wonderful projection made the evening such a treat visually.

Shrewsbury International Cartoon Festival 2018

March 25, 2018 in Events, General

Festival poster illustration © Wilbur Dawbarn

It’s only a few weeks now until the transport-themed Shrewsbury International Cartoon Festival alights and this year it really is international with cartoonists shipped over from Belgium, Germany, Australia, the USA and Ireland.

Drawing in the crowds at last year’s festival.

The main event is the popular live drawing in the town square on Saturday 21st April. Cartoonists will be delivering up big boards and caricatures. There will also be opportunities for visitors to join in.

On Friday 20th, at 7pm there’s ‘Cartoonists in Conversation’ with PCO members Jeremy Banx, Wilbur Dawbarn, The Surreal McCoy and Royston Robertson hosted by BBC radio presenter Alex Lester. They’ll be addressing questions like: Can cartoonists find humour in anything? What’s a typical day? Do the times we live in affect the cartoons we get? Afterwards there’ll be a Q&A where you can put your own esoteric questions to the panel.

Venue: Wightman Theatre, 14a The Square, Shrewsbury. Tickets £5 (+booking fee). You can book here.

There are several workshops running over the weekend including:

© Tim Leatherbarrow

Tim Leatherbarrow on how to get movement and energy into cartoons.

© Helen Pointer

‘Introduction to Caricatures’ with Helen Pointer,

© William Rudling

and the intriguing ‘Make Your Own Giant Paper Plane’ piloted by Will Rudling.

There are also exhibitions a-plenty:

Are We Nearly There Yet?
Over 100 cartoons on the theme of transport.
10th-28th April
Bear Steps Gallery, St Alkmund’s Square

Shipped From Abroad
American cartoonists’ take on our ‘Transport’ theme.
4th April-27th May
Theatre Severn

More Belgium Imports
17th-28th April
VAN Gallery

Irish Cartoonist Wendy Shea (Irish Times)
Participate Gallery, Riverside
32-34 Riverside, Raven Meadows SY1 1PJ
April 7th-28th
11am-5pm

More detailed information on all events can be found on the festival website, Facebook page and twitter.

PCO Cartoon Review of 2017

January 1, 2018 in Comment, General, News

 

Everyone else is doing it so we thought we’d have our own look back at the year…with cartoons by PCO members. The Big Issue drawing above by Andrew Birch manages to fit the whole year into just one cartoon!

© Ralph Steadman

We started the year with Trump’s bigly attended inauguration. Trump was undoubtedly (Mad) Man of the Year although he was closely followed by Kim Jong-Range Missile. This flattering portrait of Trump is by the inimitable Ralph Steadman.

© Steve Bell

At the beginning of the year Theresa May visited Washington to hold hands with The Donald. This cartoon from Steve Bell on the ‘special relationship’. You can see more of Steve Bell’s favourite cartoons of the year on the Guardian website.

© Wilbur Dawbarn

June saw Mrs M making another bad decision in calling a snap election. Who’d of thunk this would turn Jeremy Corbyn into a headline act at Glastonbury! This on the election race by Private Eye regular Wilbur Dawbarn.

© Andy Davey

The election didn’t go too well for Theresa. Here’s Andy Davey on the costly deal she was forced to do with the DUP (from The Indy). Unsurprisingly the figures weren’t heralded on the side of a bus.

© Jeremy Banx

Russian cyber interference in overseas elections has been a big story in 2017. This cartoon by FT cartoonist Banx. (although this could easily be a drawing of The Daily Mail newsroom)

© Martin Rowson

In June we had the terrible fire at Grenfell Tower. This is Martin Rowson’s response in The Guardian on the Government hiding from responsibilities.

© Zoom Rockman

…another illustration on Grenville Tower by prodigious talent Zoom Rockman taken from Private Eye. ‘Things That Wouldn’t Happen’. Would the House of Parliament use cheap cladding for the renovation work?

© Ros Asquith

The NHS is still desperately underfunded. This was a very funny cartoon by Ros Asquith after doctors warned in July about Government plans for ‘brutal’ NHS cuts.

© Dave Brown

October started with the awful mass shooting in Las Vegas – one of many atrocities in 2017. This was Dave Brown’s reaction in the Independent.

© Sarah Boyce

In a year where it seems every male in a position of power is a sexual predator an excellent cartoon from Sarah Boyce in Private Eye

© Will McPhail

Workplace equality has also been an issue throughout the year. This perfectly summed up in a Private Eye cartoon by New Yorker regular Will McPhail.

© Steve Bright

We couldn’t review the whole year without mentioning B****t. Here’s a fine summing up of how negotiations are going by Brighty in The Sun.

© Royston Robertson

…we have though restricted ourselves to just two on the ‘B’ word. This corker by Royston published in Private Eye.

© Matthew Buck

Ok, that was an ‘alternative truth’ we now have three ‘B’ word cartoons, this from Matthew Buck for Tribune.

© Guy Venables

…and on the same subject word(s) of the year was ‘Fake News’. This take on it from Guy Venables in the Private Eye 2017 Annual.

© Steve Jones

Trump has recently been denying global warming again because the East Coast has had a bit of a heavy cold spell. Here’s a strip on Trump’s view on climate change by Jonesy (from Resurgence & Ecologist magazine)

© Mike Turner

Finally, on a rather apocalyptic note to end the year, this is from Mike Turner in The Spectator.

Happy New Year from the PCO…although I suspect 2018 will be another year of global calamity and abject misery – at least we’ll have plenty to draw cartoons about. 

Re:Mona exhibition

July 31, 2017 in General

Glenn Marshall writes:

I’ve long been a Mona Lisa obsessive, now I’ve come up with a cunning way to get others to join in.

Along with Helen Wilde and Terry Sole of One New Street Gallery I’ve just hung the ‘Mona Lisa – Not Funny’ exhibition as a side-show to the excellent Herne Bay Cartoon Festival.

Some coded Monas ©Ralph Steadman

It’s an exhibition of reworked, reimagined & regurgitated Mona Lisas by artists, illustrators, designers and of course a plethora of cartoonists (mostly of this parish)

The highly acclaimed pizza restaurant ‘A Casa Mia’ next door to the gallery has even joined in with a ‘Mona Pizza’ which is available on their menu while the exhibition is running. ‘Delizioso’ as Leonardo would’ve said.

Behind the bandstand

August 19, 2013 in Events, General, News

These seaside pictures artfully displayed behind the bandstand in Herne Bay have been saved from a municipal whitewashing.

Duchamp_in_Herne_Bay_Banx_Cartoons_panorama @ procartoonists.org

© Banx @ Procartoonists.org

The Jeremy Banx cartoons were drawn at the recent Duchamp in Herne Bay event.

Duchamp_in_Herne_Bay_Banx_Cartoons_panorama @ procartoonists.org

"Operated by Serco" and "Water Aid" © Banx @ Procartoonists.org

Fears that the jokes would fall victim to a “Serco-style” cleaning operation, as noted in part one of the cartoon trio, proved unfounded. Happily, this made a planned petition to the local council redundant.

Banx told us:

‘‘Let the council be warned: If they had whitewashed my triptych, I might have been forced to redo it in Whitstable, where the arty-farty Islington-on-Sea smart set appreciate a good urinal gag’’.

Duchamp_in_Herne_Bay_Banx_Cartoons_panorama @ procartoonists.org

"The Acme Fracking Company" © Banx @ Procartoonists.org

Now that these cartoons have been saved for the nation, we may all look forward to Jeremy and the other Procartoonists.org members adding to the gaiety of the UK again next year.

Indeed, if you run an event that would benefit from input from a selection of the country’s best cartoonists, do feel free to contact us here to discuss possibilities.

Procartoonists bag couple of CATs

December 10, 2012 in Events, News

The Cartoon Art Trust Awards, an annual fundraiser for the Cartoon Museum in London, were held last week, and this year’s winners, including two Procartoonists.org members were as follows:

Christmas cartoon by KJ Lamb

Cartoon © KJ Lamb

Joke cartoonist Kathryn Lamb, above, (Private Eye, The Oldie, The Spectator)

Strip cartoonist Steve Bell for “If …” (The Guardian)

Pocket cartoonist Banx (aka Jeremy Banks, Financial Times)

Caricaturist James Ferguson (Financial Times)

Political cartoonist Christian Adams (Daily and Sunday Telegraph)

Congratulations to all the winners.

 

Profile photo of Royston

by Royston

The 14th Cartoon Art Trust Awards

November 20, 2008 in General

The Cartoon Art Trust Awards were presented last night at The Mall Galleries in London. The trust, which runs the Cartoon Museum in London, has presented the awards annually since 1995. Gag cartoonist Grizelda, left, was among the winners.

PCOer and Private Eye regular Will “Wilbur” Dawbarn was there and sent Bloghorn this personal report:

I was fortunate enough to be invited to join the Private Eye table this year, and what a star-studded occasion it seemed to this small-town boy! I even got my suit out of mothballs for the occasion.

After a brief time spent standing around with no-one to talk to, trying to earwig Ken Clarke’s conversation (for cartoon research purposes of course), scoffing as many canapés as I could get my hands on, and examining some marvellous Giles originals, I soon fell in with the coterie of Eye cartoonists, particularly the garrulous Simon Pearsall (“First Drafts”), who chatted non-stop in my left ear (most entertainingly) during the meal, leaving me only dimly aware of cartoons being auctioned off for thousands of pounds and awards being dished out to the worthy.

In my right ear at the table was Mark Warren, the writer of the Celeb strip. It turns out it’s only Charles Peattie who does both Alex and Celeb – I’d always assumed it was the same writer-artist combo doing both.

I missed a few more awards whilst outside having a fag with Simon P. and Martin Rowson (who was very charming and gracious to the winner of the Under 18 Young Cartoonist of the Year award, telling her to email him for advice and the like – though he bluntly refused me the same courtesy when I enquired …)

The Award Winners

Joke cartoon award: Grizelda of the New Statesman and others

Strip cartoon award: Stephen Collins of the Times

Pocket cartoon award: Jeremy Banks aka “Banx” of the FT

Caricature award: Nicola Jennings of the Guardian

Political cartoon award: Nicholas Garland of the Daily Telegraph

Young cartoonists of the year: Emilia Franklin (under 18) and James Hood (under 30).

The Pont prize for drawing the British Character: Charles Peattie and Russell Taylor of the Daily Telegraph for Alex. The Pont Award was set up five years ago in memory of Graham “Pont” Laidler, whose drew the brilliant series The British Character in Punch in the 1930s and 40s.

Lifetime achievement award: Raymond Briggs. The creator of the acclaimed books The Snowman and When the Wind Blows was responsible for some of the earliest British “graphic novels” – long before the term or the form was generally known. Previous winners of the award have included, Ronald Searle, Gerald Scarfe, Fluck and Law, and Trog.

PCOer Morten Morland has a first person report here as does Christian Adams of the Telegraph has his take on the events here too and Down the Tubes also has a round up.

The PCO: Great British cartoon talent

Profile photo of Royston

by Royston

Pocket cartoonists: Endangered but vital

June 30, 2008 in General


The newspaper “pocket” cartoonist is a rare but hardy breed, says PCO Chairman Andy Davey.

Spare a thought for the humble pocket cartoonist, guv? Be warned – you’ll need your field glasses to catch them. The Guardian has not replaced David Austin who died in in 2005. But even though they are a diminishing species due to this loss of habitat, there are several individuals in the field still visible. Pugh (The Times), Banx (Financial Times) and the untouchable Matt (Daily Telegraph) are all still going strong.

Pocket cartoons are still a pretty stout mainstay of British broadsheet front pages. And Matt is the only cartoonist to routinely get a name check during the newspaper round-up on Radio Four’s Today programme.

An Independent Line, a collection of cartoons from The Independent from the last fifteen years, now on show at the Political Cartoon Gallery, shows the work of one of the finest of the current dwindling crop – Tim Sanders.

Purely in terms of wall space and press coverage, Tim is drowned by his brothers-in-ink, Dave Brown and Peter Schrank. But as an observer of current social trends, he’s up there with the best.

Osbert Lancaster is often credited with establishing the format in UK newspapers, and a rich array of talent in the form of Mark Boxer and Mel Calman (whose work can still be seen on greetings cards) and others emerged in his wake.

Pocket gags are a slice of social history; you can gauge the feel of any era by looking at the pocket cartoons. To set the scene, define the characters and make a gag about current social or political trends is no mean feat in a single newspaper column, so hats off all round, please laydeezangennemen.

An Independent Line is at London’s Political Cartoon Gallery until October 18.

The PCO: British cartoon talent