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Cartoonists Rally Round Birthday Boy Carson

August 5, 2020 in General

Cartoon by © Martin Rowson

Dean Patterson writes:

Recently a lot of the best cartoonists in the UK, including many PCO members, went out of their way to draw a birthday wish for Carson, who is a very sick little boy with a brain tumour and had to spend his birthday in hospital getting chemotherapy…

Cartoon by © KJ Lamb

The boy’s family really wanted to send their thanks and let the cartoonists know what it meant to them. (They felt the cartoonists went beyond what could have been hoped for!)

Cartoon by © Andrew Fraser

I know everyone who contributed is very busy and their time important and it meant a lot, really, that so many still contributed. When I sent them over to his Dad he was utterly gobsmacked, with tears in eyes. His Grandfather also got in touch to ask me to convey his thanks to all concerned.

Cartoon by © Russel Herneman

So thank you! Not just from me but especially from the boy’s family for helping them celebrate the little lad’s birthday.

Cartoon by © Jeremy Banks

Cartoon by © Steve Jones

Cartoon by © Graeme Keyes

Cartoon by © Mike Stokoe

Cartoon by © Harry Burton

Cartoon by © Mumph

Cartoon by © Dean Patterson

Cartoon by © Ron McGeary

Cartoon by © James Mellor

Cartoon by © Glenn Marshall

Cartoonists protest summit of the International Labor Organization

July 13, 2020 in General

Cartoon © Steve ‘Jonesy’ Jones

The International Labor Organization (ILO) based in Geneva, Switzerland, is holding its virtual summit this week with the participation of heads of state and government, ministers, representatives of employers and workers. At CARTOONS FOR CHANGE we decided to invite cartoonists and illustrators from all continents to protest for 365 days, starting now during the virtual summit of the ILO, to demand that governments and multinationals stop child labor. It is unacceptable, cruel and illegal that 30 years after the ratification of the Convention on the Rights of the Child there are still almost 300 million working children.
On the occasion of the World Day Against Child Labor, which was commemorated on June 12th, the CARTOONS FOR CHANGE initiative, which I lead, invited cartoonists, illustrators and creatives, from all continents, to contribute their talent and creativity, sharpen their pencils and crayons, in defense of hundreds of millions of girls and boys victims of labor exploitation. Thanks to this first open call, CARTOONS FOR CHANGE received expressions of interest from more than a hundred professional cartoonists from all continents.
Because governments, international organizations, and especially multinational companies have done little, if anything, to eradicate child labor and protect the world’s poorest children, we in CARTOONS FOR CHANGE call cartoonists, illustrators, and others graphic artists to carry out a global protest that will not last just 24 hours but #365DaysAgainstChildLabor.

 

Cartoon © Gilmar

The quality of the CARTOONS FOR CHANGE we have received is exceptional, the immense enthusiasm of cartoonists to join the cause is something I did not expect. This gives us the assurance that our global campaign will have a significant impact, despite the fact that those who profit from large-scale child labor, to reduce their cost of labor, are people and companies with criminal behavior. Exploiting a minor is a crime, exploiting tens of thousands or hundreds of thousands of girls and boys, like too many multinationals do, is a crime against humanity, this according to international law.

 

Cartoon © Chavo del Toro

The European Union claims to respect human rights and children’s rights, but Europe is today the largest financial beneficiary of misery and child labor in the rural communities that produce coffee, cocoa and many other agricultural products.

Switzerland claims to be an exemplary democracy, but the Swiss Confederation has more children in its coffee, tea and cocoa supply chain than children studying in all Swiss schools.

Most “development aid” programs from the United States, Canada, the European Union, Norway, Switezrland, the United Kingdom, Japan, etc. which claim to help eradicate child labor and reduce misery not only do not reduce them but also serve to hide the cruelty of neo-colonial business models that are the true cause of misery, and therefore of child labor.According to data from the International Labor Organization (ILO), more than 152 million children in child labor situations. In my opinion, ILO child labor figures underestimate the total number of exploited children. In Asia the ILO underestimates them by more than one hundred million children, in Africa more than 30 million children. This means that the total number of children working worldwide today may be very close to 300 million.
It is absolutely unacceptable, cruel and illegal that 70 years after signing the Universal Declaration of Human Rights and 30 years after adopting the Convention on the Rights of the Child, even the coffee, tea and chocolate they consume in the United Nations institutions has child labor. This is true in the ILO and also in UNICEF that claims to protect children around the world, and in all the centers of power and influence of the developed world, where they claim to support and promote the Sustainable Development Goals. It is urgent to stop the exploitation of hundreds of millions of girls and boys. There are too many industries, such as chocolate, coffee, mining and many others in which child labor continues to increase, because it is highly profitable for multinationals.

Cartoon © Antonio Rodríguez

According to figures from the ILO, worldwide, child labor is concentrated primarily in agriculture (71%), which also includes fishing, forestry, livestock and aquaculture, and comprises both subsistence and commercial agriculture; 17% of children in child labor situation work in the service sector; and 12% in the industrial sector, particularly mining.

Cartoon © Mangena

CARTOONS FOR CHANGE cartoons and illustrations will be published in the press and shared on the Twitter and Instagram accounts: @Cartoons4Change and Facebook: @Cartoons4ChangeNow.

If you want more information about CARTOONS FOR CHANGE, or about how you can contribute to eradicate child labor and abolish slavery, please contact us through any of the social networks.

These almost three hundred million extremely poor working girls and boys are largely innocent and helpless victims of the indifference of good people. This cannot go on like this. We have to change it!

 

Not the 2020 Shrewsbury Cartoon Festival

April 24, 2020 in Events, General, News

Cancelled poster by © Roger Penwill

Glenn Marshall writes:

This weekend would have seen the main events of the Shrewsbury International Cartoon Festival  but sadly, like so much else, it has had to be cancelled. One of the organisers, Roger Penwill, commented a few weeks ago when the postponement was announced “We felt that we had no choice as the nature of the event, encouraging many members of the public to come to an indoor space, ran contrary to the guidance on tackling virus spread. More importantly we did not want to put at risk the health of any member of the cartooning community or their families”

The theme was ‘twenty twenty vision’ so the organising committee should’ve been visionary and seen Covid 19 coming!

In the meantime, here for your edification and delight, is a selection of optical illusionary cartoons selected by Roger that would’ve been part of the the Bear Steps Gallery exhibition. All drawn from/by the PCO fraternity.

In alphabetical order:

Cartoon © Nathan Ariss

Cartoon © Jeremy Banx

Cartoon © Rupet Besley

Cartoon © Andy Davey

Cartoon © Ian Baker

Cartoon © Neil Dishington

Cartoon © Pete Dredge

Cartoon © Tat Effby

Cartoon © Clive Goddard

Cartoon © James Griffiths

Cartoon © Jonesy

Cartoon © Kathryn Lamb

Cartoon © Chris Madden

Cartoon © Roger Penwill

Cartoon © Glenn Marshall

Cartoon © Ken Pyne

Cartoon © Royston Robertson

Cartoon © The Surreal McCoy

Cartoon © Wilbur Dawbarn

Cartoon © Kipper Williams

Cartoon © Noel Ford

This final cartoon is by the great Noel Ford (who I should really rechristen Noel Zord to keep alphabetic consistency) Sadly Noel died last year. He had been very involved with the festival since its inception and part of this year’s events was to be a retrospective exhibition of his wonderful work.

Thanks to Roger and all the others who’d put a lot of effort into preparation for this year’s jamboree, including Sarah Knapp, Tim King, Tat Effby, Jonathan Cusick and Jill Wild. Hopefully the Shrewsbury cartoon spectacle will be able to be rescheduled in the near future.

On Saturday I’ll be off to do my self-isolated vision themed big board in the garden….

PCO Cartoon Review of the Year 2019

January 1, 2020 in General, News

Cartoon © Brian Adcock, The Independent

Glenn Marshall reporting from behind the paracetamol bottle:

Once more it is time to look back with the traditional (well, third year running) PCO ‘Cartoon Review of the Year’. It was always going to be a very hard task to not just fill it with cartoons about Trump and BORXIT® so in the end I just gave up and ran with it!

So to set the tone here’s a great drawing from © Chris Burke.

Martin Rowson sums up the plight of cartoonists facing a metaphor shortage in 2019.

I’m having to restock my Brex-mageddon bunker as most of my haul is now well past its sell-by date. I should’ve taken © Andrew Fraser’s Valentine’s Day advice in Private Eye and just bought tinned goods rather than Greggs vegan sausage rolls and doughnuts.

This © Colin Dukelow cartoon from Private Eye sums up what many felt about the ‘B’ word by the end of the year…probably by the beginning of the year too.

In March Brexit was taken off the menu for a few more months. Cartoon served up by © Mike Stokoe in The Spectator.

Moving on to April the heavily redacted Mueller report was released. Loved this cartoon by •••• in the •••••••• •••••

Illustration by © Steve Bright

In Sports News: May saw Liverpool ‘pipped’ (GERIT?) at the post for the Premiership title by the WONDROUS Manchester City. Eat that Klopp (the PCO strenuously denies any bias in their reporters) After coming so close I really can’t see Liverpool ever winning the Premiership! (Nosramarshall)

In June ‘stable genius’ Donald Trump visited the UK. © Royston Robertson shared this cartoon to mark the occasion. Really Royston could post this daily, or even hourly, and it would still be applicable.

In more Trump news: In July Trump told four Democrat congresswomen ‘go back to the places they came from’. This was Steve Jones’ lunar take on it tying in with the anniversary of the Apollo 11 moon landing. (Private Eye)

I loved this Boris arse-faced Mona in The Guardian by Steve Bell. No idea what the story was, but I’m a Mona Lisa obsessive. I’m writing this review, so I’m putting it in.

A lovely drawing of the Time magazine ‘Person Of The Year’ (cue FUMING Donald) Greta Thunberg by © Andy Davey from The Evening Standard

© Wilbur Dawbarn’s Greta-inspired back to school clothing range, product placed in Private Eye.

Retail News: In October it was announced that, following a spate of high street closures, Debenhams was facing financial difficulty. © Sarah Boyce may have put her finger on why with this Private Eye cartoon.

Back to climate change: © Kathryn Lamb had this seasonally adjusted cartoon published in The Spectator….

… and this inflammable Private Eye cartoon by Clive Goddard. Sadly this could be a current scene from the Australian Met Office.

A cartoon by © The Surreal McCoy from Prospect which could virtually apply to any of 2019’s news stories.

Cartoon by © Nick Newman, The Sunday Times.

In November Prince Andrew pizza expressed his views on the Jeffrey Epstein scandal to Emily Maitlis. I suspect he’s someone else who may shy away from being interviewed by Andrew Neil in the future.

On that subject here was a rather prescient cartoon by © Kipper Williams actually from a June issue of The Spectator!

Also in November Boris visited flood-hit Yorkshire mostly to gargle his campaign message. Illustration by © Rebecca Hendin for The Guardian.

And still on matters aquatic (and to mention someone other than Bojo) here is Dave Brown’s cartoon for The Independent of Jezco and Joswin getting their campaign messages across…or not.

©Zoom Rockman in Private Eye visits the polling station.

As we head into the New Year here’s another excellent cartoon by •••• from the FT showing you can get new life out of a cartoon metaphor Mr Rowson.

© Brian Adcock, bookends the year with this offering from The Independent.

So what fresh horrors will 2020 have in store? I expect A LOT more about him, him, and more him!

Thanks to Procartoonist members for the use of their cartoons.

Happy New Year from the PCO.

Air Show

July 31, 2019 in General

Back on planet earth, away from the lunar orbiting Herne Bay Cartoon Festival, Helen Wilde & Terry Sole are putting on an environment-flavoured exhibition on the theme of ‘A Breath of Fresh Air’ at  One New Street Gallery. As in previous years the exhibition is a mixture of art, cartoons, illustrations and the odd marshall.

There’s lots of art in the show and here are two pieces by the proprietors:

Dead Pen City by © Helen Wilde

Cartoonists in Herne Bay 2016 by © Terry Sole

There is also a good smattering of PCO members work including:

© Wilbur Dawbarn

© Zoom Rockman’s HUGE canvas of Hornsey Gas Holder.

,

© KJ Lamb

© Royston Roberston 

© Rupert Besley

© The Surreal McCoy

© Steve Jones (Jonesy)

© Des Buckley

…and of course no One New Street Gallery exhibition would be complete without a ©Banx cartoon that includes a penis.

Does your exhibition have its own jam?

‘A Breath of Fresh Air’ runs from 2nd August to 31st August. Open Fridays and Saturdays 11am to 5pm.

Herne Bay Cartoon Festival 2019 launch countdown

July 29, 2019 in Events, General, News

This year’s poster was created for the festival by © Marf.

Sue Austen (Festival Organiser) writes:

The Herne Bay Cartoon Festival has landed for another year. This is the seventh consecutive festival in the lovely Kent seaside town. The theme for this year is Fly Me to the Moon referencing the fiftieth anniversary of the first manned mission to the moon in 1969.

The Fly Me to the Moon exhibition is now open at Beach Creative featuring new work by PCO members including Dave Brown, Martin Rowson, Kathryn Lamb, Andrew Birch, Noel Ford, Tim Harries, Roger Penwill, Royston Robertson, Des Buckley, Kipper Williams, Jeremy Banx, Gerard Whyman, The Surreal McCoy, Rob Murray, Sarah Boyce, Glenn Marshall, Chris Burke, Neil Dishington, Jonesy and others.

Poster cartoon by © Steve (Jonesy) Jones.

Also open now is Book Marks at the Bay Art Gallery in William Street. Book Marks is a PCO exhibition on the theme of literature and books which has come to Herne Bay from Westminster Reference Library as the first small step on a planned tour of the solar system. The show features work by over 30 members of the Professional Cartoonists’ Organisation (PCO) including a host of familiar cartoonists from the pages of The Guardian, The Independent, Private Eye and the rest of the British press.

The festival’s third exhibition is One Giant Leap which will be open from Friday 2nd  August at The Seaside Museum, 12 William Street, CT6 5NR. This show features work on loan from the British Cartoon Archive held at the University of Kent. The exhibition includes original cartoons and artwork from the time of the moon landing in 1969, other Apollo missions and moon related stories.  Artists represented in the show include Giles, Trog, Garland, Jensen, Homer, Emmwood, Langdon, Gary Barker, Rowson and Dave Brown.More than 20 cartoonists and caricaturists will descend on Herne Bay for the weekend of 2nd- 4th August.  On Saturday 3rd Zoom Rockman hosts a cartoon workshop at Beach Creative and later the same day Roger Todd will run a puppet caricature workshop there.

On Sunday 4th the weekend culminates with the annual Cartooning Live event on Herne Bay Pier where the visiting artists create giant cartoons, aunt sallies and peep boards. We are promised a balloon Boris will be attacked by seagulls whilst astronaut ‘John’ Glenn (Marshall) will be attempting Herne Bay’s first moon landing on the town’s iconic pier.

For updates on the Herne Bay Cartoon Festival, follow @HBCartoonFest on Twitter or go to Facebook.com/HBCartoonFest.

With thanks to all our sponsors and supporters including Arts Council England, Canterbury City Council, British Cartoon Archive, University of Kent and the PCO.

Eaten Fish landed for UK talk

March 15, 2019 in Events

 

Ali with his alter ego Eaten Fish. Photomontage © Eaten Fish

The Surreal McCoy writes:

Join broadcaster, journalist and PCO patron Libby Purves for an illustrated conversation with Ali Dorani, aka Iranian cartoonist Eaten Fish. This promises to be a fascinating evening with Ali on his first ever visit to the UK. It will take place at Westminster Reference Library, central London on Friday 5th April from 6-7.30pm. It is a free event but please book in advance here.

cartoon © Eaten Fish

Ali will be talking about how cartooning provided a way to document his experiences as a refugee at Manus Island and, now that he’s safely living in Norway, he will also discuss what the future holds for Eaten Fish.

More on Ali at Cartoonists Rights International Network here.

The #addafish campaign for Eaten Fish, led by PCO in early 2017 to bring awareness of Ali’s plight, resulted in many hundreds of drawings that made up a colourful virtual shoal.

Fish added by © Martin Rowson

Barbed contribution from © Steve ‘Jonesy’ Jones

Biting comment by © Steve Bright aka Brighty

Fish caught from Ralph Steadman

Gaol bowl by Australian cartoonist © Cathy Wilcox.

 Contributors included editorial cartoonists from all over the world.

 

Terry Anderson, Simon Ellinas, The Surreal McCoy and Glenn Marshall outside Australia House, London.

 A banner displaying some of the fish ended up at a protest against Ali’s situation outside the Australian High Commission in London.

Some of the fish shoal at Herne Bay Cartoon Festival

The cartoons were also exhibited at Herne Bay Cartoon Festival and formed part of the PCO’s Gagged exhibition on censorship and the repression of cartoonists worldwide at Westminster Library in November 2017.

This event would not be possible without the International Cities of Refuge Network (ICORN). Thanks are due to them for organising Ali’s trip to London. More can be found about their work here. 

You can follow Ali on facebook

 

 

What’s your favourite cartoon book?

March 2, 2019 in Comment, General

We’ve been talking in the inner sanctums of the PCO forum about favourite books on cartoons/cartoonists. Here I share some of our choices:

Steve Jones (Jonesy)

I could easily have gone with Sempe, Stauber or Ungerer – Steadman, in particular, was a really close call – but Matt Jones’ mighty labour of love blew me away. Ronald Searle should be worshipped as a god.

 Pete Dredge

Apologies for blatant trumpet blowing and self promotion. It was a long time ago (1982). It won’t happen again. When my cartoon career first took off in 1976 I had quite a purple patch (now a long distant memory!) where everything I touched seemed to turn to gold (plate)! Today I’m scratching around (does the Weekly News still take gags??) but I can look back at those early successes with a nostalgic eye and be somewhat grateful that there was a thriving market where a half decent cartoonist could get his/her foot on the ladder.

To be included in that list of Hitler’s favourite (mainly US) cartoonists still gives me a thrill. Whatever happened to those other guys?

Here’s a sample page from that tome:

Rupert Besley

No question which for me. It’s the book I grew up with and where I first discovered the joy of cartoons. Four books actually (Down With Skool!, How to be Topp, Whizz for Atomms & Back in the Jug Agane). My father was a headteacher and a new volume arrived each Christmas, to be fought over by the rest of the family for the rest of the year. The cover below is from a later omnibus edition.

The Willans/Searle collaboration was that rare thing in books, a perfect meeting of brilliant minds, with text and illustrations equally superb, each enhancing the other. And just as funny 60 years on.

Wilbur Dawbarn

A Searle book was the first thing to come to my mind, too. We could probably do a blog post purely on Searle books!

To throw in something different, then, here’s a collection of the also brilliant but considerably underrated Rowland Emett. What I love about Emett is the way he caricatured not just people, but trains and other vehicles, buildings, trees… everything! An absolute master of composition and chaos. Richard Ingrams once told me he didn’t like Emett’s stuff, it was ‘too spidery’, I think he said. The utter heathen.

Cathy Simpson

The Complete Molesworth is a strong contender, but perhaps ‘Bert Fegg’s Nasty Book for Boys & Girls’ does it for me. A friend gave me a copy of it when I was 16, and it was the first time I’d come across the work of the sorely-missed Martin Honeysett.

Roger Penwill

Russell Brockbank was a very early influence. He had a cartoon in the back of the weekly The Motor in the 50’s and 60’s. I read that mag every week as I was keen on cars (Dad worked for Ford’s) and loved the weekly dose of Brockbank humour. Over The Line is a typical collection, published in 1955.

Matthew Buck

Always enjoyed Philip Thompson and Mel Calman’s work together over many years.

Guy Venables

This was bought for me on Christmas 1981 and the foreword is by Tom Wolfe. It is a definitive collection of the finest satirical cartoonists from all over the world covering from the 60s to the 80s. Bletchman, Booth, Descloozeaux, Feiffer, Francois, Flora, Gorey, Koren, Bill Lee, Le-Tin, Levine, Mihaesco, Myers, Osbourn, Rauch, Roth, Searle, Steadman, Sempe, Sorel, Ungerer and Wilson. The young cartoonists brain couldn’t want a better introduction to satirical cartooning than this book which explained to me the sheer width of styles and scale of ambition ideas and narratives could have. If you haven’t got it, you should get it. Without it I probably wouldn’t have become a cartoonist.

Glenn Marshall

I could quite easily have plumped for the wonderful ‘Ronald Searle’s America’ book already chosen by Jonesy but instead I’ll pick this one on Timothy Birdsall (who Searle was a fan of) given to me by a friend. Shamefully I didn’t know his work at all, which appeared in Private Eye, The Spectator and The Sunday Times. He was more widely known for his regular appearances drawing live on the BBC show ‘That Was The Week That Was’. Here he is explaining how political cartoons are made.

I love his smudgy and yet detailed style. Sadly he died tragically young aged just 27 in 1963.

There should be a few suggestions here to send you scurrying to eBay but what are your favourites? Let us know in the comments section below.

PCO Cartoon Review of 2018

January 2, 2019 in Comment, General, News

 

Cartoon © Steve Bright

As is tradition, here is our review of the year featuring cartoons by PCO members and when I say tradition I mean we did it for the first time last year.

The Brighty cartoon above was done to introduce last year but is sadly still very true for the end of 2018.

If you can’t bear any more mentions of Brexit or Trump you’re advised to look away now!

Cartoon © Dave Brown

After the terrible Florida school shootings towards the beginning of the year Trump’s well considered proposal was to arm teachers. This was Dave Brown’s response in his ‘Rogue’s Gallery’ drawing for The Independent.

Cartoon © Mike Turner

Salisbury received a tourism boost in March when visited by two Russian holiday makers. Here’s a cartoon of Mike Turner’s on the Novichok nightmare.

Cartoon © Graeme Bandeira

March also saw the relativity sad news of Stephen Hawking’s death. Graeme Bandeira paid cartoon tribute to him in The Yorkshire Post. Our quarks are with Stephen’s family.

Cartoon © Sarah Boyce

In April the Home Office become Rudd-erless after the Windrush scandal erupted. This by Sarah Boyce published in Private Eye.

Cartoon © Nathan Ariss

Nathan Ariss had signalled Amber Rudd’s departure in Private Eye too.

Cartoon © Steve Bell

In June we had the start of the Donald/Kim love-in as they met in Singapore. That moment captured here by Steve Bell in The Guardian.

Cartoon © Martin Rowson

Then in July The Donald asked his administration to invite his other love interest Vlad Putin to the White House. The moment foretold here by Martin Rowson also in The Guardian. Of course the person Trump loves more than anyone else is Trump himself.

Cartoon © Steve Jones

The nation went into shock in July when England actually preformed well AND won a penalty shoot out in the World Cup!!! This was a favourite football tournament themed cartoon by Jonesy (used in Private Eye).

Cartoon © Tat Effby

There’s been much in the news this year about climate change and plastic in the oceans. Here’s a fine cartoon I’ve recycled on the subject by Tat Effby.

Cartoon © The Surreal McCoy

The Surreal McCoy also took to the oceans with this message on #MeToo.

Cartoon © Kipper Williams

In August Theresa May started thinking of life after being PM when she put in a ‘Strictly’ application by throwing some shapes, mostly Isosceles triangles, on her tour to South Africa. This from Kipper Williams in The Spectator.

Cartoon © Jeremy Banx

In September the Dancing Queen announced at the party conference in Birmingham plans for the ‘Festival of Brexit’. This Jeremy Banx cartoon in the Finacial Times became very popular on social media.

Cartoon © Royston Robertson

On the subject of Brexit, and it’s very difficult to get OFF the subject of Brexit, here’s a fine cartoon by Royston Robertson from The New European.

Cartoon © Andy Davey

…and there’s more. Andy Davey’s finely woven tapestry on the Brexit battle within the Conservative party. (Daily Telegpah)

Cartoon © Rob Murray

This Rob Murray Private Eye cartoon perfectly sums up our nation divided.

Cartoon © Wilbur Dawbarn

It’s not only the UK that’s been in turmoil, across in France they’ve had gilets jaunes fever. This Gauling cartoon by Wilbur Dawbarn.

As the year ended Trump closes down the US government to try and force through funding for his election promise to ‘Build A Hamster Wheel’. This just in from our correspondent Clive Goddard.

Illustration © Rebecca Hendin

This illustration by Rebecca Hendin has NOTHING to do with the year (it was drawn for the BBC Culture series ‘Stories That Shaped The World’) but I think it sums up 2018 perfectly…a sort of contemporary Edvard Munchian existential scream.

Cartoon © Brian Adcock

…and in The Guardian new PCO member Brian Adcock digs out his crystal ball to predict what might happen in 2019…yep, more of the same.

Happy? New Year from the PCO

 

Portrait of the Not The National Portrait Gallery exhibition

October 3, 2018 in Events, General

Photo © Glenn Marshall

Clive Goddard writes:

I’m not sure how you measure these things in any meaningful way but I’m going to confidently declare that the PCO’s #NotTheNPG caricature exhibition at Charing Cross library was a complete triumph. For a start, the location was excellent, being in an area of central London visited by art loving tourists and now, thanks to the collective funds and effort of the  membership, kitted out as a proper gallery space with hanging facilities and frames which we can use again.

Poster featuring caricatures by Wilbur Dawbarn, Jonesy, Andy Davey and Simon Ellinas.

We could, I suppose, measure the show’s success in terms of the members’ response to the call for submissions. 47 different people had their work shown which added up to around 130 pieces on the walls (and tables and floor), whittled down in a painfully difficult process from over 300 submissions.


Photo © Jeremy Banx


How else to measure it? Well, people turned up. Not in their thousands, of course because it was a cartoon exhibition not a recording of the X Factor, but in sufficient numbers to make it worth doing and to stop the invigilators from sloping off to the pub. We were plugged in both Private Eye and The Evening Standard which certainly helped raise the show’s profile. And those that visited the show really liked it. The comments book was full of very complimentary things and there were plenty of encouraging words exhanged, too. It was also great to hear a lot of audible laughter coming from the visitors which made a pleasant change in the normally po-faced environment of an art gallery. Tate Modern really frowns upon people chuckling at their exhibits as I once discovered to my cost at a Turner Prize show.

Preview piece in The Evening Standard.

Better still, we sold stuff. Prints and originals on the walls quickly attracted those lovely little red dots which translated into total sales of nearly £3,000. This included a couple of hundred which the invigilators earned by selling more of their own work out of a grubby suitcase beneath the table.

Jeremy Banx, Christopher Burke and Steve Way at the Private View. Photo © Mika Schick.

The events were a great success too. The private view was well attended by many cartoonists, art editors and collectors most of whom behaved impeccably and didn’t get too drunk. Unfortunately Damian Hirst, Jeremy Corbyn, Boris Johnson and the other caricature victims on display, though cordially invited, were unable to attend due to some pathetic reason or other. I don’t know – they didn’t RSVP. 

Helen Pointer workshop. Photo © The Surreal McCoy

Helen Pointer’s caricaturing workshop went down a storm, attracting a full table of happy punters eager to learn and to try their hand/s at the dark art.

The panel discussion. 

The panel discussion featuring PCO heavyweights* Martin Rowson, Andy Davey, Rebecca Hendin, John Roberts and Chris Burke was a sell out**. Different perspectives on working practices and processes were shared and there was a dialogue between people working in slightly differing, yet overlapping, adjacent fields, ie: portraiture through a lens that included everything from event caricature to political cartooning to illustration gave a welcome broad perspective. And, again, most people behaved very well throughout.

The clash of the hairdos. Photo © Glenn Marshall

So now that it’s all over and Uncle Glenn has de-framed everyone’s work and is trying to find the SAEs they came with, we start thinking about the next one. Today Charing Cross, tomorrow the world!

Major thanks to everyone concerned.

Clive Goddard

PCO Chair-human

* In terms of talent not body mass index.
** In terms of numbers not principles.