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What’s your favourite cartoon book?

March 2, 2019 in Comment, General

We’ve been talking in the inner sanctums of the PCO forum about favourite books on cartoons/cartoonists. Here I share some of our choices:

Steve Jones (Jonesy)

I could easily have gone with Sempe, Stauber or Ungerer – Steadman, in particular, was a really close call – but Matt Jones’ mighty labour of love blew me away. Ronald Searle should be worshipped as a god.

 Pete Dredge

Apologies for blatant trumpet blowing and self promotion. It was a long time ago (1982). It won’t happen again. When my cartoon career first took off in 1976 I had quite a purple patch (now a long distant memory!) where everything I touched seemed to turn to gold (plate)! Today I’m scratching around (does the Weekly News still take gags??) but I can look back at those early successes with a nostalgic eye and be somewhat grateful that there was a thriving market where a half decent cartoonist could get his/her foot on the ladder.

To be included in that list of Hitler’s favourite (mainly US) cartoonists still gives me a thrill. Whatever happened to those other guys?

Here’s a sample page from that tome:

Rupert Besley

No question which for me. It’s the book I grew up with and where I first discovered the joy of cartoons. Four books actually (Down With Skool!, How to be Topp, Whizz for Atomms & Back in the Jug Agane). My father was a headteacher and a new volume arrived each Christmas, to be fought over by the rest of the family for the rest of the year. The cover below is from a later omnibus edition.

The Willans/Searle collaboration was that rare thing in books, a perfect meeting of brilliant minds, with text and illustrations equally superb, each enhancing the other. And just as funny 60 years on.

Wilbur Dawbarn

A Searle book was the first thing to come to my mind, too. We could probably do a blog post purely on Searle books!

To throw in something different, then, here’s a collection of the also brilliant but considerably underrated Rowland Emett. What I love about Emett is the way he caricatured not just people, but trains and other vehicles, buildings, trees… everything! An absolute master of composition and chaos. Richard Ingrams once told me he didn’t like Emett’s stuff, it was ‘too spidery’, I think he said. The utter heathen.

Cathy Simpson

The Complete Molesworth is a strong contender, but perhaps ‘Bert Fegg’s Nasty Book for Boys & Girls’ does it for me. A friend gave me a copy of it when I was 16, and it was the first time I’d come across the work of the sorely-missed Martin Honeysett.

Roger Penwill

Russell Brockbank was a very early influence. He had a cartoon in the back of the weekly The Motor in the 50’s and 60’s. I read that mag every week as I was keen on cars (Dad worked for Ford’s) and loved the weekly dose of Brockbank humour. Over The Line is a typical collection, published in 1955.

Matthew Buck

Always enjoyed Philip Thompson and Mel Calman’s work together over many years.

Guy Venables

This was bought for me on Christmas 1981 and the foreword is by Tom Wolfe. It is a definitive collection of the finest satirical cartoonists from all over the world covering from the 60s to the 80s. Bletchman, Booth, Descloozeaux, Feiffer, Francois, Flora, Gorey, Koren, Bill Lee, Le-Tin, Levine, Mihaesco, Myers, Osbourn, Rauch, Roth, Searle, Steadman, Sempe, Sorel, Ungerer and Wilson. The young cartoonists brain couldn’t want a better introduction to satirical cartooning than this book which explained to me the sheer width of styles and scale of ambition ideas and narratives could have. If you haven’t got it, you should get it. Without it I probably wouldn’t have become a cartoonist.

Glenn Marshall

I could quite easily have plumped for the wonderful ‘Ronald Searle’s America’ book already chosen by Jonesy but instead I’ll pick this one on Timothy Birdsall (who Searle was a fan of) given to me by a friend. Shamefully I didn’t know his work at all, which appeared in Private Eye, The Spectator and The Sunday Times. He was more widely known for his regular appearances drawing live on the BBC show ‘That Was The Week That Was’. Here he is explaining how political cartoons are made.

I love his smudgy and yet detailed style. Sadly he died tragically young aged just 27 in 1963.

There should be a few suggestions here to send you scurrying to eBay but what are your favourites? Let us know in the comments section below.

Hats off to JR

February 10, 2019 in Comment, General

Caricature by © Rupert Besley

Rupert Besley writes:

…John Ruskin, that is. It’s his 200th birthday in February and there are events lined up to mark the occasion. One such is Chris Beetles’ forthcoming exhibition ‘Ruskin’s Artists’  (13 Feb-2 Mar), celebrating the work of those he cherished.

Helen Allingham ‘A Devonshire Cottage’ (from © Chris Beetles Gallery catalogue)

A shame for me I don’t have a spare £6.5k kicking around (so far, searches of jacket linings and sofa backs have brought in only one parking ticket and two licorice imps). With that kind of money, I’d be straight on to Beetles to buy up one of those Helen Allingham watercolours.

Ruskin was a polymath of the first order. It would take more than a page to do justice to the full range of his accomplishments. No mean artist himself, he achieved a great deal more as art critic than any since. He was hugely important in championing the genius of Turner and he played a big part in the 20,000 artworks of the Turner Bequest being saved for the nation. He greatly influenced the Pre-Raphaelites and was the inspiration behind the Arts & Crafts Movement that followed on (Wm Morris, CR Ashbee, Walter Crane etc, whose fine creations currently star in the BBC series on Fri nights).

Wasn’t it Brian Sewell who was given to making disparaging remarks about ‘mere cartoons’? This, certainly, is a BS quote: ‘there has never been a first-rank woman artist. Only men are capable of aesthetic greatness.’Refreshing, then, to see (as the Beetles Gallery blurb points out) that, well over a century back, Ruskin was equally supportive of female and male contemporary artists and that he considered Tenniel cartoons to contain ‘as high qualities as it is possible to find in modern art.’

Ruskin was much mocked in his time and repeatedly since. Leaving aside as less important his poor form in the marital bed, Ruskin the thinker and writer was way ahead of his time. Gandhi claimed Ruskin as a major influence, as had Tolstoy and the founders of the Labour Party. Outraged by the downsides of industrialisation, capitalism and urbanisation in full swing around him (ugliness, pollution, disconnect from nature and, above all, exploitation of and deterioration in quality of life for the working classes), Ruskin positively exploded with solutions, all of them still attractive today. Much of what he proposed had to await the arrival of the welfare state, but institutions that owed much to his thinking, such as the National Trust and the National Parks movement, came about in his lifetime or soon after. Other concepts that he worked on, like the greenhouse-effect and fractal geometry in nature, had to wait their time, some century and a half later.

Visionary, conservationist and social revolutionary, Ruskin put his ideas into practice where he could. Believing in the power of art and natural beauty to transform lives and restore human dignity, Ruskin taught a generation to see things differently. And he took on establishment snobberies that allowed intellectuals to look down on manual work. As Oxford’s first Professor of Fine Art, in 1874-5 he got undergraduates – including the young Oscar Wilde – to work on road-mending in N Oxford as a way to teach them the virtues of physical labour.

Ruskin’s high-minded aims in art rather outshine the me-me-me, self-publicising commercialism of so many artists fêted today. JR is one to remember, I reckon.

 

Hector Breeze RIP

January 6, 2019 in General

Cartoon from Private Eye – A Cartoon History

Rupert Besley writes:

The sad news of the passing of Hector Breeze not long after celebrating his 90th birthday, has, unsurprisingly, brought in a flood of tributes from fellow cartoonists, all recognising the greatness of the man along with the warmth, charm and wit of his cartoons. Hero, wonderful, great, favourite, brilliant, classic, prolific… are words piling up on the PCO forum from the pens of Pete Dredge, Noel Ford, Roger Penwill, Mike Turner, Neil Dishington, Andrew Birch, Glenn Marshall – and expect more to come as the news spreads.

Hector Breeze

Hector Breeze developed what was surely the perfect cartooning style for the kind of pocket-sized gags he churned out so prolifically and successfully over so many years (since the late 50s). With their robust lines, economy of detail and strong use of solid blacks, HB cartoons were instantly recognisable as his and stood out a mile off as funny. Central to them were his stock characters, ever charming, ever bewildered. Tramps, army chaplains, oddballs, kings. You had to warm to them.

‘Gentle humour’ is a damning phrase, usually coded for ‘not funny’. Hector Breeze cartoons were never savage or angry, but they were funny. Damned funny.

Private Eye cartoon

He sold his first cartoon to Melody Maker in 1957 and over the following five decades and more, Hector Breeze cartoons brought sheer enjoyment to national publications that included Private Eye, Punch, the Evening Standard, the Mirror, Sketch, Guardian and Express. Having begun in a government drawing office, he later worked in advertising. Among his other skills (no surprise from the clarity of his signature) was letter-carving in stone.

A collection of Hector’s work produced by Private Eye in 1973

As with Sprod, it took me some while to discover that Hector Breeze was his real name and not something dreamt up as pen-name (he couldn’t have hit on better if he had tried).

In 2011 the PCO Blog team put together a piece on the Top Ten of Cartoonists’ Favourite Cartoonists. Pete Dredge’s choice was Hector Breeze, illustrated with a perfect gag and summed up exactly right:

‘Out of the mouths of his mundane, benign, chunkily drawn characters comes the sharpest of captions.’

In 1996 Ralph Steadman wrote that Breeze’s “clumsy bewildered characters restore my faith in the seriously daft.”*

Cartoon from the Hector Breeze Private Eye Cartoon Library

From Pick of Punch, 1973

Our thoughts are with Hector’s family.

*Quote and photo courtesy of  The British Cartoon Archive

Shrewsbury International Cartoon Festival in the rear-view mirror.

April 25, 2018 in Events, General

Jonathan Cusick, Pete Dredge, John Roberts and Helen Pointer ‘drawing the crowds’.

Rupert Besley writes:

The sun shone on the righteous – and on the cartoonists in Shrewsbury. It was a bumper gathering in the town this last weekend, with visitors and participants drawn from far and wide. Few more so than festival regular Dean Alston from Down Under, whose ace Big Board, along with a Noel Ford classic, was among the first things to greet arrivals in The Square. Close by worked guest cartoonists from the States, Maria Scrivan and Ken Krimstein, while further input to the international flavour of the day came from the strong deputation of Belgians, all involved in the European Cartoon Centre at Kruishoutem near Ghent.

Big boards by Australia’s Dean Alston and the UK’s Noel Ford.

US cartoonists Maria Scrivan and Ken Krimstein with their big boards.

Cartoon by Nikola Hendrickx from Belgium and Nikola in action.

The private view of the ‘Are we nearly there yet?’ exhibition at The Bear Steps Gallery.

This was the 15th Shrewsbury Cartoon Festival and the theme of Transport was a fertile and perfect choice. The galleries (Bear Steps, Theatre Severn & V.A.N, plus Wendy Shea exhibition at Participate) gave proof, if ever needed, of what can be done from kicking around a good subject and, back in The Square, heads spun towards the reassuring sight of Air Flight Marshall at the check-in desk for budget airline Icarus Air.

The GORGEOUS Glenn Marshall at the Icarus Air check-in desk.

Roger Penwill fronts the Drawma while Noel Ford, Wilbur Dawbarn and Royston Robertson take to the boards accompanied by The Surreal Accordionist. 

You can count on Shrews for good live music from beneath the Market Hall and so it proved throughout. Mid-afternoon came the Drawma, with mellow accordion softening the oohs and aarrghs of those there for quick-drawn gags and terrible puns.

Caricaturists Alex Hughes suitably in tropical attire for the unseasonal heatwave.

Elsewhere in The Square, the line-up of top caricaturists was kept hard at it all day (Hughes, Roberts, Pointer, Cusick, Leatherbarrow, Dredge & Ryder, with Christelle Jones at Bear Steps). Meanwhile, other Big Boards got filled by the likes of (with apologies to anyone inadvertently missed) Clive & Amy Goddard, Steve Best, Royston Robertson, Wil Dawbarn, Ross Thomson, Ger Whyman, Hunt Emerson, Rich Skipworth, John Landers, The Surreal McCoy, Jeremy Banx, Roger Penwill, Nikola Hendrickx & present writer, not forgetting fine graphic contributions too from Zoom Rockman and Patrick Holden.

PCO Chair-human Clive Goddard with PCO’s Treasurer-human Amy Amani-Goddard.

Steve Best applying blue.

Maria Scrivan ‘likes’ Royston Robertson’s twitter cartoon. 

Gerard  Whyman hogs some limelight.

The top of Rich Skipworth.

The Surreal McCoy and her surreal cartoon.

Jeremy Banx creates Noah’s limo.

Semi-big boards by John Landers and Roger Penwill.

Ross Thomson & Hunt Emerson drawing and colouring in.

Dean Alston and Wilbur Dawbarn doing some more drawing and colouring in.

Rupert Besley on a familiar scene from a cartoonists daily life.

Zoom of Crouch End draws Clive of India.

Helen Pointer’s ‘Introduction to Caricature’ workshop.

The cartoon workshops are an important part of the festival – this year tackling caricature, movement in drawings, an automobile barn dance plus Stop Motion animation (Barry the Shrew) and some fun paper planes (from Biggles Rudling). Festival patrons Alex Lester and Martin Wainwright came up trumps in their support of the Festival, the former using his radio interview skills to host the panel of cartoonists in conversation at the Wightman Theatre on the Friday evening. The latter was able to apply some of his editing experience to the list of rules drawn up for the Air Cartooning contest that rounded off the following evening. And, on the Sunday morning, while bikers gathered in their droves on the outskirts of the town, festival participants were treated to a fascinating tour of Historic Shrewsbury.

Rupert Besley wins the inaugural ‘Air Cartooning’ Cartoon Off ® Noel Ford

Thanks and full credit to all responsible, beginning with organisers Sarah Knapp, Bill McCabe, Tim King, Roger Penwill, Noel Ford, and Jonathan Cusick, along with all the volunteer helpers, and not forgetting the many participants (including visitors) who made the whole thing so successful.

Thanks also to Mika Schick for the excellent photographs.

More detail on the festival: Shrewsbury International Cartoon Festival

Get Colouring

December 7, 2017 in General

Jonathan Cusick writes:

Support the festival this Christmas by giving the cartoon fans in your life a copy of the Shrewsbury Cartoon Festival Colouring Book!

More than 40 black line cartoons from top cartoonists for your shading enjoyment. Relax, be inspired or just have a giggle. Fun for all ages.

Sold to raise funds for the 2018 Shrewsbury Cartoon Festival

Importantly, last order date for Christmas delivery is the 14th December.

The book can be ordered from the following link;
http://www.lulu.com/shop/cartoon-festiv … 6591.html#

The Rupert Besley and Andrew Birch spread

Full list of those in the book; Steve Best, Neil Bennett, Rupert Besley, Andrew Birch, Steve Bright, Jonathan Cusick, Andy Davey, Wilbur Dawbarn, Neil DIshington, Pete Dredge, Robert Duncan, Tim Harries, Chris Madden, Roger Penwill, Ken Pyne, Royston Robertson, John Roberts, William Rudling, Bill Stott, The Surreal McCoy.

 

Profile photo of Royston

by Royston

Herne Bay Cartoon Festival 2017:
The End of the Pier Show

August 10, 2017 in Events, General, News

The Herne Bay Cartoon Festival main event was held on the Pier for the first time on Sunday, after four years at the Bandstand. It proved a perfect fit for a live cartooning event. The sun shone and a good time was had by all.

Photos © Kasia Kowalska unless otherwise stated

The cartoonists' parade

The cartoonists’ parade their way on to the Pier with HBCF pencils, led by
Rob Murray, Chris Burke, Martin Rowson and Dave Brown

Cartoonists' group pic

The town crier announces the event as many of the cartoonists assemble

The cartoonists who took part were: Nathan Ariss, Jeremy Banx, Rupert Besley, Andrew Birch, Dave Brown, Des Buckley, Chris Burke, Pete Dredge, Noel Ford, Clive Goddard, Alex Hughes, Glenn Marshall, Rob Murray, Roger Penwill, Helen Pointer, Royston Robertson, Martin Rowson, Tim Ruscoe, Tim Sanders, Rich Skipworth, The Surreal McCoy, Steve Way and Chris Williams.

Chris Burke draws a seaside peep board

Where to begin? Chris Burke makes a start on creating a seaside peep board

Chris Burke's finished board

Chris Burke’s finished board is peerless. Photo © Richard Baxter

Martin Rowson and Andrew Birch

A day of contrasts: Martin Rowson with Andrew Birch

Martin Rowson draws

Martin Rowson’s Jeremy Corbyn cartoon drew a few disapproving glances but the kids loved it. Photos © Jason Hollingsworth

Click here for our blog post on Martin Rowson’s talk at the festival.

Caricaturists in action

The caricaturists — Helen Pointer, Alex Hughes and Pete Dredge — were kept constantly busy. Photo © Jason Hollingsworth

Family caricatured

Happy customers with caricatures by the three artists. Photo © Kerry Riley

Glenn Marshall's Punch and Judy v The Zombies

Glenn Marshall created a cartoon Punch and Judy show with a modern twist. That, as they say, is the way to do it

Public drawing board

As ever, the public were given a chance to draw, overseen by cartoonist the Surreal McCoy. Photo © Kerry Riley

Royston Robertson's Brexit board

Royston Robertson did board entirely filled with Brexit cartoons

Andrew Birch draws

Andrew Birch draws a seaside-themed board

Fake cartoons

Many of the cartoonists contributed to the Fake Cartoons shared board, mostly gags about Donald Trump. SAD! Photo © Richard Baxter

Rob Murray's The Scream big board

In the frame: Rob Murray poses with his board based on The Scream, with an info panel from “Tat Modern”. Photo © Richard Baxter

Dave Brown with big board

No Herne Bay Cartoon Festival would be complete without big board cartoon from The Independent’s Dave Brown

Cartoonists on the merry go round

To end the day, the cartoonists went on the merry-go-round. Pictured are
Noel Ford, who made his Herne Bay debut, Chris Williams and Alex Hughes. Photo © Karol Steele

Caricaturist Helen Pointer

The caricaturist Helen Pointer also appeared at Herne Bay for the first time. Photo © Jason Hollingsworth

That’s all, folks. You can see more by visiting @HBCartoonFest on Twitter or Facebook.com/ HBCartoonFest.

Herne Bay Cartoon Festival is sponsored by the Professional Cartoonists Organisation and supported using public funding by Arts Council England.

Re:Mona exhibition

July 31, 2017 in General

Glenn Marshall writes:

I’ve long been a Mona Lisa obsessive, now I’ve come up with a cunning way to get others to join in.

Along with Helen Wilde and Terry Sole of One New Street Gallery I’ve just hung the ‘Mona Lisa – Not Funny’ exhibition as a side-show to the excellent Herne Bay Cartoon Festival.

Some coded Monas ©Ralph Steadman

It’s an exhibition of reworked, reimagined & regurgitated Mona Lisas by artists, illustrators, designers and of course a plethora of cartoonists (mostly of this parish)

The highly acclaimed pizza restaurant ‘A Casa Mia’ next door to the gallery has even joined in with a ‘Mona Pizza’ which is available on their menu while the exhibition is running. ‘Delizioso’ as Leonardo would’ve said.

Merry cartoony Christmas!

December 22, 2014 in Events, General

Procartoonists.org wishes you a merry Christmas and a very happy new year with this selection of festive cartoons from our members.

Have a great one, folks!

 

dredge_xmas

© Pete Dredge

jonesy_xmas© Jonesy

royston_xmas_2014© Royston

surreal_xmas© The Surreal McCoy

besley_xmas

© Rupert Besley

ariss_xmas© Nathan Ariss

whittock_xmas© Colin Whittock

aaron_xmas© Huw Aaron

hack_xmas

© Matthew Buck

brighty_xmas© Brighty

guy_xmas© Guy Venables

noelford_xmas© Noel Ford

ger_xmas© Gerard Whyman

anderson_xmas

© Terry Anderson

penwill_xmas© Roger Penwill

stott_xmas© Bill Stott

Check out all the PCO cartoonists in the portfolios here.

Roger and out: Chairman steps down

May 1, 2014 in Events, General, News

Roger Penwill narrates the Melodrawma at Shrewsbury 2014

Roger Penwill narrates the Melodrawma at Shrewsbury 2014. Photo by Kasia Kowalska

Roger Penwill reflects on more than a decade as chairman of the Shrewsbury Cartoon Festival as he hands over the reins:

I first approached the town of Shrewsbury with the idea of staging an annual cartoon festival in 2002. Back then very few people knew what a cartoon festival was, including the local council.

The idea gradually took root and the Shrewsbury International Cartoon Festival began in 2004. I had no idea that it would still be going strong after 11 years, I didn’t expect it to last more than two. It is the UK’s longest running annual cartoon festival by far and is currently the only one of its kind in the country. Hopefully it will still be with us for many years into the future.

Each year we festival organisers have enticed top cartoonists from our country and around the world to Shrewsbury in April. Numerous talks and workshops have been given over the “Cartoonists Live!” weekends. Nearly 50 exhibitions of cartoons have been shown, often giving the public opportunities to buy this collectable art form.

Roger Penwill drawn at Shrewsbury 2014 by Matt Buck

Roger Penwill drawn at Shrewsbury 2014 by Matt Buck

Exhibitions of cartoons from the UK, Australia, France, Greece, Germany, Holland, the US and elsewhere have been staged. Also each year, drawing live, have been many of the country’s best caricaturists. The huge Big Board cartoons were a world’s first for the festival.

What makes cartooning appealing to all ages is its emphasis on fun. The festival is defined by its humour, from its often bemused mascot Barry the Shrew (Shrew … Barry – geddit?) to the chaotic Melodrawma comic strip, which is drawn to a live narration, musical accompaniment and sound effects.

The festival may well have inspired many who have visited it to take up pen and brush. We would like to think so. It certainly was the inspiration for the birth of the Professional Cartoonists Organisation, with which it is closely linked.

The festival has been well-supported by the Shropshire Council from the start, but this year it could not continue with its funding because of cutbacks. The festival is therefore adapting to a self-funded future, which it is confident it can do.

Detail from this year's Big Boards, photographed by The Surreal McCoy

Detail from this year’s Big Boards, photographed by The Surreal McCoy. Clockwise from top left: Bill Stott, Chichi Parish, Dave Brown, Rupert Besley, Rich Skipworth and Royston Robertson

After 11 years in charge, I felt this was time for a fresh hand on the tiller so I’ve decided to remove mine. Happily I have been able to hand over the chairmanship of the organising team to Rich Skipworth.

Apart from being a splendid cartoonist himself, Rich is a proven of organiser of cartooning events. I am sure he’ll do a grand job.

So, another enjoyable and popular festival has been and gone (but the exhibitions are still open) and the serious planning for next year gathers pace …

Success for Shrewsbury festival

April 30, 2014 in Events, General, News

Shrewsbury 2014: The music-themed festival was sponsored by Procartoonists.org

Shrewsbury 2014: The music-themed festival was sponsored by Procartoonists.org

The Shrewsbury Cartoon Festival, which took place at the weekend, drew huge crowds and was deemed a success by all involved. And it has already been given a major boost for next year.

The Shropshire Star reports that the festival has just won a £2,000 grant for next year’s event. Every penny will count as this year major funding was cut, so the 2014 festival was run on a shoestring – with a little help from Procartoonists.org.

However, as the organisers predicted, the public would not have noticed as the festival was as lively and busy as ever.

Here is a video of the Big Boards that the Shropshire Star created:

And here are more photos of the event, taken by Kasia Kowalska, that show the breadth of activities that took place at this year’s festival.

Andrew Birch and Kate Charlesworth at work on their Big Boards, the most high-profile element of the festival. They're hard to miss.

Andrew Birch and Kate Charlesworth at work on their Big Boards. The most high-profile element of the cartoon festival, the boards are impossible to miss.

Rich Skipworth, who has taken over as festival chairman from Roger Penwill, adds colour to his board

Rich Skipworth, who is tasked with organising next year’s event having taken over as festival chairman from Roger Penwill , adds some colour to his board

For the music-themed festival Rosie Brooks set herself the task of illustrating the story of Wagner's Ring Cycle in a few hours

For the music-themed festival, Rosie Brooks set herself the task of illustrating the story of Wagner’s Ring Cycle in just a few hours

Daniel Kawczynski, Member of Parliament for Shrewsbury, is caricatured by Jonathan Cusick

Daniel Kawczynski, the Member of Parliament for Shrewsbury, is caricatured by Jonathan Cusick

Alex Hughes, steampunk caricaturist outfit was enough to, er, draw a crowd

Alex Hughes’s steampunk caricaturist outfit was enough to, er, draw a crowd

Harry Venning, creator of Clare in the Community did a talk that was part cartooning part stand-up comedy

Harry Venning, creator of Clare in the Community, as seen in The Guardian and heard on BBC Radio 4,  did a talk that was part cartooning part stand-up comedy

Wilbur Dawbarn hosted cartooning workshops for all ages, as did Cathy Simpson

Wilbur Dawbarn hosted cartooning workshops for all ages, as did Cathy Simpson and Tim Harries

The participating cartoonists were: Rupert Besley, Steve Best, Andrew Birch, Rosie Brooks, Dave Brown, Kate Charlesworth, Jonathan Cusick, Wilbur Dawbarn, Noel Ford, Alex Hughes, Tim Harries, Tim Leatherbarrow, Chichi Parish, Roger Penwill, Helen Pointer, John Roberts, Royston Robertson, Chris Ryder, Cathy Simpson, Rich Skipworth, Bill Stott, The Surreal McCoy, Harry Venning and Gerard Whyman.

Instant cartoons in the Square, handed out to the public for donations to the festival, were a feature this year. John Roberts draws Dizzy Gillespie

John Roberts draws Dizzy Gillespie. Instant cartoons drawn in the Square and handed out to the public for donations to the festival were a feature this year

Royston Robertson and Matt Buck add to the instant cartoons gallery

Royston Robertson and Matt Buck add to the instant cartoons gallery

Finally the Melodrawma is a great illustration of what makes the festival unique. A live comic-strip drawn to the accompaniment of narration, music and sound effects. The Melodrawma team this year was Andrew Birch, Noel Ford, Roger Penwill, Royston Robertson, Bill Stott and The Surreal McCoy.

Finally the Melodrawma is a great illustration of what makes the festival unique. It is a live comic-strip drawn to the accompaniment of narration, music, sound effects … and audience participation. The team this year was Andrew Birch, Noel Ford, Roger Penwill, Royston Robertson, Bill Stott and The Surreal McCoy.