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Herne Bay Cartoon Festival Sets Sail Again

July 3, 2021 in Comment, Events, General, News

Herne Bay Cartoon Festival is back this year. We weren’t able to gather in 2020 for obvious reasons, and when we meet again this summer we will sadly be missing some friends including festival co-organiser Steve Coombes who passed away last December. His tireless enthusiasm and joi de vivre will be missed so much at the festival. Here is a wonderful tribute to Steve that appeared in The Guardian by his partner Sue Austen. Sue ran the festival with Steve since it started in 2013 and she is at the helm this year.

Caricature of Steve Coombes on the Herne Bay Pier carousel by © Dave Brown

This year’s title and theme is Herne Bay Cartoon Festival Takes to the Waves. We are expecting a flood of cartoons about the oceans with the kind of jokes we have come to expect from our cartoonist contributors. (See Royston Robertson‘s fabulous poster for examples)  Our exhibition of new work and old jokes will be open at Beach Creative, Beach Street, Herne Bay, CT6 5PT from 23 July until 19 August.

Des Buckley mid hang at Beach Creative. Photo by Yagmur Coombes.

Cartooning Live will once again be on Herne Bay Pier on Sunday 1 August from 12 noon. Amongst those involved are PCO members Martin Rowson, Rob Murray, Clive Goddard, The Surreal McCoy, Jeremy Banx, Chris Burke, Kathryn Lamb, Alex Hughes, James Mellor, Des Buckley, Guy Venables, poster boy Royston Robertson plus last and least Glenn Marshall.

And there will be an exhibition of the popular Daily Express cartoonist Giles at The Seaside Museum, 12 William Street, Herne Bay, CT6 5EJ open from 10 July to 7 August. In 2020 the Giles Family celebrated its 75thanniversary. We had planned an exhibition last year in collaboration with the The British Cartoon Archive at the University of Kent. So, a year later, we are presenting The Giles Family Holiday at Home. From the start the family enjoyed many holidays together and days out. So, in a year when we are all encouraged to take a ‘staycation’ our exhibition explores some of the joys of the British seaside holiday, whatever the weather!

On Saturday 31 July 2.00pm at Beach Creative there will be ‘Raise Three Fingers for Myanmar’. It’ll be a workshop run by The Surreal McCoy for all the family to create a wall of three finger salutes in support of the people of Myanmar.

Interview with Myanmar cartoonists

July 1, 2021 in General

A military coup on February 1st of this year has returned the southeast Asian country of Myanmar (formerly known as Burma) back to full military rule. After the election in November 2020 was won by the National League For Democracy in a landslide victory, the military, known as the Tatmadaw, refused to accept the result citing voter fraud. Peaceful protest against the coup quickly turned deadly as people were killed and wounded by security forces. Anyone in opposition to the government quickly found themselves vulnerable to arrest, detention and torture. 

This is an interview conducted by Carol (The Surreal McCoy) on behalf of the PCO with two prominent members of the Myanmar Cartoonists Association who have had to flee their country for their own safety: Waiyan Taunggyi and Lagoon Eain (their pen names).

PCO members provided the questions and a fuller version of this interview will be available soon as a video on the PCO Youtube channel.

Waiyan Taunggyi

Lagoon Eain

PCO: Please tell us a bit about yourselves.

WT

Mingalarba (‘hello’ in Burmese). I am cartoonist Waiyan Taunggyi. I am from Myanmar and have been a cartoonist for over twenty years. I have been drawing cartoons for local media, NGOs, INGOs the United Nations and I also do commercial cartoons for businesses. Sometimes I teach basic drawing lessons for kids and adults. I especially do political cartoons and illustrations.

LE

Really, I’m an artist. I do painting, animating, sculpting and music. But I draw cartoons, especially political cartoons as a duty of citizenship. So I [have] created a lot of cartoons since 2010. I criticised governments, candidates and military groups. Since 2012, President U Then Sein wanted to arrest me because of [my] cartoons and now the dictator Min Aung Hlaing wants to arrest me in this military coup. So, our family is running from them.

Cartoon by © Waiyan Taunggyi

PCO: Before the coup were you able to draw your thoughts and opinions as freely as you liked or did you have to censor yourself? Were any subjects off-limits?

WT

I got what I deserved. However, there have been cases where the Burmese military has filed lawsuits under Article 66D.* The Burmese military has previously banned freedom of expression. So even if we make fun of the military, we have to [do so] indirectly with pictures of ancient Burmese Commanders.

[*’The Telecommunications Law was introduced in 2013 and since then it has been used repeatedly to restrict freedom of speech and expression. Defamation charges under Section 66 (d) of the law have been brought against reporters, politicians and social media users. Many people have been arrested for criticising the military, the government or merely posting on Facebook.’- The Burma Campaign UK.]

LE

I publish my cartoons on social media such as Facebook, some media websites and some  printed journals. Sometimes, other media are afraid to use my cartoons because of [lack of] freedom of expression. So, I published all of my cartoons on my own Facebook page. I always consider about justice. So, I don’t think about other opinions and censorship.

Cartoon by © Lagoon Eain

PCO: What role do cartoons have in the Myanmar Spring Revolution?

WT

Cartoons played a very important role in the Spring Revolution. My cartoons gave motivation to the people. I comforted sad people with my cartoons. When in the February revolution most protesters used my cartoons as a sign board. When protesting in front of Chinese Embassy, they printed my cartoon and used it. I was so glad when I saw them I even took a photo with them. Editorial cartoons against the Burmese Military Terrorists bothered them a lot. It was effective and they even threatened my life. I’m so proud to draw effectively and I believe editorial cartoons played an important role in Spring Revolution.

LE

I think that cartoons can entertain the civilians who are tired of this coup, can give motivation for fighting this military group. And then can show what is important during this time with a single picture. So I have a duty to draw.

Cartoon by © Waiyan Taunggyi

PCO: How have your cartoons been regarded by the military?

WT

The dictatorship might have thought I was loathsome monster and they use imposters online to criticise my work. I am certain that these coordinated attacks were an attempt to drag me down.  They really are afraid the power of pencils. They thought that cartoons were a propaganda machine used to make people hate them. Also, the military terrorists didn’t have a cartoonist who can draw high quality cartoons in response to our political activism.

LE

How military regard is not my business but I think they really hurt. Because they want to arrest and search me. 

Protesters in Yangon

PCO: Because there is so little free press and internet access is limited, how are artists getting their work out to the public? Is there an underground movement? 

WT

I was in Myanmar until the first week of April. I first hid in my brother’s house. However, after the dictatorship used the military to target and kill civilians who protested peacefully and even targeted people suspected of being against the regime, I thought if I stayed in Myanmar my life was no longer safe. I knew I would have to leave Myanmar to create my art freely. When I began to flee, I was in constant fear of being caught by the police and military and that they would discover my external hard disks /the tablet I draw because there’s a lot of anti-coup pictures.

I can sigh with relief when I arrived in the safe zone. I think I arrived in April second week to the safe zone with cartoonist Lagoon Eain. Then I send my cartoons to the media from the safe zone. Most Cartoonist in Myanmar would not dare to create cartoons anymore because their life is in danger. I feel it is my responsibility to draw anti-coup cartoons on behalf of my partner cartoonists. Now that I am in safety, I can send my cartoons to the journal who will print out weekly and spread it secretly to the people. Some protesters print out my cartoons as a stickers and they quietly stick to the army walls at night.

LE

About February first week, they closed [the] internet. I tried [to get] my cartoons published on fliers. And then I can publish again on social media with [the] help of VPN apps.

Cartoon by © Lagoon Eain

PCO: What materials do you use in your art? Digital or pen and ink?

WT

I draw [in] all mediums, but mostly create digital works. Previously, I used a Huion Tablet with a Windows Platform. However, when I fled from Myanmar, I took only an iPad. I currently draw with my iPad now.

LE

With my iPad and laptop.

PCO: How are you managing at the moment with the practicalities – money, food, shelter?

WT

Currently I’m ok for now, but I am not sure what to do when my savings run out.

LE

For practicalities, I get support from my friends.

Cartoon by © Waiyan Taunggyi

PCO: What is next for you? Do you think you will return to Myanmar?

WT

I want to live a place where I can create my art freely and safely and have human rights. Hopefully, when the revolution is over I can go back to Myanmar.

LE

We are in second county and we have the only choice to go to [a] third county. Really, I want to return [to] my country again. I love Myanmar. I want to live in this country, but now I can’t live in Myanmar. The military group want to kill me.

#threefingers for Myanmar campaign

March 21, 2021 in Comment, General, News

The Surreal McCoy writes:

In collaboration with artists and creatives in Myanmar (formerly Burma), PCO are running #threefingers a social campaign in support of local cartoonists and artists, and in recognition of the deteriorating situation there. A landslide election for the National League for Democracy party was overthrown by a brutal military coup on February 1, 2021, sparking a national Civil Disobedience Movement (CDM). 

Cartoon © Steve Bright

PCO members have been drawing a selfie giving the three fingered salute in solidarity with the movement. The three-fingered salute has become a symbol of resistance in protest and in art. Across the milk tea nations, from Myanmar to Thailand to Hong Kong, the gesture represents a global solidarity for democracy, defiance against tyranny, and the fight for freedom.

Cartoon © Dave Brown

The Tatmadaw (Burmese Army) has cracked down hard on protestors, as they have in previous civil uprisings. They have reigned with terror in Myanmar’s border states for generations, leading a vicious campaign to remove the Rohingya minority from the country, in 2017.

Cartoonists protest in Yangon.

Myanmar artists have used their art to project the nation’s voice and call upon artists and allies from all nations to raise three fingers for human rights, freedom and democracy.

Cartoon © Zunar

We are partnering with the Burma Campaign UK and Three Fingers.org, to bring the campaign to a global audience. The artwork will be displayed on the site with a view to selling (with the creator’s permission). All proceeds will be directed to Mutual Aid Myanmar, an organisation assisting civil society in Myanmar.

Cartoon © Kerina Stevens

Please retweet/repost whenever you can with the hashtag #threefingers and these social media handles:

https://twitter.com/Raise3Fingers

https://www.instagram.com/raise3fingers/

https://www.tiktok.com/@raise3fingers

Cartoon © Jeremy Banx

Cartoon © Rupert Besley

Cartoon © Steve Jones

Cartoon © Des Buckley

Cartoon © Martin Rowson

The PCO Cartoon Review of the Year 2020

December 28, 2020 in General, Links, News

Cartoon by © Andy Davey.

Glenn Marshall wrote:

Once more my friends it’s time for the PCO Cartoon Review of the Year, featuring work from members of the PCO (speech) bubble. It’s been a difficult year to find humour in, although it would be a nightmare for cartoonists if any year was filled with just love, joy and kittens! I ended last year’s review with “So what fresh horrors will 2020 have in store?” – how little did we know!

As we chase off 2020 (envisioned above by Andy Davey for The Telegraph) one story seems to have dominated this year’s review over all others. Just for fun, see if by the end you can spot which one it is?

Cartoon by © Dean Patterson

To start us off the this cartoon by Dean Patterson sums up the year in one image.

Cartoon by © Andrew Fraser

Some family entertainment by Drew in Private Eye.

Cartoon by © The Surreal McCoy

This cartoon by Ms McCoy was from Lockdown 1.0 but works equally well now for Lockdown 2.5 (and counting)

Cartoon by © Matt Percival

…and from check-in let’s move on to the baggage area with a Percival cartoon reclaimed from The Spectator.

Cartoon by © Nick Newman

Nick Newman in the The Sunday Times on the looooong running Dom Com. In a questionnaire in The Sunday Times Nick recently cited this cartoon as a favourite he’d done this year.

Cartoon by © Glenn Marshall 

Some testing times for Cummings back in May.

Cartoon by © Rebecca Hendin

Rebecca Hendin’s very own lockdown guidelines appeared in the New Statesman.

Cartoon by © Jeremy Banx

Masker vs Anti-masker featuring Batman and Superspreader from Banx in the Financial Times. Jeremy was recently voted ‘Pocket Cartoonist of the Year’. You can see a report on the awards by PCO Chair-human Clive Goddard on the PCO YouTube Channel.

Cartoon by © Clive Goddard

…and talking of Clive Goddard.- in other news (was there any other news I hear you ask?) here’s Harry and Meghan doing some extreme social distancing from the family by Clive.

Cartoon by © Steve Bell

Can’t a have a cartoon review of the year without some Donald – hopefully not so much in next year’s! This splendid reworking of the Delacroix painting  ‘Liberty Leading the People’ (more like ‘Liability Bleeding the People’) is by Steve Bell in The Guardian. Steve was voted ‘Political Cartoonist of the Year’ in the afore-mentioned awards.

Cartoon by © Andy Davey

…and in The Daily Telegraph Andy Davey poured ‘Scorn’ (other bleaches are available) on Donald Trump.

Cartoon by © Sarah Boyce

The Black Lives Matter movement started after the killing of George Floyd in Minneapolis. Here is a creative twist on the phrase from Sarah Boyce published in PE.

Cartoon by © Rupert Besley

INTERLUDE: As a diversion from relentless bad news stories here’s a lovely, soothing cartoon and drawing from Rupert Besley.

Cartoon by © Chris Williams

School days are supposed to be the haPPEiest of our lives! Here’s Dink on the return to school in September.

Cartoon by © Tat Effby

The taking down of public statues also led on from the birth of Black Lives Matter. Later in the year there was a furore about the Mary Wollstonecraft memorial sculpture by artist Maggi Hambling. Tat Effby successfully clashes the two stories with a nude Clive of India.

Cartoon by © Steve Jones

In lack of live Entertainment News: Jonesy reports for Private Eye on the new rules for theatre goers…

Cartoon by © Kipper Williams

…and Kipper Williams took us to the cinema in The Spectator.

Cartoon by © Royston Robertson

Excellent cartoon from our technology correspondent Royston Robertson. I think we’re all suffering from a bit of this, indeed I’m sure I have ‘Long Zoom Fatigue’

Cartoon by © Martin Rowson

Didn’t have to have my arm twisted to use this pretty bullying cartoon by Martin Rowson for Kevin Maguire’s The Mirror column.

Cartoon by © Graeme Bandeira

In sports news Graeme Bandeira puts his hand to a caricature of Maradona for The Yorkshire Post. For some bonus content you can see Graeme’s cartoon that won ‘Political Cartoon of the Year’ in the awards report mentioned earlier,

Cartoon by © James Mellor 

In more sports news James Mellor takes to the fairways. Like many I took up indoor grouse shooting.

Cartoon by © Guy Venables

Back to Trump who, at time of going to press, STILL hasn’t lost the election. This by Guy Venables in his regular slot for The Metro.

Cartoon by © Ed Nay

Clever drawing by Nay. Can you see what is yet?

Cartoon by © Steve Bright

A contender for Man(iac) of the Year, the dyed-hair Trumpublican attorney Rudy Giuliani. I loved this caricature by Brighty.

Cartoon by © Pete Dredge

A substantially funny cartoon from Pete Dredge served up in The Spectator.

Cartoon by © Pete Songi

A fabulous homage to Hogarth’s ‘Gin Lane’ by Pete Songi culled from Martin Rowson’s twittersphere #Draw2020challenge.

Cartoon by © Dave Brown

Talk about Johnson being out of his depth with everything from PPE, Cumming’s eye tests, track and disgrace etc etc etc, You feel Boris just hasn’t got it….well he did get it, but you know what I mean. This from The Independent by Dave Brown really sums up Boris’ year.

Cartoon by © Roger Penwill

Roger Penwill takes to the road for ‘Roadway’ (the magazine from the Road Haulage Association). It’s about the Kent lorry parks post Brexit, but became even more relevant with the closed border before Christmas.

Cartoon by © Wilbur Dawbarn

This BBC balanced offering from Wilbur plucked from The Spectator…

Cartoon by © Zoom Rockmann

…and more Christmas fun. This taking the Santa knee from Zoom Rockman in the Private Eye Christmas special..

Cartoon by © Chris Burke

Let’s end the year with this lovely festive offering from Chris Burke, it’s what we all wanted in our stockings this year.

So a Happy? New Year from all at PCO megacorp.

Now, I wonder what fresh horrors 2021 will have in store?

Cartoon by © Martin Rowson for The Mirror Kevin Maguire column.

 

Shrewsbury Cartoon Festival – The Exhibitions!

October 20, 2020 in Comment, Events, General

Exhibition poster cartoon by festival organiser © Roger Penwill.

Lovely to see a REAL cartoon exhibition on REAL walls! Shrewsbury Cartoon Festival may have been cancelled earlier in the year but the accompanying ’20-20 Vision’ show lives on at the wonderful Bear Steps Gallery in Shrewsbury. It opened this week and features 70 cartoons by 43 cartoonists including Steve Bell, The Surreal McCoy, Pete Dredge, Jonathan Cusick, Tat Effby, Wilbur Dawbarn, Ralph Steadman, Royston Robertson, John Landers, Steve Best, Jeremy Banx, Kathryn Lamb, Sarah Boyce, Tim Harries, Glenn Marshall, Andy Davey, Clive Goddard & Zoom Rockman.

The Bear Steps Gallery, a fifteenth century restored building. Photo © Glenn Marshall.

There is also a bonus exhibition in the upstairs gallery of cartoons responding to the coronavirus pandemic.

Photo of the team hanging the artwork last Sunday © Tony Clarkson.

The PCO blog featured some of the cartoons selected for the ‘Vision’ exhibition earlier in the year and you can see them here.

Another photo of the hang © Tony Clarkson.

Here is a selection from the ‘No One Saw It Coming’ coronavirus cartoons display.

Ralph Steadman did a HUGE painting. A video of him in action as he creates it is displayed next a much smaller print of the work.

Cartoon © Ralph Steadman.

Cartoon © Peter Schrank

Poignant cartoon by Peter Schrank about isolation, particularly for the elderly and vulnerable during lock down.

Cartoon © Steve Bell.

Unsurprisingly Boris featured heavily in the exhibition. This by The Guardian’s Steve Bell…

Cartoon © Andy Davey.

…and another from Andy Davey.

Cartoon © Chris Williams

…and yet another. This by ‘Dink’

Cartoon © Grizelda.

Over-indulgence cartoon from Grizelda…although some of us didn’t drink sensibly even before the pandemic.

Caricature © Jonathan Cusik.

Fine caricature of Chris ‘Now Go Wash Your Hands’ Whitty by Jonathan Cusick.

Cartoon © Pete Dredge.

Back to school with Dredge.

Cartoon © Ken Pyne.

Ken Pyne takes us on holiday….remember those?

Cartoon © Royston Robertston…and Phil.

Pirate material by Rrrrroyston Rrrrrobertson.

Cartoon © Henny Beaumont.

No exhibition on this theme would be complete without a wave to the super-spreader himself. Henny here channeling Hokasai.

Cartoon © The Surreal McCoy.

Finally as we head into the second wave this cartoon by the Surreal McCoy seems perfectly timed.

Through the exhibition run we’ll be publishing more of the ‘No One Saw it Coming’ exhibits across the vast PCO media empire so keep an eye on our Facebook (@UKProfessionalCartoonists), Twitter (@procartoonists) and Instagram (@procartoonists) feeds.

For more Covid ‘fun’ we published a selection of infectious laughter earlier in the year here.

The exhibition at Bear Steps runs until 31st October and the gallery is open 10.00am – 4.0pm daily. (Covid measures at the gallery: hand sanitiser at the door, 6 visitors at a time with an eye kept on flow, in one door out through another. Face coverings to be worn)

Puppet caricature © Jonathan Cusik.

Here’s a fine video of the cartoon-form Mayor of Shrewsbury Philip Gillam introducing the show.

Congrats to all those involved from Shrewsbury International Cartoon Festival and Bear Steps Gallery for putting the shows together in tricky times. Fingers tentatively crossed that the festival can return in all its glory next Spring!

  • Thanks to festival committee member Sarah Knap for extra info in this post.

Oh We Did Like To Be Beside The Seaside!

July 31, 2020 in Events, General, News

In the ‘old normal’ this weekend would have seen cartoonists flocking like seagulls to the wonderful Herne Bay Cartoon Festival. With this year’s event c19ncelled here’s a trip down memory lane with the fabulous posters from previous years and links to the festival holiday snaps.

2013 Poster by © Hunt Emerson

The Herne Bay event started as a bolt-on to the Duchamp In Herne Bay centennial festival and featured much Marcel Duchamp toilet humour including cartoons exhibited in the latrines of local pubs.

2014 ‘Cartoonists Beside The Surrealside’ by © Ian Baker

The following year in 2014 the cartoon festival became a thing of its own, but still keeping it surreal.

2015 ‘Cartoonists Beside The Surrealside II’ by © Jeremy ‘Banx’ Banks

The art theme carried on in 2015 with cartoonists manning easels in the bandstand.

2016 by © Dave Brown

In 2016 once more we stuck our toes in the water and drew seaside postcards..

2017 ‘The End of the Pier Show’ by © Chris Burke

In 2017 the live drawing moved over from the bandstand to the pier.

2018 ‘Turning the Tide’ by © The Surreal McCoy

2018 had the seaside theme ‘Turning The Tide’ with an extra focus on female cartoonists in celebration of the centenary of women getting the vote in the UK.

2019 ‘Fly Me To The Moon’ by © Martha ‘Marf’ Richler

Last year’s 2019 spacey theme was the Apollo moon landings. Little did we know it would be the last time cartoonists landed on Herne Bay pier for some time.

Fingers crossed we’ll be heading back with our buckets and spades, cramming the beaches in 2021!

Not the 2020 Shrewsbury Cartoon Festival

April 24, 2020 in Events, General, News

Cancelled poster by © Roger Penwill

Glenn Marshall writes:

This weekend would have seen the main events of the Shrewsbury International Cartoon Festival  but sadly, like so much else, it has had to be cancelled. One of the organisers, Roger Penwill, commented a few weeks ago when the postponement was announced “We felt that we had no choice as the nature of the event, encouraging many members of the public to come to an indoor space, ran contrary to the guidance on tackling virus spread. More importantly we did not want to put at risk the health of any member of the cartooning community or their families”

The theme was ‘twenty twenty vision’ so the organising committee should’ve been visionary and seen Covid 19 coming!

In the meantime, here for your edification and delight, is a selection of optical illusionary cartoons selected by Roger that would’ve been part of the the Bear Steps Gallery exhibition. All drawn from/by the PCO fraternity.

In alphabetical order:

Cartoon © Nathan Ariss

Cartoon © Jeremy Banx

Cartoon © Rupet Besley

Cartoon © Andy Davey

Cartoon © Ian Baker

Cartoon © Neil Dishington

Cartoon © Pete Dredge

Cartoon © Tat Effby

Cartoon © Clive Goddard

Cartoon © James Griffiths

Cartoon © Jonesy

Cartoon © Kathryn Lamb

Cartoon © Chris Madden

Cartoon © Roger Penwill

Cartoon © Glenn Marshall

Cartoon © Ken Pyne

Cartoon © Royston Robertson

Cartoon © The Surreal McCoy

Cartoon © Wilbur Dawbarn

Cartoon © Kipper Williams

Cartoon © Noel Ford

This final cartoon is by the great Noel Ford (who I should really rechristen Noel Zord to keep alphabetic consistency) Sadly Noel died last year. He had been very involved with the festival since its inception and part of this year’s events was to be a retrospective exhibition of his wonderful work.

Thanks to Roger and all the others who’d put a lot of effort into preparation for this year’s jamboree, including Sarah Knapp, Tim King, Tat Effby, Jonathan Cusick and Jill Wild. Hopefully the Shrewsbury cartoon spectacle will be able to be rescheduled in the near future.

On Saturday I’ll be off to do my self-isolated vision themed big board in the garden….

Infectious Laughter

March 31, 2020 in General

Cartoon © Pete Dredge

Naturally many cartoonists have been indulging in some sick humour whilst trying to cope under lockdown. These are from the bunkers of Procartoonists members, including the very funny and worryingly accurate Dredge cartoon above.

© Sarah Boyce

Of course most of us are used to working locked down at home. This is Sarah Boyce’s take on home working.

© Neil Dishington

It has even allowed us to revisit the cartoon cliche, well demonstrated here by Dish.

@ Jeremy Banx

The over-seventies are particularly locked up under lockdown. This from the FT by Banx.

© Guy Venables

And of course we can’t touch each other. This from the ceiling of the household of the great master Guy Venables.

© KJ Lamb

Another art inspired cartoon this from Kathryn Lamb for The Spectator. A bit too much face touching going on there too.

© Dave Brown

Naturally a little bit of politics is inevitable as Boris belatedly tries to hold back the tide. Here the ‘Cnut’ Johnson is rendered by Dave Brown for The Independent.

© Andy Davey

More on Boris’s effort on containment from Andy Davey….with a rather precient final frame.

© Steve Bright

In international news Donald Trump’s every pronouncement is – as usual – going viral, as perfectly illustrated here by Brighty.

© Roz Asquith

Roz Asquith takes a wry look at how some people might work from home.

© Rebecca Hendin

A public information strip by Rebecca Hendin for The New Statesman

© The Surreal McCoy

With people struggling to travel back to their own countries an archive cartoon from the Surreal McCoy seems very apt.

© Glenn Marshall

While you lot all worry about catching Covid 19 I’m in blind panic that I’m down to my last 250 toilet rolls!!!

© Tat Effby

This by Tat Effby shows the toilet roll I missed buying!

 

© Colin Whittock

Colin Whittock also concerns himself with the toilet paper crisis.

© Rupert Besley

Some distance learning from Rupert Besley.

© Wilbur Dawbarn

More spatial awareness. This by Wilbur.

© Andrew Birch

Birch concerns himself with how criminals are having to adapt now we’re all permanently at home and burglary is less of an option.

© James Mellor

On a more positive note this is James Mellor’s tribute to the key workers who are being overwhelmed at the moment.

© Royston Robertson

and here’s a VERY true cartoon by Royston for the Nursing Standard.

© Graeme Bandeira

Graeme Bandeira has been producing some wonderful and moving cartoons for The Yorkshire Post. This one has been shared particularly widely.

© Nick Newman

and finally applause to Nick Newman for this cartoon in The Sunday Times.

Thanks to the PCO members for allowing me to pilfer their work.

Remember folks to clunk, click every trip and always use a condom.

Offensive Weapon?

March 16, 2020 in Events, General

Glenn Marshall writes:

Procartoonists recently hosted a panel discussion labelled ‘OFFENSIVE WEAPON?’ at the North London Story Festival. The talk centred around the issue of cartoons causing offence and where to draw the line. I was joined by Carol Isaacs AKA The Surreal McCoy and The Guardian’s Martin Rowson.

I opened with a brief look at the history of cartoons causing offence, including this one by Richard Newton in 1798, of John Bull farting in the face of George III – oh how we love a fart gag! Newton had his first cartoon published when he was 13 and went on to be supported by the radical publisher William Holland, producing further attacks not only on the Royals and Napoleon but also the slave trade. His short but prolific career ended when he died of typhus aged just 21.

This cartoon by James Gillray of the then Duke of York could’ve been a recent cartoon about the current Duke of York – it’s regularly pastiched. It was deemed acceptable when drawn 1792, but when it was included in a collection of Gillray’s work in the more puritanical Victorian era – around the 1840s – the books were impounded by the police for being obscene. It was only deemed suitable for the public at large in 2009!

Martin mainly talked about his own experience with offence. The cartoon above from the Guardian was his response to the 2017 van attack on the Finsbury Park Mosque, a comment on how some of the print media can incite hate.

Paul Dacre’s Daily Mail went apoplectic with a front page banner raging ‘Fake news, the fascist left and the REAL purveyors of hate’ and went on to an outraged ‘comment’ page. Clearly Martin was doing something right!

Bernard Verlhac (Tignous), Georges Wolinski; Jean Cabut, (Cabu), Stephane Charbonnier (Charb) Jean Cabut (Cabu).

Martin also talked about the Charlie Hebdo attack, paying tribute to the 12 people murdered including the four cartoonists above.

Carol, who is the PCO’s committee member for overseas, discussed issues around the globe of cartoonists who have been persecuted and censored. This covered many of the people we have campaigned for, along with our friends from Cartoonists’ Rights Network International

This is one of many great drawings Carol showed by the Syrian cartoonist Ali Farzat who has had a long history of being attacked and censored by the current regime for his work. He now operates out of Kuwait.

This topical cartoon by Niels Bo Bojesen from Danish daily newspaper Jyllands-posten published in January caused the Chinese embassy in Denmark to demand an apology.

Following our talk, we were fortunate that the next speaker cancelled, as we ran into a prolonged and lively Q&A.

Our travelling GAGGED exhibition on suppression and censorship of cartoonists sound the globe also had an outing over the festival.

Thanks  to the festival organiser from Middlesex University for inviting us along.

The Wolf of Baghdad released

February 27, 2020 in Events, General, News

I’ve just wolfed down in one sitting the wonderful, recently published ‘The Wolf of Baghdad’ by PCO’s Carol Isaacs, AKA The Surreal McCoy, published by Myriad Edition. It follows the story of Carol’s family roots and the everyday life of the Jewish community in Baghdad, where a quarter of the city’s population were Jewish up until the little-known vicious pogram of 1941. Within a decade nearly all 150,000 had been murdered or exiled.

All illustrations © The Surreal MCoy

The wolf in the title originates from the Baghdadi Jews belief that the wolf protects them from harmful demons.

I love the illustrations of the ghostly characters and buildings and the limited, muted colour palette that evolves to segment different parts of the story. The wonderful, clean line drawing reminded me of Marjane Satrapi’s ‘Persepolis’.
Although the novel is wordless it is punctuated by really insightful testimonies.

There is also a superb, evocative soundtrack which Carol performs on along with the band ‘3yin’ which is great to listen to while reading the book for the complete Surround-O-Vison experience!

Some quotes about the book:

The book has some great reviews including this from UK comic shop Page 45. This from The Jewish Cronicle and one from The Morning Star.

Carol and 3yin playing live with visuals from the motion comic at The Phoenix cinema in East Finchley last November.

The Surreal McCoy has recently been talking about the book at the  Mathrubhumi International Festival of Letters in Kerala, India and has visited New York for a premier screening of the DVD at The New York Sephardic Film Festival 2020. There are also some shows coming up including Carol and 3yin playing live with moving visuals from the book at JW3 in London on 5th March. Recommended for a unique experience.

The book can be purchased direct from Myriad Edition

For updates on the project follow The Wolf of Baghdad blog.