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Jane Mattimoe’s UK Case for Pencils (4): Jonesy

September 23, 2021 in General

A selfie by © Jonesy

Another of our occasional dives into the pencil case of a UK cartoonist from Jane Mattimoe’s A Case for Pencils series. In this instalment it’s the turn of PCO’s very own committee compadre:

Jonesy (aka Steve Jones)

Bio: So far I’ve been published in Private Eye, New Statesman, Prospect, Harvard Business Review, The Oldie, Reader’s Digest (UK), The American Bystander, The Phoenix, CAM (Cambridge University Alumni Magazine), Resurgence and Ecologist, London Evening Standard and The Spectator.

Cartoon published in Private Eye. © Jonesy

Tools of choice:

Traditional: Pentels, pencils (seldom anything harder than a B), Uni-balls, Sharpies, brush pens and dip pens. Allsorts, really. For instance, you’ll find various other weird and wonderful oddities in my arsenal like Pilot Parallel nib pens and folded brass dip-pens. The Pilots are intended for use by calligraphers but I enjoy drawing with them. As for the dip-pen, a HIRO Leonardt 41 Copperplate is my nib of choice, nib fans.

I use Higgins Black Magic and Daler Rowney FW ink and White Knights (formerly St. Petersburg) watercolour paints plus various makes of brushes. I find a toothbrush comes in handy too. (Not for my teeth, obviously: I’m British.) Oh, and a diffuser.

My favourite paper for ink and watercolour work is Saunders Waterford High White HP 140lb, and Canson Bristol mostly for ink only.

I draft out rough ideas on Daler Rowney layout pads. I also use various sketch and note pads and have been known to scribble ideas on anything to hand including pets, plants and passers by. Anything alliterative, really.

Sometimes when I’m out and about I also recite cartoon ideas into my mobile so I can pick them up off my voicemail when I get home. Saying stuff out loud like “lighthouse with a bowling alley” and giggling can attract strange looks from passers by. Scribbling on them, however, invokes a much stronger reaction.

Digital: I use MacBook Pros (x2), a Wacom Intuos 4 pad and stylus. I started off with Photoshop and Painter Essentials but now use Clip Studio Art and Affinity software. Both are much cheaper and – for my purposes anyway – just as good.

Recently I was considering an iPad but I think my newer Macbook Pro is about to give up the ghost so bang goes that idea for the time being. My 2010 MBP has been hammered day and night without giving me a moment’s complaint: a wonderful workhorse. I wish I could say the same for my 2015 version. In their efforts to make the laptop thinner and lighter, Apple, sadly, seem to have sacrificed build quality and durability. How about u-turning on this skinny/lightweight malarkey and making the upcoming model a bit sturdier, eh, Apple? Go on, you know you want to…

Tools I wish I could use better: All of them.

Tools I wish existed: Scanvision – ie: Just looking at the drawing equals instant scan filed on your computer.

Command z on dip-pens. Failing that, an effective ink eraser.

Tricks: Not so much a trick of the trade as sound advice: join the Professional Cartoonists’ Organisation. Only if you’re a cartoonist, like. Or a caricaturist. If you’re a shepherd, say, you probably won’t get too much out of it. Anyway, it’s been an enormous help to me.

Don’t spill coffee on your freshly drawn artwork. All other beverages are fine.

Cartoon published in Prospect. © Jonesy

Never throw away ideas. Sometimes I return to cartoons I initially rejected and get a fresh angle on them. Absence can make the thought grow stronger. (Sorry, that last sentence reads like one of those crap motivational posters…)

I find I get the best results by holding the pointy end of my pen to the paper.

Try to avoid cleaning your brushes in your tea/coffee/whatever cup/mug/glass/beaker/whatever. Or, indeed, drinking from your brush water container. (I’ve done both.)

Try to avoid typing sentences with lots of/too many/an excess of options/alternatives/choices/whatever.

Rejection comes with the cartooning territory, I’m afraid. Easier said than done, I know, but try not to let it get you down: use it as motivation to do better. Or try blackmail.

Miscellaneous: Be as helpful as you can to people starting out. I appreciated the kindness of, and learned a great deal from senior pros who took the time to help me with my first steps. (See “Tricks” section above as proof.)

Websites, etc:

My social media empire, such as it is, comprises the following…

Website (I should update this more often)

Instagram (I should update this more often)

Twitter (I should visit this less often)

Here’s a PCO blog bonus Jonesy:

Cartoon published in Private Eye. © Jonesy

You can see previous UK ‘Case for Pencils’ by PCO members:

Ralph Steadman

The Surreal McCoy

Bill Stott

Plus see many more on the following link Case For Pencils

A Peer at Herne Bay Cartoon Festival 2021

September 8, 2021 in Comment, Events, General

A carousel of cartoonists. Photo by © Ray Covey

Apologies for the late running of our usual photo gallery of the Herne Bay Cartoon Festival but pictures were delayed by the HGV lorry driver shortage…so blame Brexit/Covid.

Join me now as we take a not-so virtual tour up the pier…

Photo by © Jason Hollingsworth

The start of the traditional cartoonists’ parade, pencil led by Zoom and Ace Rockman who are also carrying the Steve Coombes Memorial Trilby. It was festival co-organiser Steve who instigated the annual musical ‘March of the Cartoonists’. Steve sadly passed away earlier in the year.

Board by © Zoom Rockman. Photo by © Jason Hollingsworth

Zoom’s was the first board you were greeted by on the pier. A splendid rendition of Boris Johnson’s bottom that you were invited to speak out of.

Board by © Zoom Rockman,

Martin Rowson demonstrating where Boris generally talks from.

Board by © Royston Robertson

I’ve often wondered how Royston constantly produces such a large volume of great gags…here’s your answer, he’s cloned himself!

Board by © Des Buckley. Photo by © Jason Hollingsworth

We had plenty of Covid at the festival this year, thankfully in the cartoons rather than in the cartoonists.

Here’s Des Buckley’s ‘JABS’ movie poster. Next year we’ll be expecting ‘JABS II – THE BOOSTER’.

Board by © James Mellor. Photo by © Karol Steele

A flotilla of topical cartoons from James Mellor.

Board by © The Surreal McCoy. Photo by © Karol Steele

I’m a huge fan of the absurdist humour of The Surreal McCoy.

Board by © Guy Veneables. Photo by © Karol Steele

Guy Venables – a man preparing himself for post big-board beer ownership.

Beachwear collection by © Glenn Marshall

Andy & Karol Steele before entering the ‘m a r s h a l l interactive plastic wave machine’.

Board by © Clive Goddard. Photo by © Karol Steele

Clive Goddard with his chief colourist Amy Amani.

Board by © Clive Goddard. Photo by © Karol Steele

Procartoonist Chairhuman Clive on the exulted PCO podium.

Board by © Rob Murray, Photo by © Ray Covey

Rob Murray about to launch his dating app for shingles.

Finished board by © Rob Murray

Board by © Chris Burke. Photo by © Ray Covey

A second wave of Boris cartoons. This one brushed up by Chris Burke.

Board by © Jeremy Banx. Photo by © Karol Steele

Banx draws a blank.

Board by © Jeremy Banx. Photo by © Karol Steele

Jeremy’s board with filling.

Board by © Martin Rowson. Photo by © Ray Covey

More Boris, this time from the venerable Martin Rowson. He’s left the best bit to last.

Board by © Kathryn Lamb. Photo by © Karol Steele

Finally at the end of the pier K J lamb has yet another Boris stranded out at sea in a ‘Lie Boat’. Surely a typo?

Photo by © Karol Steele

Alex Hughes manning (or should that be personing?) caricature corner.

There is also a great film record of the event by Dave Painter of HUTC productions. You can enjoy it here.

Plaudits to Sue Austen and the team for getting the festival together this year under such trying circumstances.

Thanks to festival regulars Karol Steele and Ray Covey plus festival coordinator Jason Hollingsworth for the photos in the absence of usual PCO snapper Kasia Kowalska.

Eaten Fish nets Norwegian award

September 6, 2021 in Comment, News

Cartoon by © Eaten Fish

Honorary Overseas PCO member Eaten Fish, also known as Ali Durani, has received the prestigious Fritt Ord Foundation award. This scholarship is given to nine cartoonists living in Norway who use the medium of visual satire.

 

Fritt Ord aim to strengthen the position of satire drawing in Norway, because it is an expression at the intersection of art and journalism that enriches written journalism and makes us see political issues with a new perspective.

 

Cartoon by © Eaten Fish

 

“After the terrorist attacks on Charlie Hebdo, many have had their eyes opened to the significance of visual satire. At the same time, it seems that it is disappearing from the newsrooms, perhaps especially for financial reasons. They are nice to have, but not absolutely necessary. We would like to give some artists the opportunity to continue working with this genre, of course with a view to publishing opportunities,” said Fritt Ord project manager Joakim M. Lie.

Photo of Ali by © Bengt Sigve Heggebø

 

Among the recipients of the scholarship are both Norwegian and international artists. Iranian Ali Dorani has been living in Stavanger since 2017 when he arrived through ICORN’s program for persecuted artists and writers. Prior to this, he spent five years in a refugee camp on the island of Manus Island, off Papua New Guinea, and his work as a satirist has been about documenting and communicating living conditions in refugee camps based on his own experiences.

“I have been in a difficult place in life without income and work, and this gives me the opportunity to continue drawing and communicating on behalf of refugees around the world”, he said.

 

Each recipient of the work grant receives NOK 100,000. each (about £8,300), which will cover four months’ work during the autumn of 2021. During the same period, guidance, advice and development will be offered by professionals and jury members, and the cartoonists will also have to opportunity to work with newspapers or other media. Fritt Ord will give a further grant of up to NOK 100,000 if any work results in a publication agreement or self-publication during 2022.

 

Many of you will have contributed fish to our #DrawEatenFish digital shoal where we joined the global campaign to get ‘Eaten Fish’ released from internment on Manus island. It’s great to see Ali now thriving in Norway

Shrewsbury Cartoon Festival exhibition comes to the High Street

September 6, 2021 in Comment, Events, General, News

Poster illustration by © Jonathan Cusick

Festival Organising team member Sarah Knapp writes:

Delayed by lockdowns, and consequently without it’s usual live events,  Shrewsbury Cartoon Festival exhibition is going ahead this year represented by two exhibitions at the Bear Steps Gallery, Shrewsbury from 6th to 18th September.

The show goes up.

Our theme is ‘The High Street’ as we felt it’s time to show support to the many shops and eateries that have suffered so badly over the last 18 months.

Poster cartoon by © Fawzy Morsy

 

We are also pleased to also announce the return of international cartoons; in the upstairs gallery ‘Over the Shroopshire hills and Pharoah Way’ showcases over 25 cartoons from Egypt, Syria, Iraq, UAE and Saudi Arabian cartoonists.

Cartoon by © Farouk Mousa

The result of the two exhibitions is a plethora of original cartoons showing different styles and humour gathered together in one place for your delight and amusement. A mixture of originals and prints, they are all for sale.

Started in 2004 by Shropshire based cartoonist Roger Penwill, the town’s Cartoon Festival is now a Shropshire treasure attracting locals plus visitors, artists and collectors of cartoons from further afield.

 

Illustration by © Ralph Steadman

Above is a signed print from Ralph Steadman entitled “Shopping Sisters”.  The cartoon was painted 12 years ago when Ralph was on a wine-tasting trip with Oddbins. Following the exhibition this oak-framed signed cartoon print will be auctioned in the

October Fine Art online timed auction to be held by Halls Fine Art, Shrewsbury. Ralph kindly signed the print for the Cartoon Festival and proceeds of the sale will be donated to the festival.

As in 2020 we would have liked to have brought more of the Festival to the town. However it will return as a full festival in its usual format in April 2022.

Shrewsbury Cartoon Festival has support from Shropshire Council as well as invaluable sponsorship from the Professional Cartoonists Organisation.

Below are a few shop samples from the show.

.

Cartoon by © Clive Goddard

Cartoon by © Rupert Besley

Cartoon by © The Surreal McCoy

Cartoon by © Ian Baker

Cartoon by © Royston Roberston

Cartoon by © Jason Chatfield

 

Fingers raised

September 1, 2021 in Events, News

The PCO has been proud to be involved with the ‘Raise Three Fingers’ for Myanmar campaign. Members have been drawing the three fingers salute which is a symbol of protest in the region (originally from ‘The Hunger Games’ believe it or not) and donating artwork to be sold for the cause. We also ran a ‘draw three fingers’ workshop at the recent campaign fundraiser creating an instant gallery.

The day featured live music (from the London Mozart Players to Laura Marling), stand up comedy, craft stores and fabulous Burmese food. Plus some very moving speeches from some of the campaigners.

Over £40,000 so far has been raised from the fundraiser.

Here is a short film about the day on the PCO YouTube channel made by the Surreal McCoy.

Thanks to all who contributed, we hope to have a related exhibition later in the year.

Herne Bay Cartoon Festival Sets Sail Again

July 3, 2021 in Comment, Events, General, News

Herne Bay Cartoon Festival is back this year. We weren’t able to gather in 2020 for obvious reasons, and when we meet again this summer we will sadly be missing some friends including festival co-organiser Steve Coombes who passed away last December. His tireless enthusiasm and joi de vivre will be missed so much at the festival. Here is a wonderful tribute to Steve that appeared in The Guardian by his partner Sue Austen. Sue ran the festival with Steve since it started in 2013 and she is at the helm this year.

Caricature of Steve Coombes on the Herne Bay Pier carousel by © Dave Brown

This year’s title and theme is Herne Bay Cartoon Festival Takes to the Waves. We are expecting a flood of cartoons about the oceans with the kind of jokes we have come to expect from our cartoonist contributors. (See Royston Robertson‘s fabulous poster for examples)  Our exhibition of new work and old jokes will be open at Beach Creative, Beach Street, Herne Bay, CT6 5PT from 23 July until 19 August.

Des Buckley mid hang at Beach Creative. Photo by Yagmur Coombes.

Cartooning Live will once again be on Herne Bay Pier on Sunday 1 August from 12 noon. Amongst those involved are PCO members Martin Rowson, Rob Murray, Clive Goddard, The Surreal McCoy, Jeremy Banx, Chris Burke, Kathryn Lamb, Alex Hughes, James Mellor, Des Buckley, Guy Venables, poster boy Royston Robertson plus last and least Glenn Marshall.

And there will be an exhibition of the popular Daily Express cartoonist Giles at The Seaside Museum, 12 William Street, Herne Bay, CT6 5EJ open from 10 July to 7 August. In 2020 the Giles Family celebrated its 75thanniversary. We had planned an exhibition last year in collaboration with the The British Cartoon Archive at the University of Kent. So, a year later, we are presenting The Giles Family Holiday at Home. From the start the family enjoyed many holidays together and days out. So, in a year when we are all encouraged to take a ‘staycation’ our exhibition explores some of the joys of the British seaside holiday, whatever the weather!

On Saturday 31 July 2.00pm at Beach Creative there will be ‘Raise Three Fingers for Myanmar’. It’ll be a workshop run by The Surreal McCoy for all the family to create a wall of three finger salutes in support of the people of Myanmar.

Interview with Myanmar cartoonists

July 1, 2021 in General

A military coup on February 1st of this year has returned the southeast Asian country of Myanmar (formerly known as Burma) back to full military rule. After the election in November 2020 was won by the National League For Democracy in a landslide victory, the military, known as the Tatmadaw, refused to accept the result citing voter fraud. Peaceful protest against the coup quickly turned deadly as people were killed and wounded by security forces. Anyone in opposition to the government quickly found themselves vulnerable to arrest, detention and torture. 

This is an interview conducted by Carol (The Surreal McCoy) on behalf of the PCO with two prominent members of the Myanmar Cartoonists Association who have had to flee their country for their own safety: Waiyan Taunggyi and Lagoon Eain (their pen names).

PCO members provided the questions and a fuller version of this interview will be available soon as a video on the PCO Youtube channel.

Waiyan Taunggyi

Lagoon Eain

PCO: Please tell us a bit about yourselves.

WT

Mingalarba (‘hello’ in Burmese). I am cartoonist Waiyan Taunggyi. I am from Myanmar and have been a cartoonist for over twenty years. I have been drawing cartoons for local media, NGOs, INGOs the United Nations and I also do commercial cartoons for businesses. Sometimes I teach basic drawing lessons for kids and adults. I especially do political cartoons and illustrations.

LE

Really, I’m an artist. I do painting, animating, sculpting and music. But I draw cartoons, especially political cartoons as a duty of citizenship. So I [have] created a lot of cartoons since 2010. I criticised governments, candidates and military groups. Since 2012, President U Then Sein wanted to arrest me because of [my] cartoons and now the dictator Min Aung Hlaing wants to arrest me in this military coup. So, our family is running from them.

Cartoon by © Waiyan Taunggyi

PCO: Before the coup were you able to draw your thoughts and opinions as freely as you liked or did you have to censor yourself? Were any subjects off-limits?

WT

I got what I deserved. However, there have been cases where the Burmese military has filed lawsuits under Article 66D.* The Burmese military has previously banned freedom of expression. So even if we make fun of the military, we have to [do so] indirectly with pictures of ancient Burmese Commanders.

[*’The Telecommunications Law was introduced in 2013 and since then it has been used repeatedly to restrict freedom of speech and expression. Defamation charges under Section 66 (d) of the law have been brought against reporters, politicians and social media users. Many people have been arrested for criticising the military, the government or merely posting on Facebook.’- The Burma Campaign UK.]

LE

I publish my cartoons on social media such as Facebook, some media websites and some  printed journals. Sometimes, other media are afraid to use my cartoons because of [lack of] freedom of expression. So, I published all of my cartoons on my own Facebook page. I always consider about justice. So, I don’t think about other opinions and censorship.

Cartoon by © Lagoon Eain

PCO: What role do cartoons have in the Myanmar Spring Revolution?

WT

Cartoons played a very important role in the Spring Revolution. My cartoons gave motivation to the people. I comforted sad people with my cartoons. When in the February revolution most protesters used my cartoons as a sign board. When protesting in front of Chinese Embassy, they printed my cartoon and used it. I was so glad when I saw them I even took a photo with them. Editorial cartoons against the Burmese Military Terrorists bothered them a lot. It was effective and they even threatened my life. I’m so proud to draw effectively and I believe editorial cartoons played an important role in Spring Revolution.

LE

I think that cartoons can entertain the civilians who are tired of this coup, can give motivation for fighting this military group. And then can show what is important during this time with a single picture. So I have a duty to draw.

Cartoon by © Waiyan Taunggyi

PCO: How have your cartoons been regarded by the military?

WT

The dictatorship might have thought I was loathsome monster and they use imposters online to criticise my work. I am certain that these coordinated attacks were an attempt to drag me down.  They really are afraid the power of pencils. They thought that cartoons were a propaganda machine used to make people hate them. Also, the military terrorists didn’t have a cartoonist who can draw high quality cartoons in response to our political activism.

LE

How military regard is not my business but I think they really hurt. Because they want to arrest and search me. 

Protesters in Yangon

PCO: Because there is so little free press and internet access is limited, how are artists getting their work out to the public? Is there an underground movement? 

WT

I was in Myanmar until the first week of April. I first hid in my brother’s house. However, after the dictatorship used the military to target and kill civilians who protested peacefully and even targeted people suspected of being against the regime, I thought if I stayed in Myanmar my life was no longer safe. I knew I would have to leave Myanmar to create my art freely. When I began to flee, I was in constant fear of being caught by the police and military and that they would discover my external hard disks /the tablet I draw because there’s a lot of anti-coup pictures.

I can sigh with relief when I arrived in the safe zone. I think I arrived in April second week to the safe zone with cartoonist Lagoon Eain. Then I send my cartoons to the media from the safe zone. Most Cartoonist in Myanmar would not dare to create cartoons anymore because their life is in danger. I feel it is my responsibility to draw anti-coup cartoons on behalf of my partner cartoonists. Now that I am in safety, I can send my cartoons to the journal who will print out weekly and spread it secretly to the people. Some protesters print out my cartoons as a stickers and they quietly stick to the army walls at night.

LE

About February first week, they closed [the] internet. I tried [to get] my cartoons published on fliers. And then I can publish again on social media with [the] help of VPN apps.

Cartoon by © Lagoon Eain

PCO: What materials do you use in your art? Digital or pen and ink?

WT

I draw [in] all mediums, but mostly create digital works. Previously, I used a Huion Tablet with a Windows Platform. However, when I fled from Myanmar, I took only an iPad. I currently draw with my iPad now.

LE

With my iPad and laptop.

PCO: How are you managing at the moment with the practicalities – money, food, shelter?

WT

Currently I’m ok for now, but I am not sure what to do when my savings run out.

LE

For practicalities, I get support from my friends.

Cartoon by © Waiyan Taunggyi

PCO: What is next for you? Do you think you will return to Myanmar?

WT

I want to live a place where I can create my art freely and safely and have human rights. Hopefully, when the revolution is over I can go back to Myanmar.

LE

We are in second county and we have the only choice to go to [a] third county. Really, I want to return [to] my country again. I love Myanmar. I want to live in this country, but now I can’t live in Myanmar. The military group want to kill me.

#threefingers for Myanmar campaign

March 21, 2021 in Comment, General, News

The Surreal McCoy writes:

In collaboration with artists and creatives in Myanmar (formerly Burma), PCO are running #threefingers a social campaign in support of local cartoonists and artists, and in recognition of the deteriorating situation there. A landslide election for the National League for Democracy party was overthrown by a brutal military coup on February 1, 2021, sparking a national Civil Disobedience Movement (CDM). 

Cartoon © Steve Bright

PCO members have been drawing a selfie giving the three fingered salute in solidarity with the movement. The three-fingered salute has become a symbol of resistance in protest and in art. Across the milk tea nations, from Myanmar to Thailand to Hong Kong, the gesture represents a global solidarity for democracy, defiance against tyranny, and the fight for freedom.

Cartoon © Dave Brown

The Tatmadaw (Burmese Army) has cracked down hard on protestors, as they have in previous civil uprisings. They have reigned with terror in Myanmar’s border states for generations, leading a vicious campaign to remove the Rohingya minority from the country, in 2017.

Cartoonists protest in Yangon.

Myanmar artists have used their art to project the nation’s voice and call upon artists and allies from all nations to raise three fingers for human rights, freedom and democracy.

Cartoon © Zunar

We are partnering with the Burma Campaign UK and Three Fingers.org, to bring the campaign to a global audience. The artwork will be displayed on the site with a view to selling (with the creator’s permission). All proceeds will be directed to Mutual Aid Myanmar, an organisation assisting civil society in Myanmar.

Cartoon © Kerina Stevens

Please retweet/repost whenever you can with the hashtag #threefingers and these social media handles:

https://twitter.com/Raise3Fingers

https://www.instagram.com/raise3fingers/

https://www.tiktok.com/@raise3fingers

Cartoon © Jeremy Banx

Cartoon © Rupert Besley

Cartoon © Steve Jones

Cartoon © Des Buckley

Cartoon © Martin Rowson

The PCO Cartoon Review of the Year 2020

December 28, 2020 in General, Links, News

Cartoon by © Andy Davey.

Glenn Marshall wrote:

Once more my friends it’s time for the PCO Cartoon Review of the Year, featuring work from members of the PCO (speech) bubble. It’s been a difficult year to find humour in, although it would be a nightmare for cartoonists if any year was filled with just love, joy and kittens! I ended last year’s review with “So what fresh horrors will 2020 have in store?” – how little did we know!

As we chase off 2020 (envisioned above by Andy Davey for The Telegraph) one story seems to have dominated this year’s review over all others. Just for fun, see if by the end you can spot which one it is?

Cartoon by © Dean Patterson

To start us off the this cartoon by Dean Patterson sums up the year in one image.

Cartoon by © Andrew Fraser

Some family entertainment by Drew in Private Eye.

Cartoon by © The Surreal McCoy

This cartoon by Ms McCoy was from Lockdown 1.0 but works equally well now for Lockdown 2.5 (and counting)

Cartoon by © Matt Percival

…and from check-in let’s move on to the baggage area with a Percival cartoon reclaimed from The Spectator.

Cartoon by © Nick Newman

Nick Newman in the The Sunday Times on the looooong running Dom Com. In a questionnaire in The Sunday Times Nick recently cited this cartoon as a favourite he’d done this year.

Cartoon by © Glenn Marshall 

Some testing times for Cummings back in May.

Cartoon by © Rebecca Hendin

Rebecca Hendin’s very own lockdown guidelines appeared in the New Statesman.

Cartoon by © Jeremy Banx

Masker vs Anti-masker featuring Batman and Superspreader from Banx in the Financial Times. Jeremy was recently voted ‘Pocket Cartoonist of the Year’. You can see a report on the awards by PCO Chair-human Clive Goddard on the PCO YouTube Channel.

Cartoon by © Clive Goddard

…and talking of Clive Goddard.- in other news (was there any other news I hear you ask?) here’s Harry and Meghan doing some extreme social distancing from the family by Clive.

Cartoon by © Steve Bell

Can’t a have a cartoon review of the year without some Donald – hopefully not so much in next year’s! This splendid reworking of the Delacroix painting  ‘Liberty Leading the People’ (more like ‘Liability Bleeding the People’) is by Steve Bell in The Guardian. Steve was voted ‘Political Cartoonist of the Year’ in the afore-mentioned awards.

Cartoon by © Andy Davey

…and in The Daily Telegraph Andy Davey poured ‘Scorn’ (other bleaches are available) on Donald Trump.

Cartoon by © Sarah Boyce

The Black Lives Matter movement started after the killing of George Floyd in Minneapolis. Here is a creative twist on the phrase from Sarah Boyce published in PE.

Cartoon by © Rupert Besley

INTERLUDE: As a diversion from relentless bad news stories here’s a lovely, soothing cartoon and drawing from Rupert Besley.

Cartoon by © Chris Williams

School days are supposed to be the haPPEiest of our lives! Here’s Dink on the return to school in September.

Cartoon by © Tat Effby

The taking down of public statues also led on from the birth of Black Lives Matter. Later in the year there was a furore about the Mary Wollstonecraft memorial sculpture by artist Maggi Hambling. Tat Effby successfully clashes the two stories with a nude Clive of India.

Cartoon by © Steve Jones

In lack of live Entertainment News: Jonesy reports for Private Eye on the new rules for theatre goers…

Cartoon by © Kipper Williams

…and Kipper Williams took us to the cinema in The Spectator.

Cartoon by © Royston Robertson

Excellent cartoon from our technology correspondent Royston Robertson. I think we’re all suffering from a bit of this, indeed I’m sure I have ‘Long Zoom Fatigue’

Cartoon by © Martin Rowson

Didn’t have to have my arm twisted to use this pretty bullying cartoon by Martin Rowson for Kevin Maguire’s The Mirror column.

Cartoon by © Graeme Bandeira

In sports news Graeme Bandeira puts his hand to a caricature of Maradona for The Yorkshire Post. For some bonus content you can see Graeme’s cartoon that won ‘Political Cartoon of the Year’ in the awards report mentioned earlier,

Cartoon by © James Mellor 

In more sports news James Mellor takes to the fairways. Like many I took up indoor grouse shooting.

Cartoon by © Guy Venables

Back to Trump who, at time of going to press, STILL hasn’t lost the election. This by Guy Venables in his regular slot for The Metro.

Cartoon by © Ed Nay

Clever drawing by Nay. Can you see what is yet?

Cartoon by © Steve Bright

A contender for Man(iac) of the Year, the dyed-hair Trumpublican attorney Rudy Giuliani. I loved this caricature by Brighty.

Cartoon by © Pete Dredge

A substantially funny cartoon from Pete Dredge served up in The Spectator.

Cartoon by © Pete Songi

A fabulous homage to Hogarth’s ‘Gin Lane’ by Pete Songi culled from Martin Rowson’s twittersphere #Draw2020challenge.

Cartoon by © Dave Brown

Talk about Johnson being out of his depth with everything from PPE, Cumming’s eye tests, track and disgrace etc etc etc, You feel Boris just hasn’t got it….well he did get it, but you know what I mean. This from The Independent by Dave Brown really sums up Boris’ year.

Cartoon by © Roger Penwill

Roger Penwill takes to the road for ‘Roadway’ (the magazine from the Road Haulage Association). It’s about the Kent lorry parks post Brexit, but became even more relevant with the closed border before Christmas.

Cartoon by © Wilbur Dawbarn

This BBC balanced offering from Wilbur plucked from The Spectator…

Cartoon by © Zoom Rockmann

…and more Christmas fun. This taking the Santa knee from Zoom Rockman in the Private Eye Christmas special..

Cartoon by © Chris Burke

Let’s end the year with this lovely festive offering from Chris Burke, it’s what we all wanted in our stockings this year.

So a Happy? New Year from all at PCO megacorp.

Now, I wonder what fresh horrors 2021 will have in store?

Cartoon by © Martin Rowson for The Mirror Kevin Maguire column.

 

Shrewsbury Cartoon Festival – The Exhibitions!

October 20, 2020 in Comment, Events, General

Exhibition poster cartoon by festival organiser © Roger Penwill.

Lovely to see a REAL cartoon exhibition on REAL walls! Shrewsbury Cartoon Festival may have been cancelled earlier in the year but the accompanying ’20-20 Vision’ show lives on at the wonderful Bear Steps Gallery in Shrewsbury. It opened this week and features 70 cartoons by 43 cartoonists including Steve Bell, The Surreal McCoy, Pete Dredge, Jonathan Cusick, Tat Effby, Wilbur Dawbarn, Ralph Steadman, Royston Robertson, John Landers, Steve Best, Jeremy Banx, Kathryn Lamb, Sarah Boyce, Tim Harries, Glenn Marshall, Andy Davey, Clive Goddard & Zoom Rockman.

The Bear Steps Gallery, a fifteenth century restored building. Photo © Glenn Marshall.

There is also a bonus exhibition in the upstairs gallery of cartoons responding to the coronavirus pandemic.

Photo of the team hanging the artwork last Sunday © Tony Clarkson.

The PCO blog featured some of the cartoons selected for the ‘Vision’ exhibition earlier in the year and you can see them here.

Another photo of the hang © Tony Clarkson.

Here is a selection from the ‘No One Saw It Coming’ coronavirus cartoons display.

Ralph Steadman did a HUGE painting. A video of him in action as he creates it is displayed next a much smaller print of the work.

Cartoon © Ralph Steadman.

Cartoon © Peter Schrank

Poignant cartoon by Peter Schrank about isolation, particularly for the elderly and vulnerable during lock down.

Cartoon © Steve Bell.

Unsurprisingly Boris featured heavily in the exhibition. This by The Guardian’s Steve Bell…

Cartoon © Andy Davey.

…and another from Andy Davey.

Cartoon © Chris Williams

…and yet another. This by ‘Dink’

Cartoon © Grizelda.

Over-indulgence cartoon from Grizelda…although some of us didn’t drink sensibly even before the pandemic.

Caricature © Jonathan Cusik.

Fine caricature of Chris ‘Now Go Wash Your Hands’ Whitty by Jonathan Cusick.

Cartoon © Pete Dredge.

Back to school with Dredge.

Cartoon © Ken Pyne.

Ken Pyne takes us on holiday….remember those?

Cartoon © Royston Robertston…and Phil.

Pirate material by Rrrrroyston Rrrrrobertson.

Cartoon © Henny Beaumont.

No exhibition on this theme would be complete without a wave to the super-spreader himself. Henny here channeling Hokasai.

Cartoon © The Surreal McCoy.

Finally as we head into the second wave this cartoon by the Surreal McCoy seems perfectly timed.

Through the exhibition run we’ll be publishing more of the ‘No One Saw it Coming’ exhibits across the vast PCO media empire so keep an eye on our Facebook (@UKProfessionalCartoonists), Twitter (@procartoonists) and Instagram (@procartoonists) feeds.

For more Covid ‘fun’ we published a selection of infectious laughter earlier in the year here.

The exhibition at Bear Steps runs until 31st October and the gallery is open 10.00am – 4.0pm daily. (Covid measures at the gallery: hand sanitiser at the door, 6 visitors at a time with an eye kept on flow, in one door out through another. Face coverings to be worn)

Puppet caricature © Jonathan Cusik.

Here’s a fine video of the cartoon-form Mayor of Shrewsbury Philip Gillam introducing the show.

Congrats to all those involved from Shrewsbury International Cartoon Festival and Bear Steps Gallery for putting the shows together in tricky times. Fingers tentatively crossed that the festival can return in all its glory next Spring!

  • Thanks to festival committee member Sarah Knap for extra info in this post.