You may have noticed a lack of blog posts last week, this was caused by various changes going on behind the scenes to this website. To make it up to you, we offer an early round-up of cartooning links this week, as later we’ll be concentrating on this week’s Shrewsbury Cartoon Festival (April 19-22).
First up, you may have noticed that it’s 100 years since a certain large boat sank, and if you’ve not had enough of the excessive media coverage, here’s Bob Mankoff of the New Yorker on The world’s largest comedy cliche. We also revisit the definitive cartoon on the subject, above, originally in Punch in 1968, by the Procartoonists.org patron Bill Tidy.
Still on matters New Yorker, Liza Donnelly has transcribed one of her talks so you can read it on her blog: Word and image: The art of cartooning. And Carolita Johnson outlines her somewhat unusual career trajectory for the women’s website The Hairpin inHow to become a cartoonist in about 20 jobs.
Robert Crumb continues to be lauded by the art establishment in France, where he lives, and talks to AP about how odd he still finds it to see his art on walls in galleries. And talking of Art with a capital A, Charles Saatchi has his eye on a cartoonist.
Here’s something of which we were aware, from the AOI’s magazine, Varoom, but we hadn’t realised was now online. It’s a great read too. Martin Colyer, design director at Reader’s Digest, talks to cartoonists John Cuneo, Steve Way and Tom Gauld aboutThe process of cartoons.
Mark “Andertoons” Anderson does a bit of soul-searching on his blog and tells us Why I’m a cartoonist.
The popular DC Thomson comic strip The Numskulls is 50 years old, so comics artist Lew Stringer looks at how this story of little people in our heads fascinates and considers its many imitators, in Variations on a small theme.
The little people in my head tell me that’s enough links to be going on with. Expect Shrewsburyness tomorrow.